Ignaz Wuzel and Gerhard Jeschko are regulars at the espresso in the Südtiroler Platz underground station. Warden Leopold Prinz knows the problems of the children from Karlsplatz. In 1993, Elizabeth T. Spira filmed people on the Vienna subway network. Above all, it is the desperate, the lost and the forgotten who find refuge and a home in and around the subway.
Selbst
Selbst
Sprecher
Ignaz Wuzel and Gerhard Jeschko are regulars at the espresso in the Südtiroler Platz underground station. Warden Leopold Prinz knows the problems of the children from Karlsplatz. In 1993, Elizabeth T. Spira filmed people on the Vienna subway network. Above all, it is the desperate, the lost and the forgotten who find refuge and a home in and around the subway.
1993-12-31
0
An account of the short life and the astonishing and provocative work of the Austrian painter Egon Schiele (1890-1918), seen through the peculiar point of view and the critic voices of the women who defined the paramount milestones of his existence: Gerti, his sister; Wally, his main model and lover; and Edith, his wife. A brief story of love, hate, betrayal and misfortune.
Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.
THE ELECTION CAMPAIGNERS tries to analyse the phenomenon of the Austrian Freedom Party (FPÖ). The party’s great success is generally regarded as a result of its leader’s demonic charisma. But this film doesn’t focus on Jörg Haider. Instead it gives a face to the people who make Haider’s election victories possible, taking a clear stance, yet refraining from commentary or judgement. It is up to the viewers to draw their own conclusions.
A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.
Soft boys by day, kings by night. The film follows a group of young Bulgarian Roma who come to Vienna looking for freedom and a quick buck. They sell their bodies as if that's all they had. What comforts them, so far from home, is the feeling of being together. But the nights are long and unpredictable.
Profiles the culture, lifestyles, and rituals within the New York City subways.
In the 1930’s, the workers of the underground, headed by brigades of writers, are in charge to write in real time "the history of the Moscow Metro". Based on their narratives, partially unpublished, the film recounts the first lines construction of the most beautifiul underground in the world, in the light of this "big literary Utopia", stoped by the purges of 1937-38.
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.