Hänsel und Gretel(1981)

Female Trouble(en)

Dawn Davenport progresses from a teenage nightmare hell-bent on getting cha-cha heels for Christmas to a fame monster whose egomaniacal impulses land her in the electric chair.

The Tree of Wooden Clogs(it)

On a turn-of-the-20th-century northern Italian farm, a group of sharecroppers eke out a threadbare existence. A priest advises Batisti and his wife Batistina that their young son Minec should be formally educated, so they sacrifice his help in the fields and send him to school. When Minec's wooden shoe breaks one day, Batisti--in an act of desperation--puts the family's future at risk to replace the clog.

1(en)

Set in the golden era of Grand Prix Racing '1' tells the story of a generation of charismatic drivers who raced on the edge, risking their lives during Formula 1's deadliest period, and the men who stood up and changed the sport forever.

House of Hummingbird(ko)

14-year-old Eun-hee moves through life like a hummingbird searching for a taste of sweetness wherever she may find it. Ignored by her parents and abused by her brother, she finds her escape by roaming the neighborhood with her best friend, going on adventures, and exploring young love.

True Stories(en)

A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.

After the Storm(ja)

Ryota is an unpopular writer although he won a literary award 15 years ago. Now, Ryota works as a private detective. He is divorced from his ex-wife Kyoko and he has an 11-year-old son Shingo. His mother Yoshiko lives alone at her apartment. One day, Ryota, his ex-wife Kyoko, and son Shingo gather at Yoshiko's apartment. A typhoon passes and the family must stay there all night long.

The Wasp(en)

Heather bumps into Carla, having not spoken to her in years, and presents her with a very unexpected proposition that could change both of their lives forever.

Labyrinth of Passion(es)

An array of outrageous people, including a desperate nymphomaniac and a terrorist with an acute sense of smell, seek love and happiness in Madrid.

Mektoub, My Love: Canto Uno(fr)

Amin, an aspiring screenwriter living in Paris, returns home for the summer, in Sète, South of France. It is a time of reconnecting with his family and his childhood friends. Together with his cousin Tony and his best friend Ophélie, he spends his time between the Tunisian restaurant run by his parents, the local bars and the beaches frequented by girls on holiday.

Sergio(en)

A sweeping drama set in the chaotic aftermath of the US invasion of Iraq, where the life of top UN diplomat Brazilian Sérgio Vieira de Mello hangs in the balance during the most treacherous mission of his career.

Re-Kill(en)

Five years after a zombie outbreak, the men and women of R-Division hunt down and destroy the undead. When they see signs of a second outbreak, they fear humanity may not survive.

I Vitelloni(it)

Five young men dream of success as they drift lazily through life in a small Italian village. Fausto, the group's leader, is a womanizer; Riccardo craves fame; Alberto is a hopeless dreamer; Moraldo fantasizes about life in the city; and Leopoldo is an aspiring playwright. As Fausto chases a string of women, to the horror of his pregnant wife, the other four blunder their way from one uneventful experience to the next.

Guilty as Sin(en)

Before a criminal lawyer knows what has happened, she is forced to defend a wife killer she knows is guilty.

The World of Apu(bn)

Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.

The Seed of the Sacred Fig(fr)

Investigating judge Iman grapples with paranoia amid political unrest in Tehran. When his gun vanishes, he suspects his wife and daughters, imposing draconian measures that strain family ties as societal rules crumble.

L'amore(it)

L'Amore ('Love') is a 1948 Italian drama anthology film that consists of two parts, The Human Voice (Una voce umana), based on Jean Cocteau's 1929 play of the same title, and The Miracle (Il miracolo), based on Ramón del Valle-Inclán's 1904 novel Flor de santidad.

Rocco and His Brothers(it)

When a impoverished widow’s family moves to the big city, two of her five sons become romantic rivals with deadly results.

Twin Peaks(en)

An idiosyncratic FBI agent investigates the murder of a young woman in the even more idiosyncratic town of Twin Peaks. (This standalone version of the series pilot was produced for the European VHS market and has an alternate, closed ending.)

Love and Death(en)

In czarist Russia, a neurotic soldier and his distant cousin formulate a plot to assassinate Napoleon.

R-Rated Idol Seung-ha's Sex Scandal(ko)

When they were young, Min-joo and Seo-yeon cared for each other and were closer than brothers and sisters. However, she accidentally learns about Seo-yeon's tutor, Woo-hyeon, and because of this man, their 10-year friendship starts to become shaky. Meanwhile, Jeong-soo is hurt in seeing Min-joo like that, and so he distanced himself from Min-joo. Because of Min-joo and Seo-yeon's misunderstanding, Jeong-soo who couldn't care much might just leave so Min-joo tries to break up with the help of Seo-yeon. While in the process of breaking up, Min-joo and Seo-yeon went back to their close relationship. The love of women who have been separated because of man, and the two men's friendship is comically drawn.

Verdi La Traviata(en)

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

Don Quichotte(en)

This May 2010 production of Massenet's 1910 opera "Don Quichotte" marked the opera's centenary and also Jose Van Dam's operatic farewell at the Theatre de la Monnaie, Brussels. It is beautiful in every way--vocally, scenically, sonically, and visually--and a worthy record of Van Dam's farewell. Van Dam is just shy of 70 in this production, but you would never guess it from his singing or stage movements--a consummate artist. His is a noble portrayal and deeply moving. The Act V death scene is a model of beautiful singing and acting.

La bohème - Liceu(es)

Romeo et Juliette - Liceu(es)

The ROH Live: Carmen(en)

The young soldier Don José intends to marry Micaëla, a girl from his home village. But when he meets the sensual and high-spirited Carmen, he sacrifices everything to be with her. Carmen grows tired of Don José and falls in love with the toreador Escamillo. Unable to bear her leaving him, Don José tracks Carmen down to a bullring where Escamillo is fighting and murders her.

The ROH Live: Lucia di Lammermoor(en)

Lucia’s brother Enrico is horrified to learn she has fallen in love with his sworn enemy Edgardo. He hastily arranges her marriage to his associate Arturo. Edgardo and Lucia privately exchange rings before he leaves to fight in France. Enrico tricks Lucia into believing that Edgardo has been unfaithful. Longing for death, she signs the contract with Arturo – moments before Edgardo returns. Lucia murders Arturo in their wedding bed. His death is followed first by Lucia’s, and then by Edgardo’s.

The ROH Live: Nabucco(en)

Nabucco, King of Babylon, takes Jerusalem in his war with the Israelites – but his daughter Fenena loves the Israelite Ismaele. She releases their prisoners, leading her vengeful half-sister Abigaille to plot to take power. Nabucco declares himself a god and is struck by a bolt of lightning. Abigaille tricks the now feeble king into signing a death warrant for the Israelites, including Fenena and Ismaele. Nabucco prays to the God of Israel for forgiveness; his sanity is restored and he saves the prisoners from death. He converts himself and his people, while Abigaille commits suicide.

Déjà vu(ru)

Famous opera singer Dmitry Hvorostovsky performs live songs from his album 'Deja vu' by composer Igor Krutoy about life, love, music, fate and even death at the Kremlin Palace.

John Adams: Nixon in China(de)

Besides the landing on the moon by the Apollo 11 mission in 1969, Richard Nixon’s meeting with China’s leader Mao Zedong in February 1972 then represented one of the biggest media spectacles in history. Nixon himself established the reference between the two events: “We came in peace for all mankind” not only marked the lunar module Eagle’s landing spot – Nixon also spoke of it into the microphones just before his departure to China. It was not John Adam’s aim to create a superficial or even a caricaturing representation of Nixon’s visit when composing his opera. He attempted to create a “heroic opera” about the construction of modern myths by using archetypical characters and situations. Director Marco Štorman stages Adams’ minimal music opera as a deconstruction review about the power of images, the politics of staging and the staging of politics.

Korngold: Die tote Stadt(de)

Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen.

Der Freischütz(de)

Axel Köhler’s production of Der Freischütz at the Dresden State Opera was described by Die Presse as “a minor miracle in Dresden”. In the words of the Salzburger Nachrichten, Köhler “scored a bulleye” with his sombre and satanic interpretation of Weber’s Romantic opera about love, temptation, souls sold to the Devil, obsession andfaith. According to the Financial Times, Christian Thielemann and the Dresden Staatskapelle conjured up a sense of “mortal terror from the orchestra pit. […] Thielemann is in command of every detail. That makes for utterly gripping listening.”

Royal Opera House: Madama Butterfly(it)

Cio-Cio-San, the young Japanese bride of dashing American officer Lieutenant Pinkerton, finds her romantic idyll shattered when he deserts her shortly after their marriage. She lives in hope that one day he will return. Three years later, Cio-Cio-San and her little son see Pinkerton’s ship in the harbour. She excitedly expects his visit – but Pinkerton and his American wife Kate have come only to take the boy away, to raise him in America. Cio-Cio-San bids her son farewell and then takes her own life.

Oh, for a Man!(en)

Disenchanted opera star Carlotta Manson falls for ruffian cat burglar Barney McGann and gives up her career to marry him. But Barney grows disenchanted himself at being known as the husband of a diva and itches to get back to his life of crime and manliness.

Saariaho: L'Amour de Loin(fr)

This is the 2004 version of Kaija Saariaho's opera performed by the Finnish National Opera and conducted by Esa-Pekka Salonen.

Gianni Schicchi(en)

Woody Allen's production of the Puccini comic opera at LA Opera in 2015

Werther(fr)

The production was the Vienna State Opera debut for the young Swiss conductor Philippe Jordan – the Argentinian tenor Marcelo Álvarez, took the title role. His Charlotte on this occasion was the young Latvian mezzo-soprano Elīna Garanča. Her performances have been enthusiastically received and she has already been labelled as the new mezzo wonder. Staged by internationally sought-after Rumanian director, Andrei Serban, the apparently sentimental love story – normally presented in 18th century period costumes - reveals a study of personal relationships and a close observation of a woman, who comes of age too late. Serban’s aim was to rid the opera of the unjustified reputation of banality that clings to it despite its underlying tragic mood. By setting the production in the stiff, claustrophobic atmosphere of a small town in the 1950s, he aimed to make the audience more aware of its deeper levels of self-denial.

Rameau Hippolyte et Aricie(en)

Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.

Puccini: Gianni Schicchi(it)

Opera in one act, libretto by G. Forzano based on Dante's Divine Comedy. Third part of his opera Triptych. The plot is based on canto XXX of "Inferno" from "The Divine Comedy", which are dedicated to the rogue and deceiver Gianni Schicchi, who was punished for his sins: he impersonated a dying rich man in order to make a forged will on his behalf. Gianni Schicchi is Puccini's only comic opera, a brilliant example of a modern opera buffa based on the tradition of Verdi's Falstaff. The most expressive recitative, bubbling melody, sharp character, impetuous tempo distinguish her music. Recorded live at Glyndebourne Opera House, Sussex, UK on 11 July 2004.

The Newspaper(it)

The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.

Mitridate Re Di Ponto(en)

The definitive version of this rare opera by Wolfgang Amadeus Mozart. The costume and set design is truly visionary and other worldly and gives a convincing insight into what staged operas must have looked like during the Baroque and Rococo period. Singers are all excellent and well cast in their respective roles. One of the most thrilling things I have seen, just wish I could see this live.