Holy Angels(2017)

Contrary Warriors: A Film of the Crow Tribe(en)

Examines the impact a century of struggling for survival has on a native people. It weaves the Crow tribe's turbulent past with modern-day accounts from Robert Yellow-tail, a 97-year-old Crow leader and a major reason for the tribe's survival. Poverty and isolation combine with outside pressures to undermine the tribe, but they resist defeat as "Contrary Warriors," defying the odds.

Plains: Testimony of an Ethnocide(en)

A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.

Maximón: Devil or Saint(es)

MAXIMÓN - Devil or Saint is a documentary about the controversial Maya deity, also known as San Simon or the drinking and smoking saint of Guatemala. He is a mixture of ancient Maya beliefs and Christianity. The movie concentrates on the people who surround Maximón with their strong personalities, opinions and faith. The documentary gives us a rare view into the rituals and fiestas honoring Maximón. The cult of Maximón is flourishing because he performs miracles. He is also feared and despised because he is used to cast curses that can result in death. Ultimately, Maximón transcends the duality of good and evil, reflecting the Maya cosmovision in which everything in the universe co-exists.

Club Native(en)

With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.

Stories Are in Our Bones(en)

In this layered short film, filmmaker Janine Windolph takes her young sons fishing with their kokum (grandmother), a residential school survivor who retains a deep knowledge and memory of the land. The act of reconnecting with their homeland is a cultural and familial healing journey for the boys, who are growing up in the city. It’s also a powerful form of resistance for the women.

Stunned, I Remain Alert(pt)

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

Makun (no llores) - Dibujos en un CIE(es)

Timuti(iu)

In Inukjuak, an Inuit community in the Eastern Arctic, a baby boy has come into the world and they call him Timuti, a name that recurs across generations of his people, evoking other Timutis, alive and dead, who will nourish his spirit and shape his destiny.

Vivir de la madera (Kuxtal Ti' Che')(es)

In Mexico, the lack of jobs in villages and communities forces people to migrate to cities in search of opportunities and better income. This is the case of Justino, originally from the village of Muchucuxcáh, in the Yucatán Peninsula, who after traveling to Cancun and encountering problems and suffering there, decided to return to his village and learn to work with wood. Justino demonstrates how humans can interact with nature and their surroundings to have a dignified job.

A Pinto for the Prince(en)

In 1977, Prince Charles was inducted as honorary chief of the Blood Indians on their reserve in southwestern Alberta. The ceremony, conducted in the great Circle of the Sun Dance, commemorated the centennial anniversary of the original signing of Treaty 7 by Queen Victoria.

The Painter's Room(ku)

Artin, a young Iranian bodybuilder, and Jahan, a Kurdish man who recently discovered his love for painting, live in Kærshovedgård, a former prison now used as a deportation center.

Trans*BUT — Fragments of Identity(tr)

Fragmentary perspectives on Human Rights and transgender (trans*) People in Turkey. What remains at the place where a murder happened? What constitutes trans* life? How to cope with daily violence and hatred? We begin to search for traces. We follow the tracks of resistance and survival. We are collectors of the expelled. We gather fragments of trans* lives inspired by texts of Nazim Hikmet, Foucault, Benjamin and Zeki Müren. Trans*BUT is a documental research study driven by the question: “What keeps you going when all else falls away?”

Devant – Contrechamp de la rétention(fr)

Pauline, Norah, Kristina and others wait for hours, sitting under a hut deep in the Bois de Vincennes. In front of the administrative detention center (CRA) in Paris, they have all come to see their loved ones locked up. Lives on hold, awaiting deportation or release. On this stage, these women tell their stories, talk to each other, share their experience, their revolt and their dreams with new visitors. They are the mirror of migrant detention, its reverse view.

The Return of Nóouhàh-Toka’na(en)

Nóouhàh-Toka’na, known as swift fox in English, once roamed the North American Great Plains from Canada to Texas. Like bison, pronghorn and other plains animals, Nóouhàh-Toka’na held cultural significance for the Native Americans who lived alongside them. But predator control programs in the mid-1900s reduced the foxes to just 10 percent of their native range. At the Fort Belknap Indian Community in Montana, members of the Aaniiih and Nakoda tribes are working with the Smithsonian’s National Zoo and Conservation Biology Institute and other conservation partners to restore biodiversity and return Nóouhàh-Toka’na to the land.

On and On and On(en)

Albert Ward was a highly regarded Mi'kmaq Elder from Eel Ground First Nation and a very dear friend and teacher to my family. This recording was the last time we spoke to him, and the first time I had met him since infancy.

Amarok's Song - The Journey to Nunavut(en)

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.

Women in the Shadows(en)

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

Aitamaako'tamisskapi Natosi: Before the Sun(en)

An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.

Lighting the 7th Fire(en)

A Chippewa prophecy foretells a time called the 7th Fire when lost traditions will be recovered. Native American filmmaker Sandra Sunrising Osawa examines how the Chippewa Indians of Northern Wisconsin have struggled to restore the centuries-old tradition of spearfishing — and the heated opposition they have encountered.

September 7, 2012(en)

On September 7, 2012, Ashley MacDonald was sexually assaulted. In this powerful first time film, she talks to strangers about what that same day looked like in their own lives. What were they doing? What happened to them? The result is a documentary about processing trauma, and the power of openness and connection to help us heal.