Jan Decorte's second feature film is an adaptation of the play Hedda Gabler by Norwegian playwright Henrik Ibsen. Decorte moved the locus of action of Ibsen's realistic play from 1890 to 1950, twenty-eight years earlier than when the film was shot. The story begins when Hedda returns home from an overly long honeymoon with her newly wed but colourless husband Tesman. She is pregnant and will be courted by the writer Eljert Lövbor, an old lover who is about to break through with an exceptional novel of autobiographical quality [Avila].
Hedda
Brack
Jörgen Tesman
Thea Elstved
Julia Tesman
When Madea gets sick, her family comes to her aid. What they don't realize is that they're the ones who need her help. As always, Madea's cockeyed outlook on life saves the day and guarantees side-splitting laughs along the way.
There are five survivors in a futuristic library. Bam is their supreme dictator, and has the others interrogated and tortured, believing them to have said where. What Bam means is unclear, but he distrusts all.
A Kuwaiti comedy play that revolves around Saif, a loyal and diligent worker whom experiences difficulties at home which lead to disastrous results.
A Kuwaiti comedy play starring Abdulrahman Al-'Aqel, Intisar Al-Sharaah, Mohammed Al-'Ujaimi, Abdulnasser Darweesh.
A Kuwaiti comedy play starring Taariq Al-'Ali, Khalid Al-Beraiki, Shihaab Hajiah and others
The first Gulf economic play centered on an issue that affected members of Kuwaiti society, which sparked widespread controversy between Kuwaiti society and the Gulf community in general, and the issue was the "Al Manakh Market" crisis in 1982, which ended in losses exceeding $ 22 billion. Where the story tells about the second oil boom of the Gulf states at the end of the seventies and the beginning of the eighties of the twentieth century AD where the price of oil increased continuously until the Gulf countries recorded large financial surpluses, so the money poured into the stock market significantly until it opened a stock trading office in a semi-parallel office and was named a market "Al Manakh" in which money flowed greatly from almost all segments of Kuwaiti society and even foreign residents and some individuals from the Gulf states and increased frantic speculation and increased buying and selling for the future until it reached astronomical numbers.
For generations, African men have gathered in barber shops to discuss the world. These are places where the banter can be barbed and the truth is always telling. Follow along as we leap from a barber shop in Peckham to Johannesburg, Harare, Kampala, Lagos and Accra over the course of a single day.
Lloyd Newson interviewed more than 50 men asking them frank questions, initially about love and sex. One of those men was John.
Today, immense confusion reigns over the quest for the absolute, revolt and fury, violence and its appendages. And many people plunge back in Albert Camus' work to find answers. In the foreword to his play, the philosopher and writer summarizes the intrigue as follows: "In February 1905, in Moscow, a group of terrorists, belonging to the Socialist Revolutionary Party, organized a bomb attack against the Grand Duke Serge, Tsar's uncle ”. The rapper and slammer Abd Al Malik offers with this "musical tragedy" a contemporary staging of "The Just", a complete creation, faithful to the text of Camus, but reinventing a scenic and musical language resolutely inscribed in our time.
Harry is a shy hardware store employee. But whenever he takes a part in a local amateur theater production, he becomes the part completely--while on stage. Helene is new in town, a lonely itinerant telephone company employee. On a whim, she auditions for and gets the part of Stella to Harry's Stanley when the theater group performs A Streetcar Named Desire. Before anyone realizes the growing affection between Helene and Stanley, she falls deeply in love with the sexy brute, not knowing what the real man is like.
An ageing monarch. A kingdom divided. A child’s love rejected. As Lear’s world descends into chaos, all that he once believed is brought into question. One of the greatest works in Western literature, King Lear explores the very nature of human existence: love and duty, power and loss, good and evil.
A new English adaptation of the classic French tragedy Phèdre by Jean Racine (1639-1699). It retells the ancient Greek tale of the wife of the Atenian King Theseus, who conceived a forbidden love for his son (by an earlier wife) Hyppolytus. All ends badly for all.
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
The story is set during the South American Wars of Independence. Simón Bolivar, the liberator, has escaped from Spanish custody with the aid of an idealistic Spanish officer, Captain Montserrat. The Spanish commander, Colonel Izquierdo ('left' in Spanish), threatens Montserrat with torture to find out where Bolivar can be recaptured.
Although this sounds like a weekend like many others, in the Prior house the atmosphere is rather tense because of some nervousness on the part of individual members of the family, especially the father, Peppino, who gets angry with anyone who happens to shoot: with their children, Juliana and Roberto, and his sister, aunt Meme. Meanwhile, his wife Rosa is dedicated to the preparation of the sauce, which she will serve for Sunday's lunch, to which she invited the neighbors, the accountant Ianniello and his wife.
Timon loves to give parties and objects to friends, but when he cannot pay his creditors, his "friends" refuse to help him, and he becomes a misanthropic hermit.
The solo actor in Shimmer tells the story by becoming each character in turn. The play takes place in 1956, in a harsh Midwestern juvenile detention center, where two boys befriend each other.
An artist struggles to finish his work while a storyline about a cult plays in his head. As the cult spirals towards a fundamentalism that will destroy the world, the artist decides to destroy his muse to redeem the world.
An adaptation directed by Claude Whatham for the BBC's Theatre 625 slot. Essentially a recording of John Barton's acclaimed Royal Shakespeare Company production starring Catherine Lacey (the Countess), Ian Richardson (Bertram), Lynn Farleigh (Helen), Clive Swift (Parolles) and Sebastian Shaw (the King), it was broadcast on 3 June 1968.