
Italy’s biggest political party, the Five Star Movement, promotes direct democracy through internet voting. Five Star Movement uses a digital platform named Rousseau, that allows Movement’s members to vote online and express their opinion on various issues. But who governs this data?
Himself
6.9A feature-length documentary about the Free Kevin movement and the hacker world.
7.0A low-intensity war is being fought on the streets of Europe and the aim is on fascism. This critically acclaimed documentary takes us behind the masks of the militants called antifascists. In 2013 a group of armed nazis attacks a peaceful demonstration in Stockholm where several people are injured. In Greece the neo-nazi party Golden Dawn becomes the third largest in the election and in Malmö the activist Showan Shattak and his friends are attacked by a group of nazis with knives and he ends up in a coma. In this portrait of the antifascists in Greece and Sweden we get to meet key figures that explain their view on their radical politics but also to question the level their own violence and militancy.
6.0Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
0.0Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.
9.0Holocaust survivors, children of survivors, and grandchildren - as well as German freedom fighters - express their shock at the Covid era's fear-mongering and divisive dictates that are reminiscent of the prelude to the Holocaust. This ambitious five-part docu-series is the brainchild of Holocaust survivor and human rights activist Vera Sharav.
7.1An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
4.7Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
5.0A film about political ethics and legislative incompetence that follows one man's attempts to require politicians to actually read the Bills they are passing -- which, strangely, is not currently required anywhere in the U.S.
6.8An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.
6.3A Nazi propaganda film about the lead up to World War II and Germany's success on the Western Front. Utilizes newsreel footage of battles and fell into disfavour with propaganda minister Goebbels because of it's lack of emphasis on Adolf Hitler.
8.0Two journalists born in the mid '80s decide to take a look back at how their country changed in the last 30 years since the fall of communism. The end product is a documentary containing footage of political events and historical milestones significant to Romania accompanied by a narrator's voice walking the viewer through the events, and also interviews with Romanian politicians and other influential public figures sharing their thoughts and their different views on those events.
7.0Is the solution to Switzerland's future to integrate Germany into the confederation? After all, like Michael Ringier, CEO of the Ringier media group, says, blithely ignoring all minorities, we're very close in culture and language. Oskar Freysinger takes out his guitar and sings his answer. Politicians from French-speaking Switzerland and Ticino think expanding will help the country survive. The former German foreign minister thinks the two countries' traditions are too different. The banker Oswald Grübel is worried about Germany's debts, although he'd be prepared to take over its assets. With serious interviews interspersed with gags (boat people on Lake Constance, the last Habsburger as a peasant), Giaccobbo gathers off-the-cuff reactions which reveal a lot about the different mentalities. The movie laughs at preconceived notions, redefines neutrality and reflects on what designates a nation. Switzerland, which loves to teach the world a lesson, will soon helvetize the planet, oder?
7.1Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.
0.0No one knows why for certain, but from 1968 to 1973 communist Albania enjoyed a brief liberalisation in the arts. Banned books and Beatles records changed hands. Albania’s Nobel-nominated novelist Ismail Kadare wrote two of his most famed masterpieces, Kështjella (The Castle) (1970) and Kronikë në gur (Chronicle in Stone) (1971) during this period. The rock'n'roll and jazz arrangements featured in this concert documentary were the pretext that brought about the end to the artistic thaw. Several performers seen in the festival were sent to prison or internal exile. The portly, smiling music conductor, Gasper Çurçia, was later accused of forging bus tickets and executed.
Made by the highly influential Russian cameraman Roman Karmen, this documentary vividly features Albanian life immediately after the communists came to power in 1944. The film is especially memorable since it’s missing much of the heavy socialist realism that marked Albanian doc making. Shortly after he completed the film, Karmen set off for Berlin to shoot the Soviet victory over Nazi Germany.
7.9The film exposes the links between Agrifood and politics. With a pool of international experts it analyses the many problems related to factory farming: water pollution, migrants exploitation, biodiversity loss and antibiotic resistance.
7.2They call themselves Fancy Bear, Cozy Bear or Voodoo Bear. Elite units of the Russian secret services are hidden behind these code names. They are among the most dangerous hackers in the world. The bears were already in the computer of then-Chancellor Angela Merkel in 2015, interfered in the US election campaign in 2016 and are currently influencing the war in Ukraine. The makers of the successful YouTube channel “Simplicissimus” in co-production with funk and SWR are back and show the destructive potential of state hacking with this documentary. With the help of leading German hackers, cyberspace experts and a lot of humor, they delicately demystify the Russian bears: Who are the people behind them? How do they operate? And what makes them so incredibly dangerous?
6.0From the re-appropriation of archive images with various contents (war images, soccer matches, social celebrations, religious rites, historical characters, etc.) and from different sources (including films by Chris Marker, Alain Resnais, Leni Riefenstahl or Gianikian and Ricci Lucchi, as well as images from ads and news...), together with reflections of Pierre Bourdieu, Zygmunt Bauman, Bertolt Brecht, Hannah Arendt, Stanley Milgram, Eric Hobsbawn, Amin Maalouf, Josep Fontana, etc., Zavan Films producer develops this complex and kaleidoscopic work on (national, religious, commercial...) identities and their relation with war, economic profit and "legal crimes".
