A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients. But nothing is what it seems. Behind the gates of the drugstore the story will unfold in two times. On one side, to the inevitable end: the police will shoot their way inn. And on the other side, to the past, unveiling how Jesús got caught in this situation, where the hostages are not the real victims, but something more sinister. Retracing step by step, reveling the truth, playing with the prejudices and beliefs of the audience on racial hate, social prejudices, and the intolerance. How far are we willing to go to survive?
A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients. But nothing is what it seems. Behind the gates of the drugstore the story will unfold in two times. On one side, to the inevitable end: the police will shoot their way inn. And on the other side, to the past, unveiling how Jesús got caught in this situation, where the hostages are not the real victims, but something more sinister. Retracing step by step, reveling the truth, playing with the prejudices and beliefs of the audience on racial hate, social prejudices, and the intolerance. How far are we willing to go to survive?
2013-11-18
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During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.
While doing a friend a favour and searching for a runaway teenager, a police detective stumbles upon a bizarre band of criminals about to pull off a bank robbery. The screenplay by Christopher Cannan and Steve Barancik is based on the short story "The House in Turk Street" by Dashiell Hammett.
Joe Dekko, small time thief, finds himself under a bridge with a bullet in his head. That was just the beginning.
Threatened with recapture after a prison escape, Martin Stechert grabs a 12-year-old as hostage. He proves to be named Martin, too a quiet "good little boy" always obeying the rules, whom life has given only dismal loneliness and frustration in return. Soon he begins to admire "Stech" for his cheeky pranks against society and his desperate mission to make dreams come true. In a climactic moment, he chooses to stay with the man even though he could run away. Via hijacks and hijinx, they flee to the idyllic peace of the older Martin's childhood home, a cabin on a lake. But the police are close behind, impatient and trigger-happy.
A man strolling in a city street is attacked by three assailants. A policeman comes to the rescue and the men struggle with each other.
A reclusive, blind photojournalist lives quietly in a New York penthouse with her boyfriend, until a smooth but sadistic criminal looking for a hidden fortune enters her life.
When inexperienced criminal Ben holds up a small-town restaurant, the poorly-planned robbery spirals into a hostage crisis beyond his control. Trapped inside with him is his girlfriend, manager Adie Graham, a cunning sociopath who masterminded the theft to cover up evidence of her embezzlement. As Ben tries to keep her involvement a secret whilst negotiating with the police, Adie plays a dangerous game of deceit and manipulation, willing to do anything and everything to come out on top - no matter who gets hurt.
Thieves decide to steal the money an old miser has hidden away. He refuses to open the safe for them, so they threaten to kill a little girl who lives in his building.
The movie dramatizes the last Indian uprising in Argentina, which happened in the north of the country, in the Chaco region, in the early 1900s.
Some Argentinians, exiled in Paris, decide to put on a tango-ballet, dedicated to Carlos Gardel, a legendary Argentinian tango star.
Follow the adventures of Kiss of the Spider Woman scribe Manuel Puig portrayed by Fabio Aste, who left Argentina after being persecuted for his homosexuality and settled in exile in Rio de Janiero in this intimate drama from filmmaker Javier Torre. Though life in Rio was full of romance and adventure for Manuel, the controversy surrounding him grew ever more intense, until the only way out was a trip back to his native Argentina. In the years that followed, Puig eventually made the painful decision to move to Mexico, where he spent his final days until death caught up with him at the age of fifty-eight.
In this offbeat thriller, Ann is a young woman trying to put her life back together after she lost her child in a car wreck. Formerly a single mother, Ann has recently started dating a man named Tom, and one day Tom asks Ann for a favor -- would she be willing to baby sit for his boss' daughter? Ann agrees, and she soon finds herself becoming quite fond of the little girl. However, before long, Ann discovers Tom has something less than honest up his sleeve
On an ocean liner crossing a professional gambler comes to the aid of a naive young man victimized by a jewel thief. The young man turns out to be his son he's not seen since infancy.
A player wife, Nancy, who holds elegance to disguise their poverty while waiting for a wealthy man appears and deal with it, talk to the old man begging at the door of a casino. Soon after, a mysterious suitor offers a life of luxury.
A father and son go on the run after the dad learns his child possesses special powers.
Floreal, an introspective young man, is forced to confront a past he tried hard to overcome. A past that involves his eccentric grandmother Amanqay and a power stone she left behind.
In her search for her biological father, after a long journey eastbound, Suzanne discovers a shrouded and horrifying part of her own past, that turns her greatest dream into a dark nightmare.