
Buell Quain
Paul Berthelot
Quain's Friend

2011-10-23
0
It’s a model story, an extraordinary adventure, a tale of revolutionary practice and tension, among anarchy and irony, simplicity, curiosity and vitality throughout the whole of Europe, its wars and the social struggles of the 1900s. A tale on how to live all in one breath, responsibly, diving into contradictions, "getting one's hands dirty", and still keeping one's balance between theory and practice.˝
This short impressionist documentary looks at the creation of a Button Blanket by integrating the performance of a traditional dance with the art of the West Coast Heiltsuk Nation.
0.050 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.
0.0Drawing on original footage from National Geographic, Etched in Bone explores the impact of one notorious bone theft by a member of the 1948 American-Australian Scientific Expedition to Arnhem Land. Hundred of bones were stolen and deposited in the Smithsonian Institution in Washington DC, until it became known to Arnhem elders in the late 1990s. The return of the sacred artefacts was called for, resulting in a tense standoff between indigenous tribespeople and the Department of Anthropology at the Smithsonian.
Captain Kleinschmidt leads an expedition sponsored by the Carnegie Museum to the arctic regions of Alaska and Siberia to study the natives and the animal life.
A dark and magical visit to the fabled Parisian address Rue Fontaine 42. This was the residence of André Breton, the mastermind of surrealism, who surrounded himself with an impressive collection of modern, Western art and ethnographic objects from Oceania and North America. The collection was sold and divided up in 2003 at a controversial auction. 'The Trick Brain' is a delirious montage and a trip back in time to Breton's private art collection, where Atkins has been scouring the archives and come up with a possessing interior film of the place that once was, complete with surrealistic paintings, scores of Indian figures and hundreds of other displayed rarities. The film's soundtrack is provided by an observant narrator, who reveals to us that the objects shown are not necessarily what they claim to be - but instead are catalysts for some kind of wonderful linguistic virus which reveals the real identity of things.
A documentary film about Comanche activist LaDonna Harris, who led an extensive life of Native political and social activism, and is now passing on her traditional cultural and leadership values to a new generation of emerging Indigenous leaders.
0.0A key overview of twentieth-century American fascism and antifascism produced in 1991 by the John Brown Anti-Klan Committee.
0.0An experimental intake of Ojore Nuru Lutalo as he recounts the 22 years he spent in political isolation, and the flourishing comradery he built with prison abolitionist, Bonnie Kerness, whose work supported him and other prisoners.
A polemic against Werner Herzog and the making of "Fitzcarraldo", exploring the question of the filmmaker's ethical and moral responsibility.
0.0March 2008. The renowned journal ‘Science’ publishes an article confirming that the human bones discovered in 2004 on the island of Flores in Indonesia are indeed those of a new species of man. These tiny men lived there just a few thousand years ago... Scientists have named this new cousin “Homo floresiensis”, the Man of Flores.
0.0Until the 1950s, the Waorani were able to successfully defended their area of settlement – today’s Yasuni National Park in the Ecuadorian Amazon – with the aid of spears. Then Christian missionaries entered the thick rain forest and paved the way for an oil company. Nowadays many of the tribes are estranged as some want to benefit from the short-term money the company is offering while others fight to preserve their land, culture and independence under all circumstances.
6.2Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.
0.0TOKYO Ainu features the Ainu, an indigenous people of Japan, living in Greater Tokyo (Tokyo and its surrounding areas), who are and actively in promoting their traditional culture in a metropolitan environment away from their traditional homeland, Hokkaido. Shedding a common assumption that all Ainu live in Hokkaido, the film captures the feelings, thoughts and aspirations of Ainu people that who try to follow the Ainu way no matter where they live.
7.6The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
0.0Lonnie Kauk’s personal journey to honor his indigenous Yosemite roots, and to connect with his legendary father by repeating his iconic climbs.
0.0The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.
4.0The real estate industry has destabilized the natural surroundings of the city of Concón, on the Chilean coast, forcing the inhabitants and landscapes of the region to find new ways to adapt and survive. “Nidal” depicts the cohabitating of species and the accelerated transformation of the landscapes due to human occupation.
6.8Commissioned by the journal Présence Africaine, this short documentary examines how African art is devalued and alienated through colonial and museum contexts. Beginning with the question of why African works are confined to ethnographic displays while Greek or Egyptian art is celebrated, the film became a landmark of anti-colonial cinema and was banned in France for eight years.