Alfred E.Green silent family relationship romantic melodrama
Polly Brooks
Alfred E.Green silent family relationship romantic melodrama
1925-08-23
0
A prison drama which countless millions will hail as the popular star's greatest offering -- From the famous story by Booth Tarkinton. A high tension story of a man who went to jail for another man's crime and how he came back and settled old scores.
A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.
Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.
A Lambert Hillyer silent romantic love triangle boxing sports lumberjack logging melodrama about a world champion boxer who must retire due to an arm injury. He becomes a lumberjack, and becomes involved with the daughter of the owner, but rivals sabotage their operation, and the boxer has to return to the ring to save the owner from bankruptcy and win the hand of the daughter.
A silent romantic love triangle crime melodrama about a man who gets out of prison after ten years and discovers that his wife has divorced him and married the man who sent him to prison. Worse yet, she fears he will want to exact revenge, so she sets up her new husband to frame her first husband, so he will be sent back to prison!
silent cowboy western starring Dustin Farnum as a rancher whose partner is killed by rustlers. He takes in his partner's young son, and begins to sell his ranch, but the boy finds oil on the land.
Through the Breakers, the 1928 Joseph C. Boyle silent South Seas tropical island seafaring romantic love triangle melodrama about a London socialite who loves a man who is assigned to be a plantation manager on a South Seas island. She agrees to join him after a year, but puts it off, but later winds up shipwrecked on the same island. An island girl there is in love with him, but when he refuses to reciprocate her love and returns to his old sweetheart, she chooses to commit suicide rather than marry one of her own kind.
Mary's kid brother needs an operation and, in order to pay for it, Mary goes to a Hollywood studio and applies for a job as an actress. Mary is given a job as a waitress in the commissary, and gets to meet 40 actors, actresses and directors, none of whom tip big enough to enable Mary to earn enough money to pay for an operation. Will Mary become an actress and make some big money?
Old Captain Bill and his wife have an only son, whom they idolize. He loses all his money at gambling and drinking, and determines to do better in the city. After a short absence he writes his people that he has secured a good position, is saving money, and will be home before long. A year or two later he arrives in town and on his way to his home passes the old saloon he used to patronize. He cannot resist the temptation, and goes in. He falls in with a lot of bad fellows and is robbed. Ashamed to go home, he ships on board a sailing vessel.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
Cowboy Stanley Carson is visiting Virginia Martin in a southern city when her brother and his gambler friends try to disgrace her. Then Carson is tricked out of winning a horse race by crooked gamblers who abduct Virginia. He chases them by jumping into a boat, swimming ashore, and leaping aboard a fast train. Jumping from the train into a moving automobile, he arrives at the hotel where Virginia is held captive. Here he pauses to rescue a family from a fire and then proceeds to save Virginia. A lost film.
The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.
Antonio falls in love with Marena, the daughter of a blind woman who believes Antonio is her missing son.
In "Menschen Untereinander" ("The Folk Upstairs"), director Gerhard Lamprecht sketches a cross-section of Germany's new post-war society, with its winners, social climbers, and losers, represented by the social microcosm of an apartment building. The gossip-mad Frau Mierig (Lydia Potechina) from the rear building gives the newly-arrived Frau Kaminski (Käthe Haack), the janitor's wife, a lively initiation into the tenants and their peculiarities.
Paco, a jealous and bitter man who is in love with Rosario, conspires in the shadows to bring about the downfall of Manuel, her husband.
A railroad worker accepts a colleague's offer to stay in his home, but when his friend is called out one night to stop a runaway train, he makes a play for the man's wife.
The daughter of a wealthy man secretly marries a man below her station— one whom her father violently disapproves of. The father, in an excess of parental concern, separates the lovers by sending his daughter away so that she might forget her lover, unaware of their married state. During this time, she gives birth to a daughter. After some months, the young mother returns to her family manor and presents her father with his new granddaughter, which causes a most unfortunate scene. Unbeknownst to the young woman, her enraged father falsely accuses his son-in-law of theft and has him incarcerated in order to separate the lovers in an irrational attempt to force his daughter to forget this "unworthy" young man.
Adam and Eve are cast out of Eden. They discover that flowers can bring both joy and solace.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.