Iconic songstress Barbra Streisand culminates her 13-city tour in Miami with dazzling ballads, Broadway standards and stories from behind the scenes.
Emma Woodhouse is a congenial young lady who delights in meddling in other people’s affairs. She is perpetually trying to unite men and women who are utterly wrong for each other. Despite her interest in romance, Emma is clueless about her own feelings, and her relationship with gentle Mr. Knightley.
Gérard Courant applies the Lettrist editing techniques of Isidore Isou to footage of late 70's pop culture. Courant posits that his cinema offers an aggressive détournement to the French mainstream, reifying a Duchampian view of film: "I believe in impossible movies and works without meaning... I believe in the anti-movie. I believe in the non-movie. I believe in Urgent... My first full length movie that is so anti-everything that I sometimes wonder if it really does exist!"
Barbra Streisand returned to regular concert performances with this lavish production at the MGM Grand Hotel in Las Vegas. Performing on New Years Eve 1993 and January 1, 1994 Streisand was a smash hit and a U.S concert toured followed through the first half of 1994. The tour concluded in July in Anaheim, California and the final performance was filmed for a HBO special and won Barbra two Emmys the following year. However THIS performance is the MGM Grand concert which was filmed but not released in any format until 2004.
Alejandro is an aspiring toy designer from El Salvador, struggling to bring his unusual ideas to life in New York City. As time on his work visa runs out, a job assisting an erratic art-world outcast becomes his only hope to stay in the country and realize his dream.
At the height of the Oyo Empire, the ferocious Bashorun Ga'a became more powerful than the kings he enthroned, only to be undone by his own blood.
Ella Blake, a stop-motion animator struggling to control her demons after the loss of her overbearing mother, embarks upon the creation of a film that becomes the battleground for her sanity. As Ella’s mind starts to fracture, the characters in her project take on a life of their own.
With only 24 hours left to live, a private investigator follows a trail of confounding clues to uncover the disappearance of his childhood friend.
When her son is accused of raping and trying to murder his ex-wife, Alicia embarks on a journey that will change her life forever.
In 1989, a misunderstood teenager has a high school crush — who just happens to be a handsome corpse! After a set of playfully horrific circumstances bring him back to life, the two embark on a murderous journey to find love, happiness…and a few missing body parts along the way.
Lizzy is a tough, resourceful frontierswoman settling a remote stretch of land on the 19th-century American frontier. Isolated from civilization in a desolate wilderness where the wind never stops howling, she begins to sense a sinister presence that seems to be borne of the land itself, and when a newlywed couple arrive at a nearby homestead, their presence amplifies Lizzy's fears, setting into motion a shocking chain of events.
Police Major Igor Grom is known throughout St. Petersburg for his punchy character and uncompromising attitude towards criminals of all stripes. Incredible strength, analytical mindset and integrity — all this makes Major Thunder a real superhero. His life is perfect: during the day he catches criminals with his partner Dima Dubin, and spends the evenings in the company of journalist Yulia Pchelkina. The complete idyll is interrupted by the appearance in the city of a mysterious villain calling himself a Ghost. He offers Thunder to play a dangerous game, the stake in which is the lives of ordinary people.
When the progress of robotics makes Paralympic athletes the new sports stars, Maria dreams of competing against her sister. For that, she will have to enter a world of crime and violence.
Following the attack on the black site in Poland, Navy SEAL Jake Harris is ordered to escort terrorist suspect Amin Mansur to Washington D.C. for interrogation. Before the prisoner transfer process is complete, though, the airport is attacked by a group of heavily armed, well-trained mercenaries.
Two missionaries come into conflict with the authorities when they turn their missionary into a parrot farm. The Bishop of Maracaibo calls them his 'black sheep' and the Monsignore has been called to check on their behavior. Like usual, our heroes help the poor to defend themselves and provoke some funny fist fights in the process.
A Chicago artist's sanity starts to unravel, unleashing a terrifying wave of violence when he begins to explore the macabre history of the Candyman.
"We" is a visual essay on the state of being connected – a metaphorical study of interpersonal relationships and social constraints. Personal experiences and current social contexts are portrayed through a series of abstract analogies reflecting the essence of our everyday social interactions.
Tridan Lagache has spent his whole life at Club Med, changing friends every 8 days. At 50, he resigns from the vacation spot where he was born, determined to track down his great mini-club childhood love, Violette. He shows up in Paris, naïve and lost but glad to be lodged by Louis, a half-brother he never knew he had. In order to be rid of the cumbersome Tridan, Louis passes one of his fling off as Violette, and Tridan, all emotional, thinks he recognizes her at first glance.
Detective Ma Seok-do changes his affiliation from the Geumcheon Police Station to the Metropolitan Investigation Team, in order to eradicate Japanese gangsters who enter Korea to commit heinous crimes.
Verdi's opera performed by the Metropolitan Opera Orchestra and Chorus, conducted by James Levine.
Set 1: New Speedway Boogie (Grateful Dead cover) They Love Each Other (Jerry Garcia cover) Mama Tried (Merle Haggard cover) Easy Wind (Grateful Dead cover) Ramble On Rose (Grateful Dead cover) Dear Mr. Fantasy (Traffic cover) (>) Hey Jude (The Beatles cover) Bird Song (Jerry Garcia cover) Set 2: Sugaree (Jerry Garcia cover) St. Stephen (Grateful Dead cover) (>) William Tell Bridge (Grateful Dead cover) (>) The Eleven (Grateful Dead cover) Iko Iko (Sugar Boy and His Cane Cutters cover) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (>) I Need a Miracle (Grateful Dead cover) (>) Wharf Rat (Grateful Dead cover) Casey Jones (Grateful Dead cover) Encore: Black Muddy River (Grateful Dead cover)
Live performance Zürich, May and July 2006. Modern dress performance which generated mixed reactions.
Live performance filmed at the Innsbrucker Festwochen on 6 October 2006 at the Festspielhaus in Baden-Baden of Wolfgang Amadeus Mozart's opera Don Giovanni. Marcos Fink, Werner Güra and Alexandrina Pendatchanska perform as the principals, while the Freiburger Barockorchester and the Innsbruck Festival Chorus provide accompaniment. Georg Wübbolt directs.
A live recording of Don Giovanni from the Festspielhaus Baden Baden, recorded on May 23rd 2013.
Very nice set and costumes by Mauro Carosi. The procuction is well staged in the relatively small scene at Parma by Joseph Franconi Lee. Here's a performance that really works.Everything seems just right, but if you MUST have the top soloists (Pavarotti, Domingo...), look elsewhere. However, I think that the ones here (Susanna Branchini (Aida), Mariana Pentcheva (Amneris), Walter Fraccaro (Radames), Alberto Gazale (Amonasro), Carlo Malinverno (Il Re di Egitto) do a fantastic job. Also pluses for the ballet and the video production.
Aida (2009) Metropolitan Opera. Verdi / Italian. Live from the Met 2009.
tt2266516. Aida (2003) Gran Teatre del Liceu. Verdi / Italian. Filmed at the Gran Teatre del Liceu, Barcelona, Daniela Dessì, Elisabetta Fiorillo, Fabio Armiliato, Juan Pons and Roberto Scandiuzzi lead the cast in the renowned period production filmed in 2003 against the historic paper trompe-l'œil sets painted between 1936-45 by Josep Mestres Cabanes, the last representative of the old Catalan school of scenography. Mestres Cabanes worked on his Aida vision for eight years. The opulent staging he created in 1945 is here in every detail. The seven magnificent sets he painted for Aida in 1945 have been subtly and painstakingly restored by Jordi Castells and his team – revealing the palaces, temples and surroundings of Memphis and Thebes which the set designer had wanted to evoke in his historical yet also fantasy-like vision.
tt0253843. Il Trovatore (1985) Verona. Verdi / Italian. Reynald Giovaninetti conducts the Orchestra of the Arena di Verona in a performance of Verdi's 'Il Trovatore'. The international cast includes Giorgio Zancanaro and Rosalind Plowright. The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy, but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover - the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.
This recording of "Il Trovatore" was held in Parma in 2010. The production is minimalistic. The scenario reminds, vaguely, the lunar surface. In the background, in several scenes, there is a huge full moon, sometimes white, sometimes red - the effect is beautiful and suitable for the nocturnal atmosphere of this opera. Few objects in the scene, including a big horse and giant candles. The costume indicates, directly, who is who: soldiers, nuns, gypsies. Regarding the musical aspects: excellent participation of choir and orchestra. The conductor is the seasoned Yuri Temirkanov. He keeps the orchestra under control (though there is one or two moments of disagreement with the singers), with some pleasant surprises.
Daniel Barenboim conducts the Staatskapelle Berlin in this production of Verdi's opera starring Anna Netrebko and Plácido Domingo. The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover – the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.
A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
In the 1970s, Strange Fruit were it. They lived the rock lifestyle to the max, groupies, drugs, internal tension and an ex front man dead from an overdose. Even their demise was glamorous; when lightning struck the stage during an outdoor festival. Twenty years on, these former rock gods they have now sunk deep into obscurity when the idea of a reunion tour is lodged in the head of Tony, former keyboard player of the Fruits. Tony sets out to find his former bandmates with the help of former manager Karen to see if they can recapture the magic and give themselves a second chance.
When a punk band scores their first tour, life on the road proves tough when they are joined by a man-eating demon as a roadie.
Rossini's "Le Comte Ory" tells the story of a libidinous and cunning nobleman who disguises himself first as a hermit and then as a nun in order to gain access to the virtuous Countess Adele, whose brother is away at the Crusades. The 2011 Met production was directed by Tony Award winner Bartlett Sher, who presented the action as an opera within an opera, updating the action by a few centuries and giving the costume designer, Catherine Zuber, the opportunity to create some particularly extravagant headgear. Juan Diego Florez starred as the title role while Diana Damrau plays Countess Adele, and Joyce DiDonato was in breeches as his pageboy Isolier. Conducted with verve and finesse by Maurizio Benini, the production also features the stylish French baritone Stephane Degout as Ory's bibulous conspirator Raimbaud, charismatic Italian bass Michele Pertusi as the Count's long-suffering Tutor, and, formidable as Adele's housekeeper Ragonde, the Swedish dramatic mezzo Susanne Resmark.
Early recordings of Franco Zeffirelli's 2006 production of Verdi's opera which saw Roberto Alagna's high-profile exit during the second performance. Egypt and Ethiopia are at war. Radames is appointed commander of the Egyptian forces by the King, whose daughter, Amneris, loves Radames. It is in fact Amneris' Ethiopian slave Aida whom Radames loves. Ramades wins the war against the Ethiopians, capturing Aida's father Amonasro in the process. On his return to Egypt he faces a choice between marrying Amneris or betraying his country through his love for Aida.
Live from the Metropolitan Opera, 14 February 1980. This version takes place in Boston rather than Sweden.
It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.