In times of necessary physical distancing, ten couples from the filmmaker’s hometown allow the cameras into their homes not to disturb but capture any delicate exchange.
In times of necessary physical distancing, ten couples from the filmmaker’s hometown allow the cameras into their homes not to disturb but capture any delicate exchange.
2021-01-22
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A Manobo tribe flees from fear only to find themselves in another dreadful situation: a lockdown due to the pandemic.
Filming in a Time of Uncertainty is a short documentary film that follows a small team of filmmakers, who are based in the region in Mindanao, as they struggle to shoot a film amidst the trying times of the pandemic. And how they were able to comply with the community's minimum health guidelines, while observing the basic health care, in spite of the intricacies of the film industry’s standard health protocols.
A tribute to the people that we fear to lose, and for the ones that we have lost. It is a story about the fear that we have to face as the new normal.
A young entrepreneur meets a group of coffee farmers and finds the inspiration to continue despite the pandemic.
A woman with falling hair, anxious about her online work, a child unable to leave her room in a power outage, and a yoga buff with body issues, all encounter an unseen terror while alone in their urban middle-class homes during the nationwide quarantine.
In transit, Carlo reminisces the blissful memories of his beloved mother, Joy, who died a few months ago while the country was in lockdown facing a worldwide pandemic. As he returns to his hometown Pampanga to reunite with his family, he will be facing a first birthday without his mother.
The night before the lockdown, while reviewing some unused footages from my latest film project (Hinulid), a small box from an anonymous sender arrives. The box contains a Bikol translation of the Tagalog long poem, Ibong Adarna, and an egg.
The amazing adventures of Gunam-gunam (Rumi) and Guni-guni (Phantasm). Adapted from the book Auxiliary Materials for Teaching the Filipino Language by Kelly Sta. Ana Nicolas (Philippine Normal College, 1964).
An exploration of how we use the masks as our new faces in these trying times. It shows a perspective of what life is like during the pandemic through poetry, metaphor, movements, and the use of painted masks.
It’s December 2020, more than nine months of community quarantine in the Philippines. The idea of nothingness is actual and symbolic. With imposed restrictions in the physical world, how can we tell our personal and collective stories of living under the “longest COVID-19 lockdown in the world”? Confined at home, physical and non-physical boundaries are magnified as the filmmaker attempts to articulate existence through floating in time and space.
In a period beset by a plague, the visionary’s portal to his soul has been thwarted by the four corners of his abode. With imagination as the only detour, the drifting of thoughts is inevitable. Amidst the overcast, the curtain opens to the apparent truth – truth that no frame can impede a visionary.
As the global pandemic affects more than half the world, the Family Chan tries to cope with the seemingly permanent quarantine and the claustrophobic circumstance of being together.
Ex flower child goes looking for revolutionary hero and finds a brilliant no-quitter with a good appetite.
On Valentine's Day, 1993, Caveh Zahedi decided to ingest 5 grams (a very large dose) of hallucinogenic mushrooms. For the first time in his mushroom-taking history, he had an experience of "divine possession," in which he felt that a divine being took possession of his body and spoke through him, in a voice that was not his, and with knowledge that he himself did not possess. He later tried several times to repeat the experience. I WAS POSSESSED BY GOD is the documentary record of one such attempt.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
Filmed in 1938, less than a decade before Indian independence, Delhi has a curious tale to tell. ‘Delhi’, the viewer is informed, ‘is the cockpit of the Indian Empire’, it provides the ‘gateway to the riches of the south’. The opening sections of the film focus upon those who have tried and failed to establish a lasting power in the capital. ‘At Delhi’, the commentator states, ‘successive cities have been built by conquering invaders – each has fallen into disuse and decay’. The camerawork focuses on the ‘impressive ruins’ of these earlier invaders. Although the film also depicts the enduring architecture of Muslim rulers, such as Akbar and Shahjahan, it is stressed that their power has been superseded. Legend has it that it will be the ninth city of Delhi that ‘will endure and will rule forever’. Shahjahan had built the eighth.
No other country in the world has the same kind of affection and admiration toward Walt Disney and his art and characters as Italy. His movies are legendary and his stories belong to the collective imagination of generations of Italians who grew up with his world of dreams and hopes. This documentary explores this love story.
The DVD MY DEAR FRIEND opens the retrospective series of work of Chico Buarque, highlighting some of his passions: the city of Rio de Janeiro and its partners and friends. "I kept an almost alien look on Rio I still have a relationship with the city of wonder. " Friends, partners and songs will be happening in the first episode of the series, in a relaxed and intimate way.