Les Sacrifiés(1983)

Deported Women of the SS Special Section(it)

Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.

Brice 3(fr)

Brice is back. The world has changed, but not him. When his best friend, Marius, calls for help, he goes on a wild adventure that will lead him to the other side of the world... Travel shapes youth but will he remain the king of the "casse" ?

Closely Watched Trains(cs)

At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.

Catfish(en)

Nev, a 24-year-old New York-based photographer, has no idea what he's in for when Abby, an eight-year-old girl from rural Michigan, contacts him on Facebook, seeking permission to paint one of his photographs. When he receives her remarkable painting, Nev begins a friendship and correspondence with Abby's family. But things really get interesting when he develops a cyber-romance with Abby's attractive older sister, Megan, a musician and model. Prompted by some startling revelations about Megan, Nev and his buddies embark on a road trip in search of the truth.

Fantomas vs. Scotland Yard(fr)

In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.

NULL(en)

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Junior(fr)

Alex is in love with Sandra since childhood but has never dared approach her.He asks Antoine, a lonely writer to help him seduce her, because in his time he was the only one to conquer the heart of the mother.

Bad Asses on the Bayou(en)

The third installment in the successful Bad Ass action-comedy franchise. Bad Asses on the Bayou reunites the dynamic duo, Frank Vega (Danny Trejo) and Bernie Pope (Danny Glover), as they travel to Louisiana to attend the wedding of their dear friend Carmen Gutierrez (Loni Love). What was pictured as a wedding weekend escape to the south turns violently ugly as madness and mayhem ensue, pressing our senior heroes to once again serve justice.

Do Not Disturb(fr)

Michel, who's crazy about jazz, has just found a rare album that he dreams of quietly listening to in his living room. But the world seems to have conspired against him: his wife chooses this moment to divulge an ill-timed revelation, his adult son makes a surprise visit, one of his friends knocks on the door, while his mother keeps calling him on his smartphone. Not to mention that today the residents in his apartment building are holding their annual House Party. Manipulative and a liar, Michel is ready to do anything to have a moment of peace and quiet. Is it still possible, in this day and age, to just have one hour of peace?

The Barber(en)

Eugene is a small town barber, beloved by the local community, but hiding a deadly secret. John is hunting for a serial killer not to expose him but to learn the business! They form a twisted bond and turn the town upside down as Eugene teaches John to kill.

LEGO DC Comics Super Heroes: Justice League vs. Bizarro League(en)

Superman’s clone, Bizarro, has become an embarrassing problem. Chaos and destruction follow Bizarro everywhere as he always hears the opposite of what is said, says the opposite of what he means and does the opposite of what is right. And when the citizens of Metropolis keep confusing Bizarro with Superman, the Man of Steel decides it’s time to find a new home for him…on another planet! It’s up to the Justice League to come to terms with their backward counterparts and team up with them to stop Darkseid and save the galaxy!

Me, Myself and Mum(fr)

How to become a man when your mother and your closed circle have decided otherwise? This is the challenge Guillaume took up. The film recounts Guillaume's tragicomic battle from the young age of eight, as he adopts the role of a girl then of a homosexual... until, aged 30, he meets the woman who, after his mother, will become the other woman in his life. Beyond this story of a heterosexual coming-out, the film tells the tale of an actor who never stopped loving women, maybe even a little too much.

The Story of the Last Chrysanthemum(ja)

In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.

(NULL)(xx)

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Trash(en)

Set in Brazil, three kids who make a discovery in a garbage dump soon find themselves running from the cops and trying to right a terrible wrong.

Fantomas(fr)

Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.

The Second Best Exotic Marigold Hotel(en)

As the Best Exotic Marigold Hotel has only a single remaining vacancy - posing a rooming predicament for two fresh arrivals - Sonny pursues his expansionist dream of opening a second hotel.

Joe: The Busybody(fr)

A writer accidentally shoots his blackmailer and tries to hide the body.

Contracted: Phase II(en)

Picking up directly where the previous film left off, the story follows Riley, one of the last people to come in contact with Samantha, as he scrambles to track down those responsible for the outbreak before the highly contagious disease not only consumes his body, but the world as we know it.

Louis C.K.: Live at the Beacon Theater(en)

Recorded November 10th, 2011 as part of the New York Comedy Festival, and only available for purchase online, Louis C.K. follows up his 2010 concert film Hilarious with a new hour’s worth of shrewdly observed and periodically profane material. He starts with making his own kind of please-turn-off-your-cell-phone announcement, as well as a warning not to text or tweet during the show: “Just live your life,” he asks. Whether he’s talking about a unique way to drop a rental car off at an airport or describing why a man in his 40s should not smoke dope, it’s terrific, humane, carried-to-crazed-extremes stuff.

The Refusal(fr)

In 1971, the Algerian government nationalized hydrocarbons. The consequences of this decision on the community of Algerians in France are numerous. The Galti family is prey to these economic problems. The father, Khaled, former member of the F.L.N. in France, does not escape the sentence. Sharazade, his wife and comrade in combat, finds herself torn between her role as wife, mother and nostalgia for a country and a bygone past. As for his son Karim, a victim of socio-cultural division, all he has left is refusal.

Elise, or Real Life(fr)

In the middle of the Algerian war, Elise, from Bordeaux, “goes” to Paris to join her brother to earn her living in an automobile factory. There she meets Arezki, an Algerian nationalist activist with whom she falls in love. A chronicle of working life at the time and which highlights the extent of police repression against Algerians.

Mektoub(fr)

Ahmed, an Algerian laborer and young father, leaves his country and arrives in France, hoping to find a job through Salah, a friend who has been living in the Paris suburbs for several years. He is disappointed when he arrives in Nanterre, where Salah lives in a shantytown. Without any support, Ahmed has to make the daily rounds of the employment offices, like so many other immigrants who, like him, have been lulled into complacency.

Un Chibani(fr)

An old North African man, sitting in an Algerian bar, remembers his life spent in France.

Le Rescapé(fr)

In a working-class immigrant neighborhood slated for demolition, Jo, the son of Ali, known as the Rescuer from the Algerian war, lives idle and delinquent, committing small assaults to pay for his drugs. One day, while attacking Slim's bar, he is arrested by Ben, a young beur cop torn between his roots and the imperatives of his mission to maintain public order. Giving in to the respect and friendship he feels for Ali, Ben agrees to release his son. But alas, far from calming down, Jo drifts deeper into violence, until the inevitable drama.

Le Bougnoul(fr)

A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.

Les Trois Cousins(fr)

The Three Cousins ​​is a comedy-drama by René Vautier released in 1970 about the living conditions of three Algerian immigrant cousins ​​looking for work in Paris. Housed in a narrow construction shed, the coal stove will cause them to suffocate. The Three Cousins ​​won the Best Human Rights Film Award in Strasbourg in 1970.

Rome Rather Than You(ar)

"For more than ten years, Algeria has been living a slow war, a war without a front line but having caused more than 100,000 deaths. It is this desert that Zina and Kamel – two young Algerians sometimes hallucinated and joyful, sometimes dejected and serene – will want to travel one last time before leaving it for elsewhere. Road Movie on the territories of a city, Algiers whose construction sites are in decline. Roma wa la n'touma will show that fleeing abroad is not is not a refusal of combat, but an obscure struggle against assignment. Tariq Teguia

A Finger in the Works(fr)

The film mixes fiction, filmed documents and interviews which recounts the arrival in Paris of an Algerian immigrant lost in the metro. On December 27, 1968, France and Algeria signed an agreement which admitted each year 35,000 Algerian workers to French territory in the France of the Trente Glorieuses where the annual growth rate reached 5% and where factories lacked workers. Candidates obtain a residence permit valid for 5 years for themselves and their families. Paris is committed to improving professional training and housing conditions for immigrants, too often confined to the most thankless jobs and often housed in slums. A testimony on the living conditions of emigrant workers "economic cannon fodder" of neocolonialism which simultaneously develops its alter ego, institutionalized racism, as a tool of social stagnation and division of the proletarian class.

Guerre sans images - Algérie, je sais que tu sais(ar)

The Director Mohammed Soudani comes back to Algeria after 30 years with the photographer Michael von Graffenried to visit the Algerians he had photographed between 1991 and 2000 without them knowing it.

Toute l'Algérie du monde(fr)

The largest country in the Arab world and a producer of hydrocarbons, Algeria has everything it needs to weigh on the international scene. But Africa's second military power seems undermined by its internal problems. While the Bouteflika regime has fallen and the popular “hirak” movement has shown that the people are ready to enter a more democratic era, the country appears as a colossus with feet of clay, which has failed enhance their independence. How did this isolation come about? From the “dark decade” of terrorism to the fall of Bouteflika, via 9/11 or the Arab revolutions, this documentary sheds light on Algerian foreign policy in recent decades, while deciphering the strategy of Western powers towards it.

Les Ajoncs(fr)

An unemployed Algerian worker leaves Paris by hitchhiking. He soon found himself in Brittany and, seduced by the beauty of wild gorse, eventually established himself as a gorse merchant. But for problems with parking his little cart, he had a rough explanation with a law enforcement officer. The happy intervention of factory workers, the eager kindness they showed him, saved him from despair. This film is part of a trilogy "Them And Us" with the films "Les 3 Cousins" and "Techniquement Si Simple".

The Revolution Of El Harrachi(ar)

The artistic journey of Dahmane El Harrachi, born in 1925 in Algiers, bears the mark of his experience. An attentive and vigilant observer of the environment of immigrant workers, Dahmane has always avoided falling into the ambient miserabilism. From the Algerian Chaâbi, he has kept certain melodic lines and a clear propensity for sayings drawn from the oral poetic tradition. El Harrachi uses simple language, understandable by all popular sectors of the Maghreb, which partly explains its wide success. In 1949, he went to France and it was in cafes, springboard places where people come to breathe the air of the country, that he performed regularly. Elegant, with his beautiful atmosphere, the “bluesman” of the suburbs seduces, upsets and stirs consciences. Discovered late by the new generation, the creator of Ya Rayah met a tragic end, on August 31, 1980, in a car accident, on the Algiers coast which he sublimated above all else.

Ali in Wonderland(fr)

Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.

Cheikh El Hasnaoui, from the White House to the Blue Ocean(fr)

Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot there again. Between 1939 and 1968 he composed most of his repertoire in France. For many years the Algerian cafes of Paris were the stages of his shows. With a handful of artists of his generation, he laid the foundations of modern Algerian song. A fervent defender of women's rights, he claims, as a pioneer, the fight for identity for a plural Algeria. At the end of the Sixties, he ended his artistic career. On July 6, 2002 he died in Saint-Pierre de la Réunion, where he is buried to this day. This 80-minute documentary follows in the footsteps of this extraordinary character. From Kabylia to Saint-Pierre de a Réunion via the Casbah of Algiers and the belly of Paris.

Une vie en transit, ou l'illusion du provisoire(fr)

Ma famille entre deux terres(fr)

Me sem s-ar tu(fr)