Eddie Polo appears in this short showing his dexterity with a horse and lasso.
Eddie Polo appears in this short showing his dexterity with a horse and lasso.
1928-03-16
0
After discovering a new species of dinosaur on private land, Ruth is forced to contend with forces both big and small in her quest to get it out of the ground before anyone notices.
Barbara was amazed when she found out that Ripley was bringing her a Malaysian cat from the Orient. But what Ripley didn't know was that he was being followed by three Malaysians. On the night of his arrival, he handed the cat into the care of the Japanese valet Tatsu. Tatsu was murdered that same night. A mysterious wound from a poisoned dart proves that the assassin was a Malay.
Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.
A young Navajo man performs a ritual related to the moon.
Mickey walks into the tavern where Minnie is dancing, and begins to dance and play piano himself. Pegleg Pete comes in and treats Minnie badly. Mickey tries to defend her, but Pete steals her away. Mickey, riding Horace Horsecollar, gives chase. He manages to throw Pete off a cliff.
Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.
After the train station clerk is assaulted and left bound and gagged, then the departing train and its passengers robbed, a posse goes in hot pursuit of the fleeing bandits.
When a gang of outlaws put Andy Clyde's ranch house under siege, daughter Alice Day recruits college heart throb Ralph Graves to save daddy.
Johnny Arthur has been ordered to spend a year out west to toughen him up, so he and butler George Davis head out. The cowboys at the ranch don't like him, so Johnny and they play practical jokes on each other. However, when Virginia Vance is kidnapped, it turns out to be real desperadoes.
When wild horse Emma (Trixie the Horse) keeps opening the gates and freeing horses, ranch owner Molly (Molly Malone) hires Jimmie (Jimmie Adams) to deal with the problem. When he tames Emma, however, jealous ranch hands tie him up and kidnap Molly, so it's Emma to the rescue!
A woman enters a bar and asks for a bit of conversation, but what she gets in return is a bunch of bad pickup lines sung to her by a cowboy and the bartender singing the cowboy's virtues.
The hero befriends a young school teacher, who adopts a child at his suggestion. The real father of the child, who neglected its mother and allowed her to die, tries to make the teacher believe the hero is its father, which brings about an interesting complication.
Three Outlaws came across a stranded baby and must decide to save the child or escape from the law.
Among the crosses of an old cemetery, two outlaws have a dispute over honour, companionship and greed.
In the tradition of classic westerns, a narrator sets up the story of a lone gunslinger who walks into a saloon. However, the people in this saloon can hear the narrator and the narrator may just be a little bit bloodthirsty.
When a quirky but deadly outlaw returns to town, it's up to a masked hero to gather a group of misfits to save the townspeople from the wrath of Todd.
This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)
This film and the 1950 short "The Fargo Phantom" were edited together and released as a feature called "Tales of the West #2" in 1950.
After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present.