World première recording of Hannibal Lokumbe's 'spritatorio' Can You Hear God Crying, which combines jazz, gospel and chamber music with West African prayers and songs. The piece, commissioned by Philadelphia philanthropist Carole Haas Gravagno, is about the composer's great-great-grandfather, who was born in the Sahara, kidnapped and enslaved in Liberia, and sold at auction in Charleston, S.C. He escaped to Texas, where he bought land and had a family.
Himself
Like many of John Adams’ operas, Doctor Atomic is based on recent world historical events—here, the effusive Robert Oppenheimer, “father of the atomic bomb,” anxiously awaits the bomb’s first test in Los Alamos, New Mexico. Adams adapted the work into a symphony, comprising its three main acts. In the second half of the program, Adams conducts his 2015 violin concerto, Scheherazade.2, which restages the tale of the One Thousand and One Nights heroine as a strong woman navigating a patriarchial society, incarnated by the solo violin part. The work was composed specifically for Canadian-American virtuoso Leila Josefowicz and co-commissioned by the Royal Concertgebouw Orchestra, who perform it to perfection. The evening then closes out with Tromba Lontana, an orchestral fanfare written to mark the 150th anniversary of Texas’s independence from Mexico in 1836.
Musical performers put on a show in a pawn shop to convince a man to give them the money they need to buy back their instruments.
A Reno singer witnesses a mob murder and the cops stash her in a nunnery to protect her from the mob's hitmen. The mother superior does not trust her, and takes steps to limit her influence on the other nuns. Eventually the singer rescues the failing choir and begins helping with community projects, which gets her an interview on TV—and identification by the mob.
In this entertaining Puppetoon animated short film, a young boy, Jasper, gets trapped inside a pawnshop at midnight. All the musical instruments come to life and play jazz. A whooping wooden Indian chief self-animates as well, and goes on the warpath.
"Comping (an abbreviation of accompanying) is a term used in jazz music to describe the chords, rhythms, and countermelodies that keyboard players (piano or organ) or guitar players use to support a jazz musician's improvised solo or melody lines. The term is also used for the action of accompanying, and for left hand part of a solo pianist."
A documentary that explores the challenges that a life in music can bring.
In this rotoscope animation, Tom Waits sings about "The One That Got Away."
GRAMMY®-nominated, classically trained tenor David Phelps showcases his award-winning voice and three-octave range on his all-new recording, Freedom. Featuring unique arrangements of cherished gospel classics such as “We Shall Behold Him” and “Ain’t No Grave” as well as riveting arrangements of new songs, Freedom highlights Phelps’ unprecedented style and underscores his ability to bring music to life.
The historic Toscanini television concerts with the NBC Symphony Orchestra. Broadcast #9 was of a concert on March 22, 1952, at Carnegie Hall, featuring Beethoven's 5th Symphony and Respighi's Pines of Rome. (Concerts #8 and #9 were released on "Vol. 5" in the DVD series.)
After being accepted into the conservatory of her dreams, Vicky Waters must win a competition to stay, but to do so she'll need a secret weapon: Gospel Music.
One of the greatest jazz trumpeters of all time, Dizzy Gillespie dazzled the world with his talent as one of the pioneers of be-bop and Latin jazz, but with his puffed-out cheeks, bent trumpet and quick wit, he also was a great showman.
An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.
World-famous jazz club Ronnie Scott’s hosts a tribute to Burt Bacharach - a songwriter, producer and pianist who us widely seen as one of the most important songwriters of the 20th century. Clive Myrie is at the show, which features brand new jazz-inspired arrangements of some of Burt Bacharach’s best-loved music by the club’s artistic director James Pearson. The setlist spans Burt Bacharach’s epic career and includes The Look of Love, Alfie, Wives and Lovers, Do You Know the Way to San Jose and That’s What Friends Are For.
In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.
The story of R&B singer Al Green, who gave up a successful singing career to become a gospel minister.