Frequently after talking to another artist, Todd Anderson-Kunert found himself thinking of another question he would have liked to have asked them, but didn’t. This film is about what happened if he did ask those questions. Between 2014 and 2017, in and around Melbourne, Australia, he conversed with a selection of 31 sonic artists, each time for 30 minutes. These conversations were edited down, each time finding a new question he wished he had of asked. This question was used as the starting point for the next conversation with a completely different artist. This documentary film follows that process. The conversation engages with a variety of themes, including temporality, performance, fragility, recording, artistic development, and creative process. It also offers an insight into some of the experimental sound communities operating within Melbourne, Australia.
Frequently after talking to another artist, Todd Anderson-Kunert found himself thinking of another question he would have liked to have asked them, but didn’t. This film is about what happened if he did ask those questions. Between 2014 and 2017, in and around Melbourne, Australia, he conversed with a selection of 31 sonic artists, each time for 30 minutes. These conversations were edited down, each time finding a new question he wished he had of asked. This question was used as the starting point for the next conversation with a completely different artist. This documentary film follows that process. The conversation engages with a variety of themes, including temporality, performance, fragility, recording, artistic development, and creative process. It also offers an insight into some of the experimental sound communities operating within Melbourne, Australia.
2017-05-11
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Shot mostly at Uluru, the rock in the heart of Australia. The extreme heat damaged the emulsion of the film which is subsequently incised by the filmmaker. A ceremonial death and rebirth. The soundtrack was made by the Orchestra of Skin and Bone comprising of Ollie Olsen and John Murphy. The aborigines were from Narwietooma Station. 16mm.
In 1832 the government of Van Diemen’s Land sent the last Aboriginal resistance fighters into exile at Wybalenna on Flinders Island, bringing an end to the Black War and opening a new chapter in the struggle for justice and survival by Tasmanian Aboriginal people. Black Man’s Houses tells a dramatic story of the quest by Aboriginal people to reclaim the graves of their ancestors against a background of racism and denial. Documenting a moving memorial re-enactment of the funeral of the great chief Manalargenna, the film also charts the cultural strength and resilience of his descendants as they are forced to fight for recognition in a society that is not ready to remember the terrible events of the past.
Everyday life in the Waks household is a logistical challenge of monumental proportions. There are two minibuses to move the family around and the kitchen in its suburban Melbourne home has five ovens for kosher cooking. The family follows an orthodox form of Judaism. School, work, synagogue and socialising all take place within a tight-knit Jewish community.
Over four decades, Motorhead frontman Lemmy Kilmister has registered an immeasurable impact on music history. Nearly 65, he remains the living embodiment of the rock and roll lifestyle, and this feature-length documentary tells his story, one of a hard-living rock icon who continues to enjoy the life of a man half his age.
Peter Whitehead’s disjointed Swinging London documentary, subtitled “A Pop Concerto,” comprises a number of different “movements,” each depicting a different theme underscored by music: A early version of Pink Floyd’s “Interstellar Overdrive” plays behind some arty nightclub scenes, while Chris Farlowe’s rendition of the Rolling Stones’ “Out of Time” accompanies a young woman’s description of London nightlife and the vacuousness of her own existence. In another segment, the Marquess of Kensington (Robert Wace) croons the nostalgic “Changing of the Guard” to shots of Buckingham Palace’s changing of the guard, and recording act Vashti are seen at work in the studio. Sandwiched between are clips of Mick Jagger (discussing revolution), Andrew Loog Oldham (discussing his future) – and Julie Christie, Michael Caine, Lee Marvin, and novelist Edna O’Brien (each discussing sex). The best part is footage of the riot that interrupted the Stones’ 1966 Royal Albert Hall concert.
Stooge is a feature documentary about Robert Pargiter, Iggy Pop's No1 fan. It covers the three years leading up to his 50th birthday when he tries to track his hero down in a final absolution. His journey has taken him all over the world in search of redemption after years of struggling with addiction, of coping with depression, and of celebrating the communal lust that is Rock'n Roll.
Conductivity is a film about creative leadership told through the story of three young conductors at the prestigious Sibelius Academy in Helsinki, Finland; I-Han Fu (Taiwan), Emilia Hoving (Finland) and James Kahane (France). When stepping on the podium, they are put under a magnifying glass. Conductor training, in essence, is leadership training. The film gives a unique viewpoint to follow the students, as this is the first film about conductor training at the Sibelius Academy.
A documentary that portrays the reality of a trans man, trying to portray him as a person, an artist and a human being. At the same time, the hard and true reality of the transition from the initial stage to the current stage, a documentary with a different aesthetic, showing the world transsexuality through the experience of a trans man.
A look at the life and music of legendary singer and civil rights activist, Mavis Staples.
Mauro Mateus dos Santos was known by another name: Sabotage. Growing up amidst poverty in São Paulo, the musician, who became a legend after his death, is one of the most important names in national rap.
The film chronicles Nina Simone's journey from child piano prodigy to iconic musician and passionate activist, told in her own words.
As if they were showing their film to a few friends in their home, the Johnsons describe their trip across the world, which begins in the South Pacific islands of Hawaii, Samoa, Australia, the Solomons (where they seek and find cannibals), and New Hebrides. Thence on to Africa via the Indian Ocean, Suez Canal, North Africa, and the Nile River to lion country in Tanganyika. (They are briefly joined in Khartum by George Eastman and Dr. Al Kayser.) Taking a safari in the Congo, the Johnsons see animals and pygmies, and travel back to Uganda, British East Africa, and Kenya.
When modern artists embrace her forgotten album "Just Another Diamond Day," failed U.K. folk singer Vashti Bunyan experiences popularity like never before. This documentary profiles her disappointing career and astonishing resurgence 30 years later. Featuring interviews with Andrew Loog Oldham, Joe Boyd and Robert Kirby, this charming movie follows Bunyan as she takes a nostalgic road trip and prepares for the biggest concert of her life.
Directed by German filmmaker Rüdiger Nüchtern, this behind-the-scenes rock documentary captures Amon Düül II, as the progressive rockers record their debut album, "Phallus Dei," in a Munich recording studio in 1968. Blending performance footage with a collection of psychedelic nature clips, Nüchtern's meditative film captures the true essence of the legendary krautrock collective. The movie premiered at the Edinburgh Film Festival.
Erbarme dich - Matthäus Passion Stories is a labyrinthine narrative in which notables such as Peter Sellars, Emio Greco, Simon Halsey and painter Rinke Nijburg explain their special relationship with Bach’s St Matthew Passion to Ramón Gieling (Johan Cruijff: en un momento dado). They speak against the backdrop of a church which has fallen into disrepair, while a choir of homeless people and Pieter Jan Leusink’s Bach Choir & Orchestra rehearse the Passion. Leusink isn't just the conductor, he is one of the main characters himself, with a painful past in which this musical piece has played a dominant role. Stories from the others alternate seamlessly with this. We learn how the St Matthew Passion played a decisive role in the relations between men and women, fathers and sons, fathers and daughters, mothers and their unborn children, and finally that in spite of our differences we all find a common denominator in the secret of Bach's music.
Recorded at the breathtakingly beautiful Red Rocks Amphitheater in Colorado in 1983, this concert features Irish rock sensation U2 and front man Bono in their early glory days. Including five previously unreleased songs and a director's commentary.
Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.
"Where's The Snow?!" is the electrifying and compellingly-unique story of the most insane music festival you've never heard of - welcome to Iceland Airwaves
'A Beautiful Fucking Experience,' is a feature length documentary that celebrates music, in particular the live music experience, as told through the journey of The Flaming Lips on their Guinness world record breaking 24 hour tour through the Mississippi Delta.
Imperfect Harmony is a film about musical control, explored through a clash between two maestros: avant-garde rebel and Holland’s best-known composer, Louis Andriessen, and chief conductor at Amsterdam’s Royal Concertgebouw Orchestra, Mariss Jansons. Half a century ago Andriessen vowed he would never compose for a symphony orchestra again. But, against all the odds and after much deliberation, he has agreed to do so. The occasion is the Concertgebouw Orchestra’s 125th jubilee year concert and the commission is a present from the Concertgebouw to the orchestra.