2006-07-18
0
One of the defining pop groups of the 1980's, the ebullient duo Wham! were chart toppers and award-winners. With their straightforward, infectious dance pop, members George Michael (who went on to become a very successful solo artist) and Andrew Ridgeley became two of the first MTV bred superstars. THE BEST OF WHAM! takes a comprehensive musical look at their illustrious career, and features their historical concert in China (the very first by a Western pop group) and their farewell concert at Wembley Stadium.
More New Wave Hits from the 80s China Crisis– Black Man Ray Heaven 17– Temptation Duran Duran– Save A Prayer Culture Club– Do You Really Want To Hurt Me Kim Wilde– Cambodia Kajagoogoo– Too Shy Spandau Ballet– Only When You Leave Ultravox– Vienna Climie Fisher– Rise To The Occasion Living In A Box– Living In A Box Jesus Loves You– Generations Of Love Thomas Dolby– She Blinded Me With Science Marc Almond– Tears Run Rings Dexy's Midnight Runners*– Geno Go West– We Close Our Eyes Hue & Cry– Looking For Linda Fun Boy Three– Tunnel Of Love Human League*– Human
Video Rewind by The Rolling Stones is a compilation of video clips recorded between 1972–1984. Instead of just presenting unrelated clips and videos just strung together, it uses a framing 'story', featuring Bill Wyman and Mick Jagger, directed by Julien Temple and includes some video directed by Michael Lindsay-Hogg. It was first released in 1984 on the VHS, Laserdisc, and CED Videodisc format by Vestron home video.
Developed as a "visual album", Beyoncé's songs are accompanied by non-linear short films that illustrate the musical concepts conceived during production. Its dark and intimate subject material includes feminist themes of sex, monogamous love, and relationship issues, inspired by Beyoncé's desire to assert her full creative freedom.
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.
A 1991 recording of the jukebox musical Return to the Forbidden Planet at the West End's Cambridge Theatre, as based on Forbidden Planet and William Shakespeare's The Tempest.
This short movie takes us through beautiful landscapes and oppressive spaces. A dream sequence that leads to liberation, on the border between imagination and reality. We travel with a boy who matures. He dreams, he dances, he is the conductor. The only.
It is the story of Ted Lewis, popular band leader and clarinettist. The music for the film was written by Harry Akst and Grant Clarke, except for "St. Louis Blues" by W. C. Handy and "Tiger Rag". The film's title comes from Lewis's catchphrase "Is everybody happy?" The film's soundtrack exists on Vitaphone discs preserved at the UCLA Film and Television Archive, but the film itself is considered a lost film, according to the Vitaphone Project website. A five minute clip from the film can be found on YouTube.
This show brings together legendary artists of the 1960s and 1970s for a once-in-a-lifetime event: Ben E. King and The Drifters, Jerry Butler reuniting with The Impressions for the first time since 1958, as well as The Isley Brothers, Percy Sledge, Eddie Holman, Little Anthony & The Imperials, The Chi-Lites and many more performers singing their most memorable hits, rhythm & blues and soul classics from the '60s and '70s. In salute to several more of the greatest artists of the time, Rhythm and Blues 40: A Soul Spectacular also broadcasts rarely seen footage of Aretha Franklin, Marvin Gaye, Otis Redding, James Brown, and others, performing some of their most unforgettable hits. The program is co-hosted by Dionne Warwick, Jerry "The Iceman" Butler,Sam Moore of Sam and Dave, each of whom also performs, and Richard "Shaft" Roundtree.
The prologue sets the stage for the action: Thespis, Momus and Thalie announce the subject of the play. It is a comedy mocking the folly of man...and the story of a trap set by Jupiter to cure Juno of her jealousy. The trap? It consists in convincing the water nymph Platée that Jupiter is in love with her. Mercury officially declares Jupiter’s love to Platée. When the god appears before her – first as a donkey, then an owl - the nymph calls on the birds of the marshes, but they scare Jupiter away. Luckily he quickly returns and declares his love for Platée. He even wants to marry her. La Folie comes to sing for the fiancée during an absolutely chaotic scene. However, as the couple prepares for the wedding, Juno arrives. Furious, she puts an end to the farce and ascends to the heavens with Jupiter. Humiliated, Platée understands she has been duped. She swims off into the marshes, as the chorus sings an ironic song in her honour.
Grow Live Monsters is a selection of 8mm, super-8, and 16 mm film phantasies from the period 1971-76. While still at high school Cary Loren started a correspondence with underground filmmaker, actor, and performance artist Jack Smith, which led to a meeting in the summer of 1973. Shortly after that the artists’ band Destroy All Monsters was formed by Mike Kelley. Jim Shaw, Cary Loren, and Niagara. Most films on this DVD revolve around this group of friends and the music they produced in basements and during live performances.
Thirteen examples of The Pogues unique brand of hellraising folk, ranging from punky takes on traditional Irish songs like 'Dirty Old Town' to the Shane MacGowan penned originals which offered romanticised visions of life viewed through the bottom of a bottle.