Tomas is a young man who is caught up in a vicious circle of pain and grief, after the mysterious death of his father. This activates several demons and moments from his past that have come to haunt him. Will he be able to move forward?
Tomás
Asesino (Padre/Father)
Presonaje Emmascarado (Masked Man)
José (Hermano/Brother)

Tomas is a young man who is caught up in a vicious circle of pain and grief, after the mysterious death of his father. This activates several demons and moments from his past that have come to haunt him. Will he be able to move forward?
2019-09-10
0
Bergman, pain, grief, David Lynch, The Man In Constant Sorrow
6.9An anthology of eleven vignettes featuring star-studded casts of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.
7.2In Munich 1955, German film star Veronika Voss becomes a drug addict at the mercy of corrupt Dr. Marianne Katz, who keeps her supplied with morphine. After meeting sports writer Robert Krohn, Veronika begins to dream of a return to stardom. As the couple's relationship escalates in intensity, Veronika begins seriously planning her return to the screen -- only to realize how debilitated she has become through her drug habit.
5.6A heroin junkie works as a prostitute to support his habit and fund an abortion needed by the girlfriend of his lesbian wife. His seedy encounters with delusional and damaged clients, and dates with drag queens and hustlers are heavy on sex, drugs and decadence.
7.2London, 1843. Ebenezer Scrooge, a bitter old man, despises the Christmas holiday. Over the course of Christmas Eve night he is visited by three ghosts to show him his past, present and future.
6.8When their regal matriarch falls ill, the troubled Vuillard family come together for a hesitant Christmastime reunion. Among them is rebellious ne'er-do-well Henri and the uptight Elizabeth. Together under the same roof for the first time in many years, their intricate, long denied resentments and yearnings emerge again.
0.0Because of the internet's accessibility, anonymity, and affordability, pornography addictions have risen to epidemic levels, destroying intimacy, marriages and families, while distorting our definition of sex and sexuality.
6.5A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.
7.4Three young Irish women struggle to maintain their spirits while they endure dehumanizing abuse as inmates of a Magdalene Sisters Asylum.
7.1A socially awkward and volatile small business owner meets the love of his life after being threatened by a gang of scammers.
6.9A seasoned actor and a pop star are cast as leads in a gay romantic play. As the actor teaches the pop star method acting, the line between fiction and reality is blurred and they become drawn to each other.
6.5The happy home life of a high school student who lives with her loving stepfather is put in jeopardy by a painful family secret.
5.7A young man cares for his younger sisters after their mother is imprisoned for murdering their abusive father. When he strikes up an affair with a married woman, long-dormant family secrets bubble to the surface.
9.0"Fag End" is an astute representation of the metaphorical death of a mother. The movie revolves around a girl named 'Tania', a victim of smoking and alcohol abuse, going through the process of In vitro fertilization. When it comes to alcohol and smoking, an abuser is overlapped with the tendencies of both alcoholism and chain smoking wherein one is subjected to intense cravings, followed by untoward mental as well as physical detention. Things go downhill one morning, as she relapsed the night before and she suffers a miscarriage. Does it not leave us with the raucous screams of the unborn?
7.4Spain, 2003. An accidental discovery leads Clarence to travel from the snowy mountains of Huesca to Equatorial Guinea, to visit the land where her father Jacobo and her uncle Kilian spent most of their youth, the island of Fernando Poo.
0.0Three stories are intertwined in a land, Friuli, in the North-East of Italy, which extends along a triple border. The stories of Irene, a Carnian, Christian girl; Pavel, Ukrainian and Jewish; Mehdi, Iranian and Muslim. Udine. A beautiful city, but one that is perceived as cold and inhospitable by emigrants. Pavel and Mehdi are illegal immigrants, who share an apartment - and concerns about social matters - in the “ghetto” of Via Roma. In love with Pavel, Irene tries to help them, but her surge of solidarity goes perhaps too far, and she regrets it. Mehdi lives obsessed with an ancient guilt: his fragile soul is attracted to Evil. Predestination and moral choice. Two alternatives? Subjection to freedom of Good or Evil. What will the protagonists choose?
5.6Pushed to the breaking point by Simon, her psychologically abusive boyfriend, Alice becomes an unwitting participant in an intervention staged by her two closest friends while on vacation. As she rediscovers the essence of herself and gains some much-needed perspective, she slowly starts to fray the cords of codependency that bind her. However, Simon's vengeance is as inevitable as it is shattering, and once unleashed, it tests her strength, her courage, and the bonds of deep-rooted friendships.
6.7When 13-year-old Tracy befriends Evie, the most popular girl in school, her life is turned upside down as Evie introduces her to a world of sex, drugs, and money. But it isn’t long before Tracy’s new lifestyle begins to take a heavy toll on her and her family.
6.0A young woman is horrified to discover that her father's new girlfriend looks identical to her dead mother.
5.9Susana leaves her life in Paris, where she works as a model, and returns to Madrid to take care of her grandmother Pilar.
6.6In 1950s Mexico City, William Lee, an American ex-pat in his late forties, leads a solitary life amidst a small American community. However, the arrival in town of Eugene Allerton, a young student, stirs William into finally establishing a meaningful connection with someone.