A touching documentary about a city that has lost hope, and about one man's fight to bring it back.
A touching documentary about a city that has lost hope, and about one man's fight to bring it back.
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The Naked Dance is the first documentary about America's legendary legal red-light district that thrived in New Orleans from 1898 until World War I. Storyville got its name when Alderman Sidney Story attempted to clear up the New Orleans waterfront by restricting prostitution to a specific neighborhood. To his chagrin, the area was dubbed "Storyville," and it was so known until the U.S. Navy closed it for good in 1917.
The film "Hurricane on the Bayou" is about the wetlands of Louisiana before and after Hurricane Katrina.
This documentary film includes never-before-seen footage and exclusive interviews to tell the story of Charity Hospital, from its roots to its controversial closing in the wake of Hurricane Katrina. From the firsthand accounts of healthcare providers and hospital employees who withstood the storm inside the hospital, to interviews with key players involved in the closing of Charity and the opening of New Orleans’ newest hospital, “Big Charity” shares the untold, true story around its closure and sheds new light on the sacrifices made for the sake of progress.
Bad Boy of Bonsai is an experimental art-house documentary that focuses on Guy Guidry, a Louisiana local, and his passion for bonsai.
A girl flees a makeshift tent city. A man finds a trombone. A worker watches the ocean from under a moving house, while its owner gazes at the view from her shifting living room. In ten very short stories, residents of the destroyed Mississippi Gulf Coast act out atmospheric scenes of everyday life and the relentlessness of labor in their extreme landscape.
German cultural documentary about the development of Jazz in New Orleans. Contains interviews with several musicians.
The Legendary Soulja Slim is classic footage of the rapper slash gangster showing big guns, dissing record labels, making threats, and ultimately partying until it all caught up with him.
A film created by Les Blank and Maureen Gosling from footage that was cut from the documentary "Always for Pleasure" (1978) about Mardi Gras in New Orleans.
In this revealing program, noted author and economic activist Naomi Klein offers a lecture and a candid interview in which she expounds on the ideas at the heart of her best-selling book.
Filmed in roughly one month between the end of October and the beginning of December 2005, the film is an honest portrayal of Jac Currie’s life after Katrina and one of his first trips back to the Gulf Coast after being stranded in New York. It shows Defend New Orleans’ transition to a valid social aid project and documents some of the destruction in New Orleans and on the Mississippi Gulf Coast.
A son seeking to fulfill his late father’s dream takes his band from the storied city of New Orleans to the shores of Cuba, where — through the universal language of music — dark and ancient connections between their peoples reveal the roots of jazz.
The feature-length documentary, TOOTIE’S LAST SUIT explores the complex relationships, rituals, history, and music of New Orleans’ vibrant Mardi Gras Indian culture while telling the story of Allison “Tootie” Montana, former Chief of Yellow Pocahontas Hunters. Celebrated throughout the New Orleans as “the prettiest,” for the beauty and inventiveness of his elaborately beaded Mardi Gras costumes, Tootie Montana masked for 52 years, longer than any other Mardi Gras Indian. Yet Tootie Montana’s contributions to Mardi Gras Indian culture far exceed his artistic innovations and dedication. Through the example of his own achievement, he came to be revered for turning Mardi Gras Indians away from gang-style violence toward artistic accomplishment and competition. In the aftermath of Katrina, TOOTIE’S LAST SUIT bears witness to the Mardi Gras Indians who, in picking up the threads of their torn lives and tradition, are the spiritual healers of New Orleans.
"Maravich's 68" is a documentary short that revisits the NBA legend Pete Maravich and his 68-point performance on February 25th, 1977. It includes play-by-play breakdowns, era-inspired editing, and retrospective discussion about this special night in NBA history.
About Daniel Lanois, the Canadian musician and producer, during one of his most productive years in life, living and recording in New Orleans, LA. Daniel Lanois was born in Hull, Quebec. Sept. 19, 1951. His family moved to Hamilton, Ont. in 1963. In 1974 he and his brother Bob built and operated the Grant Avenue Studio, where he produced records by acts such as Martha and the Muffins, Parachute Club, Raffi, and Ian Tyson. In 1989 he released his first solo album, "Acadie". He also produced "Oh Mercy" by Bob Dylan and "Yellow Moon" by The Neville Bros. during the same year.
Documentary where rich social history frames a spirited debate on the development of water infrastructure throughout the USA.
An intense insider's portrait of New Orleans' street celebrations and unique cultural gumbo: Second-line parades, Mardi Gras, Jazz Fest. Features live music from Professor Longhair, the Wild Tchoupitoulas, the Neville Brothers and more. This glorious, soul-satisfying film is among Blank's special masterworks. Preserved by the Academy Film Archive in 1999.
This Traveltalk look at New Orleans starts at the recently modernized port and harbor facilities, with ships unloading various cargo and loading cotton. We then ride along Canal Street and visit the Tulane University campus. After a look at the variety of the residential architecture, we end our visit at the city's new airport.
I Will Keep My Soul is a gathering of encounters and observations, figured in text and image, of Helen Cammock’s experiences in New Orleans. Cammock convenes both contemporary and historical voices—from archivists, artists, writers, and musicians to the protagonists of the civil rights movement—and adds her own through poetry, ceramics, and the sound of her trumpet.
Mardi Gras, drag balls and politics – where else could these elements come together but in New Orleans? Interweaving archival footage and contemporary interviews, The Sons of Tennessee Williams charts the evolution of the gay Mardi Gras krewe scene over the decades, illuminating the ways in which its emergence was a seminal factor in the cause of gay liberation in the South.
To make the perfect Sazerac combine one part technique, one part interpretation, and a dash of folklore.