Tipper performed an All Original set of his own ambient music at the Chapel of Sacred Mirrors. 150 blessed souls braved the snow, and attended from as far away as Salt Lake City for this occasion. Alex and Allyson Grey painted live, and Johnathan Singer presented this Visual Manipulation of their work in real time with Tipper. This is the re-creation of their performance together that one amazing night... please enjoy!
Tipper performed an All Original set of his own ambient music at the Chapel of Sacred Mirrors. 150 blessed souls braved the snow, and attended from as far away as Salt Lake City for this occasion. Alex and Allyson Grey painted live, and Johnathan Singer presented this Visual Manipulation of their work in real time with Tipper. This is the re-creation of their performance together that one amazing night... please enjoy!
2015-01-04
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The seminal live performance by The Strokes, performing on a brightly lit-stage before an intimate audience at Zoetrope Studios in Los Angeles.
SET 1 [7:32 - 9:00 PT] Shakedown Street > Cold Rain and Snow Mississippi Half-Step Uptown Toodeloo They Love Each Other St. Stephen 1 > The Eleven > Deal SET 2 [9:39 - 11:29 PT] Sugaree W New Speedway Boogie > Eyes of the World > Estimated Prophet > Drums 2 > Space > The Wheel > Wharf Rat E > Sugar Magnolia ENCORE [11:31 - 11:39 PT] Black Muddy River Key 1 with William Tell Bridge 2 with Oteil on Banjo Bass W Mayer playing Wolf Replica E Explicit Language Credit:/u/donttouchthatknob
Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Young Rascals cover) Brown-Eyed Women (Grateful Dead cover) Jack Straw (Grateful Dead cover) High Time (Grateful Dead cover) Mr. Charlie(Grateful Dead cover) Bird Song (Jerry Garcia cover) (with elements of 'The Other One') (>) Don't Ease Me In (Henry Thomas cover) Set 2: Althea(Grateful Dead cover) (>) The Other One(Grateful Dead cover) (verse 1) (>) Terrapin Station(Grateful Dead cover) (> 'The Other One' (verse 2)) (>) Drums(Grateful Dead cover) (with Big Steve Parish) (>) Space(Grateful Dead cover) (>) Stella Blue(Grateful Dead cover) (>) Help on the Way(Grateful Dead cover) (>) Slipknot!(Grateful Dead cover) (>) Franklin's Tower(Grateful Dead cover) Encore: Brokedown Palace(Grateful Dead cover)
Set 1: Jam (>) Cassidy (Bob Weir song) (>) Deal (Jerry Garcia cover) Samson and Delilah ([traditional] cover) Friend of the Devil (Grateful Dead cover) It Hurts Me Too (Tampa Red cover) Tennessee Jed (Grateful Dead cover) If I Had the World to Give (Grateful Dead cover) (>) Going Down the Road Feeling Bad ([traditional] cover) Set 2: Althea (Grateful Dead cover) Estimated Prophet (Grateful Dead cover) (>) China Cat Sunflower (Grateful Dead cover) (>) I Know You Rider ([traditional] cover) (>) Eyes of the World (Grateful Dead cover) (>) Drums (Grateful Dead cover) (with Oteil Burbridge) (>) Space (Grateful Dead cover) (>) Terrapin Station (Grateful Dead cover) (>) Morning Dew (Bonnie Dobson cover)
Set 1: Shakedown Street (Grateful Dead cover) Cold Rain and Snow (Obray Ramsey cover) Loser (Jerry Garcia cover) Dire Wolf (Grateful Dead cover) Loose Lucy (Grateful Dead cover) The Wheel (Jerry Garcia cover) (>) Bertha (Grateful Dead cover) Let It Grow (Grateful Dead cover) Set 2: Help on the Way (Grateful Dead cover) (>) Slipknot! (Grateful Dead cover) (>) Franklin's Tower (Grateful Dead cover) Fire on the Mountain (Grateful Dead cover) (>) The Other One (Grateful Dead cover) (verse 1) (>) Drums (Grateful Dead cover) (>) Space (Grateful Dead cover) (> 'The Other One' verse 2) Black Peter (Grateful Dead cover) (>) Sugar Magnolia (Grateful Dead cover) U.S. Blues (Grateful Dead cover)
The third and final installment in BTOB's Ballad Trilogy, "Remember That" tells the story of a man reminiscing his past love.
01. Whoever's In New England 02. The Last One To Know 03. Sunday Kind Of Love 04. Cathy's Clown 05. Rumor Has It 06. Fancy 07. Is There Life Out There 08. Does He Love You 09. Why Haven't I Heard From You 10. And Still 11. Starting Over Again 12. What If? 13. If You See Him / If You See Her 14. What Do You Say 15. I'll Be 16. Sweet Music Man 17. He Gets That From Me 18. You're Gonna Be
The first installment in BTOB's Ballad Trilogy, "It's Okay" follows seven people of different walks of life and situations, overcoming hardships that one normally faces in their youth.
A documentary that goes inside the dark, witty, surreal world of cult English singer/songwriter Robyn Hitchcock.
THE OPENER is a feel-good, underdog music doc about a street performer who wrote 30 songs in 30 days to process his grief and isolation during the pandemic, and found that his music spoke to millions. When it reached the ears of one of his heroes, Grammy-winner Jason Mraz, he was invited on his very first tour and given a chance to prove himself on the big stage.
"Manabiya Xstasy" was a school festival tour held in November 1999. Amateur musicians who were Sheena's friends were appointed as band members. In addition, half of the songs played were unreleased songs, including cover songs.
Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.
In November 1999, after a two-night extravaganza in New York City celebrating their thirtieth anniversary, NRBQ played to a packed house of loyal fans in Connecticut Public Television's Hartford studio.
The Gorillaz members enter the Spirit House for a mind trip.
The untold true story: The rise and fall of the greatest funk band ever, Parliament Funkadelic.
33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "33 1⁄3 revolutions per minute."