Dieux du Stade - Making of Calendrier 2016(2015)

Quince: el documental(es)

A journey through the golden age of Spanish rugby, from the late eighties to the early nineties: the incredible story of men who, with hard work, effort and perseverance, proved that any goal can be achieved.

Chippendales: Off the Cuff(en)

This documentary is perhaps one of the most notorious subject matters on the 1980's Male Revue. We hear from the actual 1980'S former Chippendale performers and others. We explore vintage footage from the 1980's to the present day lives of Michael Rapp, Dean Mammales, John Richardson, Scott Marlowe, David Cohen and Brian Carpenter. A must see! Behind the scenes, up close and personal.

Everybody's Game(en)

Directed by British-Nigerian professional rugby player Beno Obano, this candid and personal documentary gives a never-before seen insight into the world of professional rugby.

All Man: The International Male Story(en)

A nostalgic and colorful peek behind the pages and personalities of International Male, one of the most ubiquitous and sought-after mail-order catalogs of the 80s and 90s.

All for One(fr)

In a closed locker room, rugby players perform the last pre-match rituals. Warming up their souls and bodies, all tense in anticipation of the fight.

Dieux du Stade - Making of Calendar 2001(en)

Originally created in support of charity, the popularity of the calendars has been credited for the increased fame of the Stade Français team, as well as rugby in general, in France. The calendars are part of a marketing strategy crafted by Max Guazzini, President of the rugby club. A savvy marketer who built the NRJ Radio group, he has successfully used the calendars to attract a new audience to rugby matches (live and on TV), such as women.

Private Diary(es)

Private Diary documents photographer Pedro Usabiaga working with a variety of amateur models. The audience sees how the relationships between the photographer and the subjects changes during their time together, as well as how the individual photographs begin to take shape. Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.

Objectif Brennus, une finale de géants(fr)

Hart Crane: An Exegesis(en)

James Franco interviews three experts on the poet Hart Crane, whose life was the subject of his feature The Broken Tower (2011).

Cut(en)

A peculiar homage to the things that go wrong, this film is purportedly about rugby. The self-explanatory title for this jumpy “documentary” is less concerned with the filmed subject (the game, the field, the players) than a comic editing style and the complete acknowledgement given to the technical aspect of gathering and manipulating raw footage.

Synonymous With(en)

A student's increasingly intimate line of questioning causes his interview with a local horror host to take a vulnerable turn.

Living With Lions(en)

Exclusive two-disc film documenting the British and Irish Lions tour to South Africa in the summer of 1997. The unprecedented behind-the-scenes access to the team shows the preparations, the training, the fun, the team selection, the 'earthy' language, the bonding, the awesome task of playing and some shocking footage of injuries. Despite securing the series with wins in the first two tests, the Lions remained motivated by the prospect of a 3-0 whitewash, a feat never achieved against the Springboks throughout the century.

Progress(en)

The film follows the rugby season of Uitenhage prop forward Zama Takayi - who plays for Progress Rugby club, the club that amalgamated the black clubs of the Uitenhage area in the early 90’s.

#Só vai(fr)

Grand Chelem : Une si longue attente(fr)

You Alone(es)

In their spare time, after their studies or their work, children and adolescents between the ages of eight and sixteen meet at the School of Bullfighting in Madrid to learn the Art of Cúchares: Torear. In their stomachs there is no hunger as in the past, their dreams do not lie in having a farmhouse and being famous. Their only dreams are to be in front of a bull, animal with which death goes, fact of which they are fully aware, as their teachers continually remind them. These, retired bullfighters, some by age, others by force and all with their bodies full of scars produced by the horns of a bull. The nude bullfighting scene is fascinating without being exploitive, and it serves as an analogy for the vulnerability these young bullfighters have when in the ring with the bulls.

The Ruins(en)

A drawing of an ancient bathhouse in a French travel book to the Middle East sparks a visual poem, inspired by the Arab poetry tradition of "standing by the ruins". The ambivalence of the five-hundred-year-old image gestures towards enduring capitalist and colonial power dynamics. Pleasure and pain, seduction and domination, archives and ruins, histories of sex, and histories of empire, all commingle in this essay film. What transpires is a web of visible and invisible threads where homosexuality in the Middle East today seems to be enmeshe

The Carnival(es)

Since they were children, every summer they used to participate together in the traditional carnivals of their hometown. This magical celebration, transform men of the community into dionysiac figures with makeup, coloured costumes, glitter and feathers. Alcohol, friendship and parties out of control become the limelight. Boundaries get blurred with the heat of the sun at the edge of the imposing Paraná River.

Murderball(en)

Quadriplegics, who play full-contact rugby in wheelchairs, overcome unimaginable obstacles to compete in the Paralympic Games in Athens, Greece.

La Plata Rugby Club(it)

An historical documentary that rereads the recent death of Jorge Videla, bloodthirsty dictator of Argentina in the 70’s, telling the disappearance, one by one, of the members of La Plata Rugby club. A tragic and compelling story where the passion for politics and sport is opposed to a fascist - military regime.