After years of a happy marriage and producing a family, the husband of a catholic woman gets sick. This takes her into a whirl of rancor and hate that drives her to the destruction of her marriage, her family and the things that she loved most.
Voz
After years of a happy marriage and producing a family, the husband of a catholic woman gets sick. This takes her into a whirl of rancor and hate that drives her to the destruction of her marriage, her family and the things that she loved most.
2022-09-16
5
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
A cheerful parking attendant considers it his job to do more than validate parking. He wants to validate the customers themselves, delivering compliments about their appearances and the inner qualities behind them. Everyone who comes up to him with a ticket walks away validated as a worthwhile human being. Soon, the parking attendant becomes so popular that people line up for validation...
A young man returns from Rome to his sister's satanic New York apartment house.
Linkin Park have taken their expansive rock show to seemingly every corner of the globe, but they've never played Moscow's Red Square (to be fair, very few acts ever have). But now, thanks to the power of Michael Bay and "Transformers: Dark of the Moon," they can finally cross it off their list.
Tracklist: 01. Shipyard overture (Industrial revolution) 02. Suite for flute 03. Oxygene 2 04. Tribute to Chopin 05.Aero 06.Oxygene 4 07. Souvenir 08. Space of freedom (March 23) 09. Theremin memories 10. Chronology 2 11. Mury 12. Chronology 6 13. Oxygene 8 14. Light my sky 15. Tribute to Jean Paul II (Acropolis) 16. Rendez-vous 2 17. Vivaldi "summer- presto" 18. Oxygene 12 19. Rendez-vous 4 20. Solidarnosc (Oxygene 13) 21. Aerology (Remix) 22. No Comment: Alternative shots 23. Concert teaser Darsteller: Jean Michel Jarre Musik: Jean Michel Jarre, Luis Llach
A project spanning three years of production and research, Lion is a collection of 7 short films exploring the Chernobyl disaster, the nature of radiation, memory, and personal history. Conceptually arranged in to a film “album”, Lion’s seven works navigate atomic fallout and a girl’s adolescence, a dream before death, radiation as a cause and cure for cancer, masculine bravado, feminine obsession, a trip to Chernobyl amongst the death of a matriarch, and the destruction of memory. Composed of seven works, Lion is a series of films created on 16mm and hand processed with darkroom techniques that mimic the effects of radiation on film. Researched in Chernobyl, the series is a product of memories, history, pop culture and technical experiments to create visual representations of invisible forces.
In this second part, the devil (Alfonso Zayas) returns to earth in search of a cure for his loss of masculinity; while Gerardo (Jorge Rivero), the rich and handsome character, continues to seduce his beloved.
A filmed manifesto about our trans bodies, their beauty, their glory and their ability to evolve with us along the way.
The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.
Ed Okin used to have a boring life. He used to have trouble getting to sleep. Then one night, he met Diana. Now, Ed's having trouble staying alive.
During the independence war of Bangladesh in 1971, a father who lives in village, decides to stay back at home to help all the family members to escape to safety. The Pakistani army has headed towards their home for a sudden reason , will the father make it through?
On the day of the pandemic of corona virus in Bangladesh , the story of the movie revolves around a Bangladeshi garments worker. At home, she has a mother, a younger sister and a restless father. Can a garments worker go to her mother who lives in village ? Can she buy red clothes and shoes for her sister? Or not.
A woman who desperately wants a baby asks a girl who is considering abortion to give her the baby instead. The two arrive at an isolated vacation home to spend time in seclusion until the girl gives birth to a baby, but they unexpectedly encounter a mysterious young painter and some criminal hunters.
A man becomes lured into a fictional game his ex-girlfriend has initiated. Sexually ensnared by her, and now realizing the fragility of the border between the real and the imagined, he begins to unravel. He convinces himself that if he can only write an ending to his life story, he can regain control of his life. But playing with fiction is not an innocent game…
Two girls clean places after somebody dies there. Sometimes they sell the belongings of the dead at a flea market. When they meet an odd guy who has a passion for boxes, a strange game unfolds. An unconventional love story about the oddity of ordinary things. Eccentric and natural at once.
Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
A woman named Kit moves back to her parent's house, where she receives a mysterious invitation that would fulfill her childhood dreams.
After being sent to stay with his grandfather, a Cheyenne teen uncovers a connection to his family and community in a way he never thought possible.
Johan is busy destroying his relationship to his girlfriend Julie. He's no longer himself, and he behaves egoistically and without emotions towards her. It is only a question of time before the love, that once was, is gone. Early one morning after a night out Johan meets a stranger. A man who confronts Johan with his cynical and destructive path.
Two tortured souls. Two dirty confessions. One fateful night.
When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.
Fernando is attracted to his best friend. They skip class together and go camping in the woods.
Duk-jae is being overlooked at his marketing job and sublimates his unhappiness by getting drunk after work. His boss tells him he’ll be fired if he doesn’t land a contract renewal for Club Hawaii, an establishment where men come to cross-dress in a safe and fun environment. The club owner is willing to renew the contract but only on one condition: that Duk-jae participates to get into the mindset of the membership.
In the depth of a dry valley, there are two boys named Yu-bin and Geon, who are each other’s one and only friends. The dry stream serves as the best hideout and playground for them, but nobody seems to understand.
An 18-year-old boy named Haewon hates his father for being unfaithful to his mother. In the same apartment block, Ha-young becomes an orphan after her father passed away. One night, they decide to take revenge on the irresponsible adults.
1930s, in the highlands of Jalisco. Emilia, a teenager, silently lives her sexual awakening with her adopted siblings, Caro and Martín. In search of her freedom, she flees into the bush where she poses as a young muleteer to survive among the living and the dying, among guards and deserters, unaware that Martín is stalking her. Emilia's path will lead her back to the ranch to defy her destiny and escape with Caro.
Based on the story by Charles Dickens. Filmed in Toledo, Ohio, U.S.A. Preserved by the Oesterreichisches Filmmsuem, Vienna and Temenos Archive, Zurich.
Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.
Mother rules the house with an iron hand and has such power over her daughters that they see themselves as becoming old unmarried, maids. Jodie has feelings for the local doctor, a man much older than her, for which her mother strongly disapproves. Beth finds a relationship with a male stripper in Bristol, but sees nothing in the future with Mother around. While both girls would like to be rid of Mother, nothing happens until Jodie sees images of H. R. Armstrong, the man who put the town on the map by dispatching his un-loving wife