Martine à la plage(2010)

Lulu(en)

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.

Superstar: The Karen Carpenter Story(en)

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Begotten(en)

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness'(en)

Hiding inside&out, writhing about, taken out&in.

Let Your Light Shine(en)

Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.

I Might Be There (I Won't)(en)

Onward, upward, greener [redder] grasstures.

Maternité : le grand saut(fr)

The Subject and Tasks of Biophysics(ru)

Experimental educational film reveals the emergence of some ideas of Biophysics in historical, philosophical and methodological aspects. The first film from the Biophysics Cycle (1982-1989).

Congo(en)

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

Dónde estás en el futuro?(es)

Chelsea Girls(en)

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

Gondora(ja)

A short movie about a guy living in his own world.

Dropout(en)

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

Automatic Writing(en)

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

Metamorphoses(mk)

This is a time when we learn afresh that nothing lasts forever and that the variability is an integral part of everyday life. What is a river today does not mean that tomorrow will not become a sea. Life itself is one large metamorphosis, and the human being is its variable shape...

No Impersonator , Perpetrator(en)

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Defies All Time & Logic(en)

Remembrances past, remind me to pass.

The Red Thread(en)

Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.

Heliorama(pt)

A collage of newsreels, trailers, clips and other visionary and unseen fragments of sight and sound regarding the late plastic artist Helio Oititica.

Crash!(en)

Short film produced by the BBC about JG Ballard's Crash. “The film was a product of the most experimental, darkest phase of Ballard’s career. It was an era of psychological blowback from the sudden, shocking death of his wife in 1964, an era that had produced the cut-up ‘condensed novels’ of Atrocity plus a series of strange collages and ‘advertisers’ announcements. After Freud’s exploration within the psyche it is now the outer world of reality which must be quantified and eroticised. Later there were further literary experiments, concrete poems and ‘impressionistic’ film reviews, and an aborted multimedia theatrical play based around car crashes. After that came an actual gallery exhibition of crashed cars, replete with strippers and the drunken destruction of the ‘exhibits’ by an enraged audience.” (from: http://aaaaaaaaaaaaaaaaaaaargh.blogspot.de/2013/01/short-film-adaptation-of-jg-ballards.html)