Las Raíces del Roble(2017)

Junge Leute(de)

A documentary about young people just starting their higher education and their professional life.

The Mad Maestro(en)

A world famous conductor suffers while leading a mediocre orchestra.

The Name You Carry(fr)

When Vlace is suspended for hitting a classmate, Sasha is called to come get his son at school and has no choice but to take him along on his delivery route. During this intimate journey, we discover what provoked Vlace's uncharacteristic act, as father and son find their way toward a new understanding.

The Fashion Side of Hollywood(en)

Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).

Black Girl in Bloom(en)

St. Louis florist Darien Burress launches her small business while preparing to compete at Art in Bloom, the St. Louis Art Museum's annual festival celebrating floral design and the fine arts.

Don't Ever Let Go(en)

A Mexican-American brother and sister come upon a mysterious stone. The stone shows Mia a vision of the future that she’s always wanted. Alex travels with his sister to the edge of everything they know, not ready to let go, but needing to say goodbye.

Behind the Lens(en)

When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.

Welles' Language(pt)

Orson Welles acted in Brazilian culture and music by deeply researching Brazil's historical geology, consciously completing a legendary cultural mission. Although being turned down by Hollywood producers, he developed a triumphantly accomplished mission in the language domain - three friends of Welles' testified his love for cinema, his passion for Brazilian music and people and his obstinate endurance against formidable pressures coming from inside and outside Hollywood regarding his unfinished "It's All True".

The Tiger and the Deer(es)

In El Salvador, Chelino tells about the indigenous massacre of 1932, of which he survived, while he teaches the melodies of traditional Salvadoran dances.

The Little Old Lady Who Was Not Afraid of Anything(en)

"The Little Old Lady Who Was Not Afraid of Anything" is based on a Halloween children's book about how a brave old lady meets a spooky set of clothes that follow her home.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Sweet 15(en)

On her 15th birthday, a young girl learns to navigate the complexities of budding adolescent romance with the guidance of her two best friends.

I Will Speak English(en)

'An instructional film made on behalf of the Department of Social Welfare, demonstrating a new technique to teach English to illiterate adult audiences in the Gold Coast. (..) This is a film with an almost entirely African cast, depicting an African teacher instructing a group of African students, produced by a predominantly African crew. Yet, the subject of the film – encouraging the widespread teaching of English – jars with this image of a modern Gold Coast. Just as the Gold Coast Film Unit was overseen by British figures – such as Sean Graham and, in this case, George Noble – this film also endorses the retention of British influence within a new national identity'. - Tom Rice, for colonialfilm.org

En dehors de vos murs(fr)

Paparazzi(fr)

Paparazzi explores the relationship between Brigitte Bardot and groups of invasive photographers attempting to photograph her while she works on the set of Jean-Luc Godard's film Le Mépris (Contempt). Through video footage of Bardot, interviews with the paparazzi, and still photos of Bardot from magazine covers and elsewhere, director Rozier investigates some of the ramifications of international movie stardom, specifically the loss of privacy to the paparazzi. The film explains the shooting of the film on the island of Capri, and the photographers' valiant, even foolishly dangerous, attempts to get a photograph of Bardot.

Breakdowns of 1938(en)

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.

Liminality & Communitas(fi)

After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.

ICU(hi)

After spending several years trying to distance herself from her childhood and her father, Kia is forced to return. Her father is in critical condition and could pass away at any second; her sister and her mother insist that her last words to him should be a fond goodbye. Kia has to decide what her last few words to her father will be.

The Dam Keeper(en)

In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam's operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig's class, nothing will be the same again.

The Romance of Celluloid(en)

Several behind the scenes aspects of the movie-making business, which results in the enjoyment the movie going public has in going to the theater, are presented. They include: the production of celluloid aka film stock, the materials used in the production of which include cotton and silver; construction crews who build sets including those to look like cities, towns and villages around the world; a visit with Jack Dawn who demonstrates the process of creating a makeup design; the screen testing process, where many an acting hopeful gets his/her start; the work of the candid camera man, the prying eyes behind the movie camera; a visit with Adrian, who designs the clothes worn by many of the stars on screen; and a visit with Herbert Stothart as he conducts his musical score for Conquest (1937). These behind the scenes looks provide the opportunity to get acquainted with the cavalcade of MGM stars and their productions that will grace the silver screen in the 1937/38 movie season.