Between punches and jumps, the fighters of the team "Flecha Dourada" return to the ring after 50 years to relive the glorious era of wrestling in Santa Catarina, South of Brazil.
Between punches and jumps, the fighters of the team "Flecha Dourada" return to the ring after 50 years to relive the glorious era of wrestling in Santa Catarina, South of Brazil.
2017-12-14
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Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Two best friends, Clint and Lenny, set out to pan for gold during the California Gold Rush. They have a stroke of luck and find a significant amount of gold in their pans. As they continue to pan, Clint becomes increasingly fixated on finding more and more gold, to the point where he becomes ruthless and starts to turn on Lenny. Lenny tries to remind Clint of the importance of their friendship and the values they once held, but Clint's greed continues to consume him. Eventually, their friendship is put to the test as Clint's behavior becomes increasingly dangerous and erratic. Will the gold be the end of their friendship, or will Lenny be able to save his friend from the destructive power of greed?
A journey through the golden age of Spanish rugby, from the late eighties to the early nineties: the incredible story of men who, with hard work, effort and perseverance, proved that any goal can be achieved.
The extraordinary story of how Jürgen Klopp became the savior of Liverpool Football Club and one of the most admired football managers in the world.
Duarte, a visually impaired fifty-year-old, sets out to look for Leandro, his Cape Verdean friend. Despite the heat of a Lisbon summer, Duarte wanders through the streets of his neighborhood, but no one seems to have seen or to have even known Leandro. Duarte's investigation will lead him deep into the night, and will ultimately reveal his secret.
When a student documentary crew decides to interview Julia, a puzzling young woman willing to share her sensitive past, the project grows increasingly uncomfortable for the subject as the director's relentless scrutiny and unethical transgressions soon start to blur the lines between reality and performance.
Compilation of lighting and costume tests from various films, most notably Sternberg's "The Devil Is a Woman" (1935).
The story of how a humble Basque rural sport called zesta punta —or jai alai— was successfully exported from the Basque Country to nations as different as Egypt, China, the Philippines, Cuba, Mexico or the United States. In these places, the pelotaris were considered true artists at the fronton. But the splendour of the jai alai, the happy feast, could not last forever.
In 1996, Reebok and Liverpool FC created one of the most iconic kits of the 90s. Jay Pearson decided to go on a time-travelling journey to find out just how 'Ecru' came to be and the impact it had in football.
'Barnes: Poetry in Motion' tells the story of one of football's most iconic figures, John Barnes, starting from his arrival in England from Jamaica and then being recommended to Elton John's Watford by a cab driver who had seen him play for non-league Sudbury Court. It was while at Watford that Barnes launched his international career and would go on to be capped 79 times for a country that he was not initially eligible to represent. At Liverpool, John would establish himself as one the greatest player in the club's history, winning the league championship and the Football Writers' Player of Year award in two of his first three seasons at the club. Off the field John found a home in Liverpool, forming an ever-stronger bond with the city in the aftermath of the Hillsborough.
A silent succession of black-and-white photographs of the city of Montreal.
47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.
In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.