“An Zéro” is a transmedia project structured around a docu-fiction which has the ambition of exploring and documenting, in a plausible manner, the scope of the consequences a major nuclear accident would have on Luxembourg, it’s neighboring countries (Grande-Région) and Europe.
“An Zéro” is a transmedia project structured around a docu-fiction which has the ambition of exploring and documenting, in a plausible manner, the scope of the consequences a major nuclear accident would have on Luxembourg, it’s neighboring countries (Grande-Région) and Europe.
2021-03-07
8
A major nuclear accident. The question is not whether this will happen. But when it will happen.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
When royal Princess Courtney trades places with famous rock star Erika, two worlds collide while both learn to appreciate new friends and experiences.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
And again a heroes of "Yolki" series are ready and prepared for a New Year.
On Christmas Eve, Kelly is reluctant to go to a Christmas Eve ball, so Barbie tells her the story of Eden Starling, a glamorous singing diva in the Victorian England and the owner of a theatre house. However, Eden is self-centered and loves only herself. She is frequently accompanied by her snooty cat, Chuzzlewit. She does not believe in Christmas and orders all her employees to work on Christmas.
Paris, France. Commissaire Wens is put in charge of the investigation into the murder of one of six friends who, in the past, made a very profitable promise.
Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.
A filmed manifesto about our trans bodies, their beauty, their glory and their ability to evolve with us along the way.
The Big Bad Wolf torments Little Red Riding Hood and the Three Little Pigs.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
The story happens in 1989 in the suburbs of Budapest, where the neighbor maintains an underground worker's guard training base, while the youngsters fall victim to a mistakenly posted letter.
In the summer of 1942, during the Second World War, a group of young paratroopers from the Folgore Division, after having been subjected to a long and tiring training in Italy, was transported by air to the Libyan desert to cover the Italian-German front.
Brenner returns to Graz, the city where he grew up. When confronted with his old friends, his former girlfriend and the major sin he committed when he was young, murders and a fateful gunshot to the head result. After Brenner comes out of a coma, he begins to search for the person who tried to kill him - however, everybody claims that he himself is responsible. In the beginning Brenner was at the end of his rope, but he could face a new beginning in the end.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Insane Fight Club is back. This year the boys are taking their unique form of entertainment to England as they stage fight nights in Birmingham, Leeds, Liverpool and Newcastle.
Hunting, a vicious merry go round, a carousel for savage adults against wildlife. Avoid the circular logic of thinking about hunting in a roundabout way. Hunting must be stopped now, discursive roundabouts about the possibility of regulating it are circumlocutory escape routes! In this video, you hear ouzels singing in a cellar, deprived of sunlight, exploited and commodified, sold as call birds. Ouzels are highly sought for their wondrous vocalization. In turn, as in a death carousel, they are then used for attracting other birds that will be killed by legalized exterminators, otherwise called hunters.
Falacha is the captain of a fishing boat, who loses his men in a shipwreck. Among them was the husband of Aurélia, who holds Falacha responsible for the tragedy. Maria, Falacha's daughter, falls in love with Manuel, Aurélia's son, a situation that their mothers refuse to accept.
Tinni and Abhimanyu fall in love with each other. However, Tinni was engaged to another boy in her childhood. Will Tinni and Abhimanyu separate?
An account of the life of actress Jeanne Moreau (1928-2017), a true icon of the New Wave and one of the most idolized French movie stars.
Schoolmaster Hoffmann on his way far down in the basement to the Janitors office to get coal for his chilly classroom, hears no warning signals. Gorm, the janitor, manipulates the gullible Hoffmann into signing a contract with a dark context.
Henry Howard discovers a way to stay young forever, but life doesn't seem worth living without his childhood sweetheart Alice. Risking old age, Henry returns to convince her to join him.
A reimagining of the lives of Sesame Street muppets Bert and Ernie, who face a crisis when "Variety" magazine brands them as closeted homosexuals.
The powerful story of the Vegas Golden Knights in their very first year of existence, when they healed and unified their home city after the worst mass shooting in U.S. history and took an unprecedented run for the Stanley Cup.
Who is Koca Popovic? Artist, poet, surrealist, philosopher, warrior, general, cynic, statesman, spoiled son of a rich man, genius war leader or a bon vivant? A Serb who learned French language before his own, a convinced communist who made fun of the communist dogma, sportsman, vice-president of Yugoslavia who drove to work in his Spacek? Answers to these questions could be: all of this and none of it really. In fact, who is Koca Popovic remains a mystery even today. A mystery that this film will at least try to unravel.
An off-duty SAS soldier, Tom Buckingham, must thwart a terror attack on a train running through the Channel Tunnel. As the action escalates on the train, events transpire in the corridors of power that may make the difference as to whether Buckingham and the civilian passengers make it out of the tunnel alive.
The wonders of nature are viewed from the backyards of communities across the nation.
Akerman, Monteiro, Oliveira, Ruiz, Schroeter and Wenders are among the directors he produced: Deux, trois fois Branco is a portrait of Portuguese producer Paulo Branco, between life and legend.
Dolly, a 67-year-old cleaning woman, gets mad at the Coop Supermarket. She thinks they're only pretending to be environmental because they still shrink-wrap their vegetables in plastic. She calls Coop and gets put through to Majken. Meeting Majken changes Dolly's life. You can't shut people down forever.
An amateur artist sketching in a churchyard has a series of encounters with a young woman, who we might come to believe is a ghost. In fact, the truth is stranger than that.
The series explores the transformative years following the American Civil War, when the nation struggled to rebuild itself in the face of profound loss, massive destruction, and revolutionary social change. The twelve years that composed the post-war Reconstruction era (1865-77) witnessed a seismic shift in the meaning and makeup of our democracy, with millions of former slaves and free black people seeking out their rightful place as equal citizens under the law. Though tragically short-lived, this bold democratic experiment was, in the words of W. E. B. Du Bois, a ‘brief moment in the sun’ for African Americans, when they could advance, and achieve, education, exercise their right to vote, and run for and win public office.
Blanca is not willing to let her family enjoy a quiet dinner. The conversation is boring and she is irritated by the same old jokes. She knows that things could be different.
Approximately ten minutes of 35mm footage survives at the Svenska Filmminstitutet from a documentary (probably not completed or even edited) shot in the convent of the Swedish sisters of Saint Brigid, Rome, at the request of the Swedish Red Cross, for victims of the Polesine flood of November 1951.