The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.
1975-01-01
6.9
Philosophical essay about the October Revolution of 1917 in Russia, its influence on the destiny of the world in the 20th century.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
A filmed manifesto about our trans bodies, their beauty, their glory and their ability to evolve with us along the way.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
Insane Fight Club is back. This year the boys are taking their unique form of entertainment to England as they stage fight nights in Birmingham, Leeds, Liverpool and Newcastle.
When numerous schools in São Paulo were slated to be closed in 2015 as a result of the worsening socio-political crisis, students occupied more than a thousand public buildings in an unprecedented act of self-empowerment. Filmmaker Eliza Capai shows the development of the many-voiced protests, using news excerpts, self-conducted interviews and recordings made with activists’ own cell phone cameras. From the first demonstrations in 2013 and continuing all the way to the election of the extreme right-wing presidential Jair Bolsonaro in 2018, Capai’s highly political work becomes more and more relevant with each passing day.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.
Angelique goes in search of her husband Joffrey de Peyrac who did not die on the stake.
A former race car driver who has retired and is the owner of a Mexican resort hotel gets mixed up in a robbery involving $2 million by one of his former girl friends.
Kaniama Show is a satire of national TV in an African country, spreading its propaganda of soft power between complaisant interviews and musical interludes.
In the summer of 1942, during the Second World War, a group of young paratroopers from the Folgore Division, after having been subjected to a long and tiring training in Italy, was transported by air to the Libyan desert to cover the Italian-German front.
In a future world where the disease has been finally defeated and everything can be sold, even the crude spectacle of death, the rare case of a dying woman becomes the morbid theme of a revolutionary reality show, broadcast through the curious eyes of a peculiar camera.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Hansel's grandfather's wife died. They have lived together for over fifty years. For three years he has been living alone, cannot find a place for himself and constantly misses her.
Buried Seeds, a film by Andrei Severny, is a timeless story of human passion, willpower, and resolve in the face of adversity. The film follows Michelin Star Chef Vikas Khanna's on his journey as an immigrant. Born with clubbed feet in Amritsar, Vikas is bullied by his classmates. Khanna takes refuge in his grandmothers kitchen and discovers his passion for the vivid traditions of Indian cuisine. At the age of 29, Vikas moves to New York with nothing in his pocket and ends up in a homeless shelter. Through years of struggle and hard work Vikas opens his first Indian restaurant in Manhattan. Over time Vikas Khanna grows to become one of the most influential chefs in the world and a cultural ambassador of his nation. While wealth and glory may be transient, what truly defines him is the will to create himself every single day.
Two American teenagers become intrigued by Armenia's history and culture after learning about the 2020 aggression by Azerbaijan that devastated the Armenian-populated Nagorno-Karabach district from a friend's war correspondent father. Mark Tomlet and his friend Amy Holton embark on a life-changing journey to Armenia, visiting the war zone only months after an uneasy ceasefire was declared, and interview people affected by the war. In the process, the two learn a lot about themselves and how much they take for granted. That first trip leads to more engagement with Armenia, leading tours to the country, and eventually, something amazing happens that brings joy out of the tragedy of war. It's a serendipitous story of hope from tragedy, a chance adventure, and love blossoming even in the worst of circumstances.
In the vast expanse of desert East of Atlas Mountains in Morocco, seasonal rain and snow once supported livestock, but now the drought seems to never end. Hardly a blade of grass can be seen, and families travel miles on foot to get water from a muddy hole in the ground. Yet the children willingly ride donkeys and bicycles or walk for miles across rocks to a "school of hope" built of clay. Following both the students and the teachers in the Oulad Boukais Tribe's community school for over three years, SCHOOL OF HOPE shows students Mohamed, Miloud, Fatima, and their classmates, responding with childish glee to the school's altruistic young teacher, Mohamed. Each child faces individual obstacles - supporting their aging parents; avoiding restrictions from relatives based on traditional gender roles - while their young teacher makes do in a house with no electricity or water.
Suspense and romance between Jewish and Druze ranchers in the Golan Heights.
Stepanakert's only airport has been operational for 8 years, employing over 50 people. Something is not quite right, however...airplanes and passengers are nowhere to be seen.
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
On Easter 2018, a man put on a backpack and began to walk across Armenia. His mission: to inspire a velvet revolution and topple the corrupt regime that enjoys absolute power in his former Soviet nation. With total access to all key players, this documentary tells the story of what happened in the next 40 days.
INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.
Nima Yooshij (Iranian poet) for his son’s 1st birthday. He says: “my son, by now, you have seen a spring, a summer, an autumn and a winter. From this point on, everything is simply a repetition except kindness.”
Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.
Part of a travelogue series, this films visits to Derry, the Giant’s Causeway, Carrick-a-Rede, Mount Stewart and Belfast.
Dabbling in the occult is widespread and often thought of as harmless entertainment. But this video shows why it is dangerous to get involved with spiritism, fortune telling, witchcraft, magic, and Satanism. The program introduces the real life stories of those who have been involved in these activities and shows the way out based upon a Biblical perspective.
Short film about shepherds in the Puszta
Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.
Cuviví is the Ecuadorean indigenous name for the upland sandpiper, a wading bird that has special significance for the communities living around the Ozogoche lakes in the middle of the Andes. Each year, these birds migrate south from North America. Around September they pass the Ozogoche lakes, where large numbers then “commit suicide,” plunging from great heights into the ice-cold water. A girl lives near the lake. Her uncle lives in the US, and she might be heading there herself. In the meantime, she awaits the arrival of the cuvivís, few of which have appeared in recent years. The lakes are drying up.
Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.