The Panther(2017)

Ritratti: Andrea Zanzotto(it)

Marco Paolini discusses with poet Andrea Zanzotto about nature, history and language.

Smog Wars(en)

Following the historically smoggy Polish winter of 2016/2017, a Warsaw father of an asthmatic son searches for answers about why air pollution continues to be a major problem in Poland - and why solving the problem is easier said than done.

Mediocre(de)

Jordan River Anderson, The Messenger(en)

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.

The Society of the Spectacle(fr)

Guy Debord's analysis of a consumer society.

Elogio ao ½(pt)

Gravel In Her Gut and Spit In Her Eye(en)

Dorothy Johnson was a Western writer ahead of her time. Women saved men, heroes died unwept and unsung, whites lived with Indians and benefited from the experience. Three of her stories were made into films and many critics consider "The Man Who Shot Liberty Valance" to be the cornerstone of the modern western. This documentary looks back on Dorothy's life, and her place in history.

Trade Center(en)

The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.

When We Were Kings(en)

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Kings of The Ring - History of Heavyweight Boxing 1919-1990(en)

The BBC produced “Kings of The Ring – History of Heavyweight Boxing 1919-1990” celebrates boxing’s marquee division. Comprehensive and nonjudgmental, it begins with Jess Willard’s victory over Jack Johnson in Cuba and runs through the Mike Tyson era.

Le Monde secret de la petite brique LEGO(fr)

My Life Inside(es)

Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.

The Wikipedia Promise(de)

In 2001, Jimmy Wales published the first article on Wikipedia, a collaborative effort that began with a promise: to democratize the spreading of knowledge, monopolized by the elites for centuries. But is Wikipedia really a utopia come true?

Love, Pascual(es)

The hope of a young historian to corroborate the existence of Pascual Vázquez, a supposed general of the Mexican revolution, materializes in Ms. Hilda, Pascual's granddaughter, who offers to tell the stories of her grandfather.

The Invisible Network(es)

A project about the architectural, cultural, and social heritage of the city of Buenos Aires. An investigation about the enigmatic "Casa del Angel", a castle that used to belong to Dr. Carlos Delcasse, and the winged figure in one of its balconies that attracted the attention of all the neighbors: the sculpture of an Angel, which disappeared after the demolition of the house.

Fight Church(en)

A documentary about the confluence of Christianity and mixed martial arts, including ministries which train fighters. The film follows several pastors and popular fighters in their quest to reconcile their faith with a sport that many consider violent and barbaric. Faith is tried and questions are raised. Can you really love your neighbor as yourself and then punch him in the face?

Black Waters(es)

“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.

Cowboys: A Documentary Portrait(en)

Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature-length film that gives viewers the opportunity to ride alongside modern working cowboys on some of America's largest and most remote cattle ranches. The movie documents the lives of the men and women working on these "big outfit" ranches - some of which are over one million acres - and still require full crews of horseback mounted workers to tend large herds of cattle. Narrated through first-hand accounts from the cowboys themselves, the story is steeped in authenticity and explores the rewards and hardships of a celebrated but misunderstood way of life, including the challenges that lie ahead for the cowboys critical to providing the world's supply of beef. “COWBOYS” was filmed on eight of the nation’s largest cattle ranches across ten states in the American West.

WATERSHED(en)

WATERSHED chronicles the story of Mallory Weggemann, who was paralyzed at the age of 18 and found refuge in the pool as a swimmer. Having won five Paralympic medals, Weggemann is now not only looking to reclaim her spot on the podium, but she’s trying to become a mother as well. In WATERSHED, which was self-documented by Weggemann and her husband Jay Snyder, Weggemann trains for the Tokyo Paralympics during COVID-19 and battles an additional injury to her arm, putting her career in question. Against the backdrop of these crossroads, the couple bravely share their struggles with infertility, the importance of IVF, and their journey to start a family. In this deeply personal and inspiring film, Weggemann reminds us that trauma and tragedy not only change how we are perceived by society, but how we perceive ourselves. And that if we’re brave enough, we too can write our own ending.

La folie du tatouage(fr)