

Given its premiere by The Royal Ballet in 1965 with Rudolf Nureyev and Margot Fonteyn dancing the title roles, Kenneth MacMillan's first full-evening ballet has become a signature work for the Company, enjoying great popularity around the world. From the outset, the production teems with life and colour as the townspeople, market traders and servants of the rival Montagues and Capulets go about their daily business in vibrant crowd scenes. But Romeo and Juliet take centre stage for those great pas de deux: the meeting in the ballroom, the balcony scene, the morning after the wedding and the final devastating tomb scene. Although The Royal Ballet has performed Romeo and Juliet over 400 times, each performance and pairing is subtly different and Lauren Cuthbertson and Federico Bonelli are utterly captivating in the title roles.

Benvolio
6.5A southern girl tries her luck as a dancer in New York City.
6.9Josh and Dinah Barkley are a successful musical-comedy team, known for their stormy but passionate relationship. Dinah feels overshadowed by Josh and limited by the lighthearted musical roles he directs her in. So she decides to stretch her skills by taking a role in a serious drama, directed by another man.
5.7An American ballerina arrives in Hungary to enroll in a ballet school and it soon becomes apparent that things are not what they seem.
6.8As members of the feuding Capulet and Montague families, Romeo and Juliet should be sworn enemies, but they fall deeply in love and marry in secret. That very day, disastrous circumstances lead Romeo to fight and kill Juliet’s cousin Tybalt, setting off a chain of events that culminate in tragedy.
6.6The story of Rudolf Nureyev, whose escape to the West stunned the world at the height of the Cold War. With his magnetic presence, Nureyev emerged as ballet’s most famous star, a wild and beautiful dancer limited by the world of 1950s Leningrad. His flirtation with Western artists and ideas led him into a high-stakes game of cat and mouse with the KGB.
0.0Four Montreal dancer-choreographers facing the challenge of aging. Erin Flynn, José Navas, Louise Bédard and Paul-André Fortier talk about how they deal with their changing bodies and the demands of the artistic world. As they answer the question "As an artist, what have you gained with age?", we discover how they deal with the challenges of aging with kindness, humility and creativity.
0.0Part folklore, part opera-ballet, this féerie presents local pagan traditions on the day of the summer solstice and historical events from Cossack times to the more recent 2014 Ukrainian Revolution of Dignity.
0.0Characters from Haitian folklore come to life telling their story of ritual, ceremony and celebration. All wait to be overcome by the female spirit Erzuli. Who will be chosen?
0.0Two young lovers, offspring of the feuding Montague and Capulet families, value feelings above the past, pitting love and forgiveness against hatred and revenge.
0.0A Tamil from Réunion invites us to a celebration in which the men of the community walk on fire.
A young boy called Justen, who went through doleful past, discoveres a way to change his situation greatly.
The Mother is a powerfil, narrative dance production choreographed and directed by Archar Pita a master storyteller: Inspired by Hans Christian Andersen's dark tale, The Story of a Mother, this sumptuously designed production stars international dance superstar Natalia Osipova and multi-award winning dancer Jonathan Goddard. This inventive new production conjures up a dangerous, kaleidoscopic world. combining narrative dance and drama. In setting out to save her sick child, a young mother journeys into the unknown to face life and death. Will she succumb to the forces of evil, or will the power of motherhood prevail?
0.0The film choreographically covers the distance between two women and their mirroring selves, under Laurie Spiegel's soundscape and with the ambiance of VHS video. Their bodies, sometimes two and others four, are always connected with a rope, influenced by white noise retro interference, sound scratches and pauses. They approach each other until they connect and then finally completely disappear, nullifying the distance between them. The reverse movement of these similar bodies-idols aims to compose a dance of the two and the one, our close and more distant self and to reach to the void in between them.
5.9The new guy in a Los Angeles high school, Morgan, does some singing and fights hotshot Nick over disco dancer Frankie.
5.9Two cross-town rival dance teams go head to head for the National Nationals Championship.
