Sex reassignment surgery is now almost a commonplace procedure, but back in the early 20th century, it was seen as 'science fiction surgery'. When the news broke of a successful first attempt, it was a sensation. This is the gripping story of three extraordinary people: the world's first person to undergo a female to male transition; the former Spitfire pilot who became Britain's first to transition from male to female; and the daring advanced plastic surgeon who carried out these surgeries in the 1940s. Michael Dillon - previously named Laura - had persuaded the brilliant Sir Harold Gillies, the founding father of plastic surgery, to carry out the female-to-male operation that no surgeon in the world had ever attempted. Both then helped former race car driver and wartime pilot Robert Cowell undertake their own transition.
Sex reassignment surgery is now almost a commonplace procedure, but back in the early 20th century, it was seen as 'science fiction surgery'. When the news broke of a successful first attempt, it was a sensation. This is the gripping story of three extraordinary people: the world's first person to undergo a female to male transition; the former Spitfire pilot who became Britain's first to transition from male to female; and the daring advanced plastic surgeon who carried out these surgeries in the 1940s. Michael Dillon - previously named Laura - had persuaded the brilliant Sir Harold Gillies, the founding father of plastic surgery, to carry out the female-to-male operation that no surgeon in the world had ever attempted. Both then helped former race car driver and wartime pilot Robert Cowell undertake their own transition.
2015-10-23
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It wasn’t long until Ethan knew that he wasn’t Irene, meanwhile, Sarah wondered why it wasn’t the colour of her skin that made her feel so different from the others but, in fact, the stigma of living with HIV. Those are some of the stories from "DIVERSXS".
Soon after New York state passed a 2015 law that health insurance should cover transgender-related care and services, director Tania Cypriano and producer Michelle Hayashi began bringing their cameras behind the scenes at New York’s Mount Sinai Hospital, where this remarkable documentary captures the emotional and physical journey of surgical transitioning. Lending equal narrative weight to the experiences of the center’s groundbreaking surgeon Dr. Jess Ting and those of his diverse group of patients, BORN TO BE perfectly balances compassionate personal storytelling and fly-on-the-wall vérité. It’s a film of astonishing access—most importantly into the lives, joys, and fears of the people at its center.
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
Women, trans and cis, and transvestites talk about their situation and sexwork in Germany.
Woman on Fire follows Brooke Guinan, the first openly transgender firefighter in New York City. A character-driven documentary, the film follows Brooke as she sets out to challenge perceptions of what it means to be transgender in America today.
Katoey meets three people in rural Thailand who are clearly and confidently women even though their bodies are male. Integrated to an impressive degree into society, these women have successfully overcome the difference between their physical and mental genders.
Documentary short about the contrasting experiences, past and present, of three trans men of different generations.
Groundbreaking transgender comedian, Ian Harvie is unafraid to joke about subjects no other comedian has ever touched. Harvie unveils his first-ever live standup comedy concert film, poking fun at topics from top surgery to his fear of public restrooms to his active sex life.
Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.
A self-portrait short film on 16mm from a trans male perspective.
Trailblazing artists, activists, and everyday people from across the spectrum of gender and sexuality defy social norms and dare to live unconventional lives in this kaleidoscopic view of LGBTQ+ culture in contemporary Japan.
Just a generation ago, it was adults, not kids, who changed genders. But today, many children are transitioning, too—with new medical options, and at younger and younger ages. Told from the perspective of parents, doctors, and, most revealing of all, the kids themselves, the documentary takes a powerful look at this new generation, exploring the medical possibilities, struggles and choices transgender kids and their families face today.
A trans Vietnamese woman's deadname being repeated over and over again.
Sixteen year olds Palani and Karthik want to become "ladyboys." They're bullied in school and beaten by their families. Their parents would like to see them grow up as normal boys, but they're falling deeper and deeper into the world of the "Aravanis." Loved as dance performers but hated as homosexuals, their stories emblazon the inner conflicts of India's gender culture today.
Aniela has lived the first half of her life as a man: with an office job, a wife, and two children. But neither her family's opposition nor repression by the government in Poland can stop her from finally becoming the person she's always been.
Sascha’s name wasn’t always Sascha. But now it is. Sascha doesn’t identify as a man or as a woman, but as trans non-binary. A story about what it means to live in a society that wasn’t expecting you. A glimpse into a life that allows us to question our own categories. And a film about what it means to be oneself.
Putta (Whore) follows the story of three prostitutes living in the town of Foz do Iguaçu, on the triple border between Brazil, Argentina and Paraguay. The film traverses the complexities of each of the three prostitutes personal lives’–from transexuality to family and motherhood–in the context of the brothels and streets in which they work.
In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.
Violeta leads a normal life in a well-off family, with loving parents, surrounded by everything the heart of an eleven-year-old girl might wish for. But she hasn’t always been the pretty girl she is today; she was born a boy. At age 6, she baffled her parents (the famous adult movie stars Nacho Vidal and Franceska Jaimes) when she told them she wanted to be called and dress as a girl. After the initial shock, they decided to give her all their support on the long and tough road that will lead to her becoming a woman someday. Violeta faces many challenges, medical (such as deciding whether or not to take hormone-blockers to stop the development of masculine features as soon as puberty kicks in) and legal (obtaining an ID card with her new name and gender). Later, she may consider getting a sex reassignment procedure, or the possibility of becoming a mother through adoption.