Přehlídka(1951)

The Arc de Triomphe: A Nation's Passion(fr)

The pride of Napoleon's victories, the Arc de Triomphe, whose first stone was laid in 1806 at the top of the Champs-Élysées, is, along with the Eiffel Tower, one of the most visited monuments in the French capital. Wanted by an emperor, inaugurated under the reign of a king (Louis-Philippe) and sanctuarized by the Republic, this patriotic temple polarizes the passions of a whole nation. A historical portrait before "packaging", which teems with anecdotes and unsuspected details.

Jsme připravení(cs)

The Parade of Serbian Army in Bitola(mk)

The parade of Serbian army in Macedonian town.

盛世大阅兵(zh)

Victory Parade(ru)

Soviet Documentary film of the 1945 victory parade in Moscows Red Square.

The New Amazon(xx)

This intriguing and beautifully-shot newsreel features sea-faring heroes, feisty females and a generous lick of paint for a Mississippi steamship.

Annual Inspection of the Bodyguard by His Excellency Lord Lytton(en)

The Governor of Bengal and family - on and off duty.

开国大典(zh)

Following the Steps of Knightly Fathers(sh)

The Yugoslavian Royal Army's review at the Banjica neighborhood of Belgrade in 1940.

Christmas Church Parade(en)

Recruits of Lord Kitchener's 'New Army' parade on Christmas morning.

俄罗斯纪念卫国战争胜利80周年阅兵仪式(zh)

2019阅兵盛典(zh)

Buongiorno natura(it)

A weekend in the mountains.

What the Wind Took Away(ku)

"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)

Amal(ar)

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.

East of Walbrzych(fr)

Dans la forêt de Borek(fr)

September September(de)

"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. " (Claus Löser in "Gegenbilder")

Models: The Film(en)

Chronicles five of fashion photographer Peter Lindbergh's muses, the supermodels of the early 1990s.