“We’re not training people to be fighters, we train people to exert energy and to release”, says the trainer at the 'Calais Jungle' boxing club. A few days before the camp’s eviction, energy levels are sky-high. A throbbing documentary impression of a tenacious support group.
“We’re not training people to be fighters, we train people to exert energy and to release”, says the trainer at the 'Calais Jungle' boxing club. A few days before the camp’s eviction, energy levels are sky-high. A throbbing documentary impression of a tenacious support group.
2019-01-28
6.1
Box explores the synthesis of real and digital space through projection-mapping on moving surfaces. The short film documents a live performance, captured entirely in camera. Bot & Dolly produced this work to serve as both an artistic statement and technical demonstration. It is the culmination of multiple technologies, including large scale robotics, projection mapping, and software engineering. We believe this methodology has tremendous potential to radically transform theatrical presentations, and define new genres of expression.
After surviving an attempted murder a man frantically dumps the body of his attacker in the woods and rushes home only to find an ominous wooden Box on his doorstep. Frightened and unsure he drags it into the house and undergoes a series of events that make him question his own reality.
Man Tears: Men can't cry. Or can they? In his fourth comedy special, Bryan Callen discusses the emotional struggle of being a vulnerable 50-something.
Presented by that King of Sleaze Harry Novak comes this film about a woman who leaves her film career in Rome(no longer wanted) and comes to stay with her sister who married a millionaire. While there she devises a plan for her brother-in-law's brother and servant to have sex with her sister after being drugged with a an aphrodisiac in the hopes that her brother-in-law will divorce her sister and marry her. Whew! Some plot.
Suave private investigator Norman Conquest intercepts a secret message and meets a beautiful but foreign blonde lady in room 605 of the Park Plaza hotel. But when Conquest wakes up in the room the next morning he is lying next to a dead body. With the mysterious blonde nowhere to be seen, Conquest soon becomes the police s number one suspect with Inspector Williams following his every move. In order to clear his name, Conquest enlists the help of Pixie Everard (Joy Shelton), but the going gets rough when he discovers that the murder is connected to a stash of stolen diamonds. As gun-happy gangs of communists and Nazi sympathizers turn up the heat, Conquest has to solve the murder whilst staying one step ahead of both the gangs and the police.
At home and bored during the pandemic lockdown, Zoë Bell picks a fight with her Boss Bitch friends. Glorious mayhem ensues.
A distraught man in coat and tie grips the guardrail at a remote cliff overlooking the Pacific. At a boys' high school in toney Rancho Palos Verdes, Mr. Radford teaches classics. His best student is the earnest Andrew. Late one evening, Andrew stops by Mr. Radford's office; Andrew's been the only student to do well on a recent exam. They chat, and something happens that brings a sleepless night to Mr. Radford. The next day, Andrew misses Mr. Radford's class, and after, Mr. Radford is aghast to see Andrew and Andrew's father waiting outside the principal's office. What's the teacher's fear, and what will he do about it?
When a charismatic teenager falters under constant pressure from his parents and school, he makes a potentially deadly mistake.
"Periyar Peran Da - Puratchiyin Puyale" (தமிழ்: பெரியார் பேரன்டா - புரட்சியின் புயலே) is a dynamic Tamil anthem that embodies the spirit of revolution, empowerment, and social justice. Translated as "Grandson of Periyar - Torchbearer of Revolution," the song honors the legacy of Periyar E.V. Ramasamy, the visionary social reformer, while urging listeners to uphold ideals of equality, self-respect, and societal progress. Produced by Ashoksaravanan | Co-Produced by Inamulhassan | A call to action for equality and justice.
August 1936. After being separated from her family by the Falangists, Concha Monrás spends her last days in a prison cell. With her young cellmate Adela, she reconstructs her relationship with Ramón Acín and remembers his life as an artist, a pedagogue and a man.
The nephew of a sexologist must take care of his uncle's clients.