Trumphobia: What Both Sides Fear(2020)

Agoraphobia(pt)

A series of interviews with young adults about their fears and frustrations.

Bernau liegt am Meer(de)

Daniel lives in Bernau, a small town north of Berlin.This film tells this 21-year-old’s story and describes the radical right-wing milieu in which he grew up. In his candid portrait of how right-wing radicalism breeds, Daniel explains how difficult it is to break out of a vicious circle of violence, self-hatred and a right-wing extremist frame of mind.

Stockholms negrer(sv)

The film is about the band Stockholms Negrer, but also about what formed their music, about being Swedish but still being viewed as an outsider.

In, out and about(en)

An exploration of the interconnected experiences of queerness and illness, this film navigates personal and collective journeys through medical spaces, sexual violence, and survival, displays the profound impact on body and identity.

The Reaper(en)

Efrain, known as the Reaper, has worked at a slaughterhouse for 25 years. We will discover his deep relationship with death and his struggle to live.

Empathy(es)

Ed is commissioned to make a documentary intending to change those habits of society that are harmful to animals. But completely alien to the animal protection movement, he will realize that to carry out the project, he must first convince himself.

The Scent of Fear(de)

The film is a journey around the world where we meet people who are frozen in fear, people who search for them, who find them, who love them. Along the way we meet experts in neuroscience, psychology and politics who show us how society is controlled by messages of fear. The film analyzes the universal question of what fear is and why we are so afraid of it.

The Ugly Face of Disability Hate Crime(en)

Adam Pearson - who has neurofibromatosis type 1 - is on a mission to explore disability hate crime: to find out why it goes under-reported, under-recorded and under people's radar.

Memórias do Medo(pt)

In this original film from the multistreaming O POVO+, five supernatural narratives from Ceará intertwine in a suspense that blurs between reality and fiction. The exhumation of a body, a child with an unexpected attitude, the story of the woman in black, the house from which a character is expelled and a woman who hears and sees things "from another world".

Fear(nl)

In Fear, documentary filmmaker Michiel van Erp creates a collage of inhabitants of the city of Amsterdam who struggle with various anxiety disorders. Today, more patients with anxiety disorders seek professional help than those who suffer from depression, making anxiety the number one mental illness in the Netherlands. This film will show how a small number of those patients attempt to overcome their fears, in order to get on with their lives in the crowded cosmopolitan city that Amsterdam is today.

We're All Going to Die(en)

Ben is worried. Overwhelmed by the world's encroaching crises, he travels from Brandenburg to London to Kansas to the Yucatan peninsula and many places in between, to find out how to cope with social and ecological collapse.

Britain's Weirdest Phobias(en)

The lives of people plagued by irrational fears and the journeys they take in the battle to overcome them. Therapist David Allison helps sufferers come to terms with their condition.

La Meilleure Façon de tracer(fr)

End of the World(pl)

The Mayan doomsday prophecy looms over a dark night in Poland. A late-night radio host takes in calls from citizens expressing their concerns, predictions and speculations on what may happen when—or even if—the sun comes up. Simultaneously, a crisis centre dispatcher fields panicked calls from people experiencing real-life traumatic situations in need of immediate attention. The voices of these callers are interwoven with an intimate therapy session and a wandering taxicab to build a profile of a place where citizens want to be heard. Never showing the callers on the other end of the line, the film creates an aural overview of a darkened city. As the night progresses, the calls continue coming in, revealing the various struggles people are experiencing in dealing with conceptual fears and current woes—all in a world that soon may be over.

Shadowlands(sv)

Shadowlands is an animated short film about darkness that won't let go. About the constant fear that something terrible might happen. It describes a journey into the inner world and psyche of a young person in distress, a world far from "normal".

Love Costs Everything(en)

Love Costs Everything maps the history of Christian persecution from the first Christian martyrs to seven present-day stories of faith that knows no price. In the face of persecution, these followers of Christ fear compromise more than death itself. Filmed in Iraq, Columbia, India, Egypt, France and the United States, this feature-length documentary includes commentary from United States Congressmen, foreign government officials, religious leaders and scholars.

Becoming Sons & Daughters(en)

Every major social problem that plagues our nation today can be traced back to one root cause: Fatherlessness. For instance, 71% of pregnant teenagers live in a fatherless home. Additionally, 85% of young men in prison grew up without a dad. They are not stats, they are desperate for stability. From small town American to the heart of New York City, 'Becoming Sons & Daughters' tells the stories of people who are stepping into the lives of fatherless kids. Through adoption, mentoring, and simply paying attention, these men and women are planting hope and security. They are giving kids a future and helping them become sons and daughters.

to Crinkle their Wrist, Perfumed Splendour(en)

An omnium-gatherum of film, poem, and song excerpts contextually juxtaposed in an attempt to explore masculinity, alienation, and identity in a post-industrial society.

The Other Side of Fear(en)

The Other Side of Fear signifies the actions which incite religious violence and broaden the divide of cultural and moral beliefs in society. The film shadows two clashing perspectives both of which are searching for safety in their own communities and these perspectives blend testimonies of trauma and manifestos of power. By using poetic documentation, the director acknowledges that there are more than two sides to every story and intertwines these sentiments, embodiments and experiences into one journey to understand what is happening behind the doors of communities the other hasn’t experienced.

TIME TO DIE(es)