There's an epidemic of fatbergs under Britain's streets. But why? A team of experts analyse one of the biggest ever seen, revealing the nation's dirty secrets.
There's an epidemic of fatbergs under Britain's streets. But why? A team of experts analyse one of the biggest ever seen, revealing the nation's dirty secrets.
2018-06-10
10
Documentary exploring the case of Miranda Barbour, who lured a man into meeting her with a sex ad and then killed him. She then confessed to 22 more murders, committed as part of a Satanic cult. But is she really a serial killer?
She is a former air hostess; he is a fair-haired St Petersburg-born politician with a secret past and a thorough knowledge of German. Despite the familiar-sounding characters, the film’s makers claim that its hero is not Russian President Vladimir Putin, but a fictional Russian politician named Alexander Platov.
Propaganda film detailing the plight of ethnic Germans, known as "Volga Germans", in the Soviet province of Manchuria.
Having missed out on his cult's long awaited ritual suicide, an obnoxious loser teams up with his bogus ex-messiah to rebuild their doomsday commune. Traveling together through middle America, the constantly-bickering duo induct a military wannabe, a mentally unstable mom, and a mysterious foreign hitchhiker into their cult... but will this family of outcasts fulfill their transcendent destiny, or decide this life might be worth living after all?
For more than 30 years a man by the name of Dick Proenneke lived alone in the Alaskan Bush. His only neighbors were the wolves and grizzly bears and his only transportation was his canoe and a good set of legs. Through the years, Dick kept written journals of daily life at Twin Lakes but would also document much of his adventure on film with his 16 mms Bolex camera. The Frozen North is Dick's own filmed account of his life alone in this "One Man's Wilderness", produced from original footage not included in "Alone in the Wilderness" or "Alaska Silence & Solitude".
"While film always seems to aim for humanism and anthropomorphism, I endeavoured in my film to represent only a language with three dimensional letters." Saga is an extension of the plurality of the means of experimentation used by Jean-François Bory to capture the dynamic inside the text, directly related to the spatialisation of letters theorised by Pierre Garnier. lts corresponding object book masterfully resumes the cinematographic dimension in the progression of the writing and uses a visual narration.
For twenty years the Wiesenbergers cultivated the same rituals. Practising once a week in the local chappel and singing for weddings and birthdays. Meanwhile, their world turned upside down. Their CD is rising up the charts and they're overwhelmed with concert request - showbusiness is calling. Now, they even were invited to perform in Shanghai. But the tempting offer puts their solidarity to a test.
After a shooting assignment, Henrique is mugged by two armed motor-bikers who steal his camera and speed off. Seconds later, he watches both get hit by a pickup truck driven by a self-appointed avenger, someone weary of feeling defenseless against the urban violence, and who decided to take action. Henrique recovers his stolen equipment and leaves, feeling avenged. But he goes back to find the memory card, with the photos, lost during the crash. From that moment, he is trapped in a situation where he is now the criminal for failing to rescue a victim, who had been his aggressor. Going from the murder scene to the police station, and then to the emergency ward of the public hospital, he attempts to clear himself.
Sign The Show: Deaf Culture, Access and Entertainment is a feature-length documentary providing insight into Deaf culture and the quest for access to entertainment. It brings together entertainers, the Deaf and Hard of Hearing (HOH) community, and American Sign Language interpreters to discuss accessibility at live performances in a humorous, heartfelt, and insightful way.
When a Hong Kong teenager from a poor family wins a trip to Japan, he unleashes a chain of events that will soon bring him from his secluded fishing village to Tokyo. On the way, he connects with a barely competent tour guide and a gender-fluid pickpocket. Upon returning home with this merry band of schemers, he and his family of counterfeiters discover that a multinational conglomerate led by a ruthless Japanese developer has found the village, and is determined to raze it to build the new center of world trade.
A man who was dumped by his fiancee at the altar on his wedding day is reunited with her several years later at a book signing.