Achtung Kinder Pumm(1980)

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Fahrenheit 9/11(en)

Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.

Guys 'N Divas: Battle of the High School Musicals(en)

This fascinating documentary chronicles the intense rivalry between high schools in Southern Indiana to win a prestigious festival performance with lavish student musical productions that often cost in the tens of thousands of dollars to produce.

Kings in Paradise: The Vieques Case(de)

For many decades, the Caribbean island of Vieques was used for military tests and training. In Mississippi, a small-town lawyer receives a phone call, drawing his attention to increased incidences of cancer. He takes the case to court. Based on his investigation, "Kings in Paradise - The Vieques Case" shows how the military destroyed the island's ecosystem and its people. It is a story about a desperate fight for justice.

Kids(de)

In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.

Poets Against the Bomb(en)

An event organised by CND pits the bomb against poetry. Hear artists who hoped that words and rhymes could put an end to destructive times.

Roundhay Garden Scene(en)

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Tsahal(en)

The ideologies underlying the foundation of modern Israel are explored in this documentary, the third of a trilogy (created over a twenty year span) exploring the Jewish experience. The two earlier documentaries, "Porquoi Israel," and "Shoah," have had great effect on the ways documentaries are produced. "Tsahal" zeroes in on the crucial role of the military in Israeli society and politics. The film uses many in-depth interviews to present the many feelings and thoughts about the Israeli military.

Occupation 101: Voices of the Silenced Majority(en)

A thought-provoking documentary on the current and historical causes of the Israeli-Palestinian conflict and U.S. political involvement.

Geraldine Ferraro: Paving The Way(en)

A documentary by Donna Zaccaro about the political trailblazer, Geralidine Ferraro. Featuring interviews with Bill and Hillary Clinton, George and Barbara Bush, Walter Mondale, and Geraldine Ferraro herself, among others, this is a heartwarming and engrossing portrait of the first woman who was nominated for vice president, whose legacy still reverberates today.

Hoxsey: When Healing Becomes a Crime(en)

In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.

Hannas baby(sv)

Conscience and the Constitution(en)

Americans refused to be drafted from the concentration camp at Heart Mountain, Wyoming. Ready to fight, but not before their rights as U.S. citizens were restored and families released.

And So Farewell(en)

An immigrant, working-class family lives through the horrors of the 20th century and raises a son who honors them. This memoir film is told entirely with image, music, and sound by filmmaker and sound designer Hamilton Sterling, guitarist and composer Ralph Towner, and Grammy winning music producer Jimmy Haslip. Available Now on: watch.eventive.org

The Russian German War(en)

This is a rare look at one of the worst horror stories in the long infamous history of warfare. This series features captured German and Russian film footage, much of which has never been seen before. For decades the Cold War prevented us from looking closely at what really happened between the Russians and the Germans on the Eastern Front during World War II. More than a struggle between nations, it pitted maniacal tyrant against maniacal tyrant, evil ideology against evil ideology. The lives of tens of millions of human beings were consumed by its raging hatreds and appalling indignities. One in every ten Russians died. One in every four Poles died. Whole divisions of Italians, Romanians, Hungarians disappeared with barely a trace. An average of 17,800 people died on every single day and this, the war on the Russian German Front, lasted for 1,400 days. This series features captured German and Russian film footage, much of which has never been seen before.

Haida Gwaii: Restoring the Balance(en)

The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history of the re-emergence of the Haida Nation. It was a turning point for the Haida and management of their natural resources.

Beautiful Young Minds(en)

This BAFTA nominated documentary tells the story of some of the brightest mathematical brains of a generation. Each year, exceptionally gifted teenagers from over 90 countries compete for medals at the International Mathematical Olympiad. The film follows a group of brilliant teenagers as they battle it out to become the chosen six selected to represent the UK.

Queen Victoria's Letters: A Monarch Unveiled(en)

This is the story of Queen Victoria as never heard before; a psychological insight of the woman told through her own words, her experiences recounted solely through her personal diaries and letters.

You Can't Do That on Film(en)

What happens when you travel to the birthplace of green slime? For an entire generation of classic Nickelodeon fans, it's like finding the Holy Grail.

Here and Elsewhere(fr)

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.