After his defeat at the hands of "Spider" Flynn, the welterweight champion of Europe, boxer Jimmie Dolan and his trainer, Thomas Jefferson Jones, leave for a principality near Paris. Having lost all their money on the fight, Jimmie accepts Count Conrad's offer to impersonate Prince Frederick in return for a large sum of money.
Alicia
Count Conrad (as Al MacQuarrie)
Mlle. D'Orsay (as Grace MacLean)
After his defeat at the hands of "Spider" Flynn, the welterweight champion of Europe, boxer Jimmie Dolan and his trainer, Thomas Jefferson Jones, leave for a principality near Paris. Having lost all their money on the fight, Jimmie accepts Count Conrad's offer to impersonate Prince Frederick in return for a large sum of money.
1917-04-09
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In a wealthy society family, the mother is forced to sit by and watch while her husband and son both compete for the affections of a pretty young temptress.
Austin Starfield has his greedy eye on a steel mill belonging to Eve Burnside. He persuades an impoverished count, Leon Molnar to marry Eve so he can then gain control of her fortune.
The Man Upstairs is a lost 1926 silent film comedy directed by Roy Del Ruth and starring Monte Blue. It was produced and distributed by Warner Brothers. The film is based on a novel, The Agony Column by Earl Derr Biggers.
Sid Hunt and Jude Lowery are Carolina sweethearts but hired-hand Rufe Pryer also has his eyes on her. Rufe lies to Andy, Jude's brother, and a family-feud is started when Andy goes gunning after Sid. But Sid quiets the drunken Andy, and is taking him home when a shot is fired from ambush and Sid's horse comes home riderless. But he shows up unhurt, and the jealous-maddened Rufe sends him on a ruse to the big dam. Rufe sets off a dynamite explosion to catch Sid in the swirling waters but Jude is the one who is caught.
A bored society girl cuts a hundred dollar bill in half, writes a message on one half for whoever finds it and throws it out the window of her apartment. The person who finds it turns out to be the driver of a coal truck. So she decides to give him a complete makeover in order to make him presentable to her society friends.
Simon Haldane works in the office of the Faulkner Iron Works, but he has been raised by his two maiden aunts in an extremely sheltered manner and is basically afraid of everyone and everything. One morning he finds a strange girl shivering in his bedroom, and although he's terrified of her, he manages to call a doctor for her. This starts a rumor that Simon is married. Complications ensue.
Irene, a young girl from a small town, arrives in New York City determined to make it on the Broadway stage. She meets up with Cookie, a worldly chorus girl who takes Irene under her wing. When Irene falls for young Ronald, his rival Crane sets out to break up the pair so he can have Irene for his own--and he doesn't much care how he does it.
This film shows contrasting views of women with problematic pregnancies and the outcomes resulting when they seek out a back-alley abortionist, a trained and licensed abortion provider in a clinic, or an obstetrician capable of performing a Caesarian Section. The full film appears to be lost, but shortened versions, including one with dialogue scenes added in Germany in 1935, can be found on the internet. Additionally, Eisenstein's role in making the picture remains unclear: did he direct some or all of it, just edit it, or merely leave it to Alexandrov and Tisse to make? Released in the USA 1930 in a 65 minute (5800 ft.) version with English intertitles and a music track under the title BIRTH.
Neglected by her husband, an ambitious lawyer, Irene seeks variety in Berlin's nightlife-- An evening of dancing, dolls, cocaine and immoral passion. Irene takes the "devious path" as she seeks to make her husband jealous.
A German pianist is going to break up with his unfaithful wife, when he receives the message that his favourite stepchild has died. This film is believed lost.
This film earned an Oscar nomination for Sound Recording. It is the only film nominated in this category that is among the lost. No negative or print material is known to have survived. Contemporary reviews were scathing, describing the film as a vastly overlong and boring talk-fest.
Four orphans, raised by an aging clown, becomes a high wire act in a circus. Lost film.
The film is based on the words of a song performed by Iza Kremer in Odessa.
Paula is a circus performer married to the alcoholic clown-acrobat Lorio. Lorio's heavy drinking leads to him being severely injured during a performance. This forces Paula and the now-crippled Lorio to become street musicians. This film formerly ran to 81 minutes – regrettably, the second half is considered lost.
A wealthy society playboy falls in love with the daughter of a poor fisherman. After Valentino shot to fame, A Society Sensation was cut down to a meek 24 minutes so the lead would be in every scene. Title cards tried to make up for the lost scenes.
Snow White, a beautiful girl, is despised by a wicked queen who tries to destroy her. With the aid of dwarfs in the woods, Snow White overcomes the queen.
Film star Ruth Breton has a habit of falling in love. When dating Walter she meets Von Zornhorst. When Zornhorst discards her, she pines away. As a last token of his love for Ruth, Walter writes a play for her, but during the final act of "Pierrot's Death", Ruth expires.
Ellen McHugh, a poor Irish immigrant to America, finds work in a carnival and is thus able to send her son Brian to a fine school. But when her position is found out, the school expels Brian. Mrs. McHugh feels compelled to allow the school principal and his wife to adopt Brian. The widow McHugh becomes a housekeeper and raises her employer's daughter Edith, who grows up to fall in love with Brian McHugh.
A story of the West in the days when the sheriff was more powerful than the mayor or governor. It tells of the sacrifices made by a sister for a brother and the virile, big-hearted nature of a stage-driver who is made sheriff and solves a mystery that hangs over the lives of two innocent people.
A partially lost film, with only one surviving reel. A movie released in 1914 directed by Edwin S. Porter.