It’s Not My Memory of It: Three Recollected Documents(2003)
“It’s not my memory of it” is a documentary about secrecy, memory, and documents. A former CIA source recounts his disappearance through shredded classified documents that were painstakingly reassembled by radical fundamentalist students in Iran in 1979 following the takeover of the U.S embassy. A CIA film—recorded in 1974 but unacknowledged until 1992—documents the burial at sea of six Soviet sailors, in a ceremony which collapses Cold War antagonisms in a moment of death and honor. A single photograph pertaining to a publicly acknowledged but top secret U.S. missile strike in Yemen in 2002 is the source of a reflection on the role of images in the dynamic of knowing and not knowing.
Movie: It’s Not My Memory of It: Three Recollected Documents
It’s Not My Memory of It: Three Recollected Documents
HomePage
Overview
“It’s not my memory of it” is a documentary about secrecy, memory, and documents. A former CIA source recounts his disappearance through shredded classified documents that were painstakingly reassembled by radical fundamentalist students in Iran in 1979 following the takeover of the U.S embassy. A CIA film—recorded in 1974 but unacknowledged until 1992—documents the burial at sea of six Soviet sailors, in a ceremony which collapses Cold War antagonisms in a moment of death and honor. A single photograph pertaining to a publicly acknowledged but top secret U.S. missile strike in Yemen in 2002 is the source of a reflection on the role of images in the dynamic of knowing and not knowing.
Release Date
2003-08-14
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
Keywords
Similar Movies
0.0Contrary Warriors: A Film of the Crow Tribe(en)
Examines the impact a century of struggling for survival has on a native people. It weaves the Crow tribe's turbulent past with modern-day accounts from Robert Yellow-tail, a 97-year-old Crow leader and a major reason for the tribe's survival. Poverty and isolation combine with outside pressures to undermine the tribe, but they resist defeat as "Contrary Warriors," defying the odds.
7.4She's Beautiful When She's Angry(en)
A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.
This Time Next Year(en)
A poetic documentation of the Long Beach Island, NJ community as they battle local politics, cope with personal tragedy, and band together after Hurricane Sandy.
10.0Every Ambulation a Betrayal(en)
Return to 'burn' only to find out you're already in that urn.
Plains: Testimony of an Ethnocide(en)
A documentary on the massacre of Planas in the Colombian east plains in 1970. An Indigenous community formed a cooperative to defend their rights from settlers and colonists, but the government organized a military operation to protect the latter and foreign companies.
6.9Olympia Part One: Festival of the Nations(de)
Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
6.7Olympia Part Two: Festival of Beauty(de)
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
6.0The American Nurse(en)
THE AMERICAN NURSE is a heart-warming film that explores some of the biggest issues facing America - aging, war, poverty, prisons - through the work and lives of nurses. It is an examination of real people that will change how we think about nurses and how we wrestle with the challenges of healing America. THE AMERICAN NURSE is an important contribution to America's ongoing conversation about what it means to care. The film follows the paths of five nurses in various practice specialties including Jason Short as he drives up a rugged creek to reach a home-bound cancer patient in Appalachia. Tonia Faust, who runs a prison hospice program where inmates serving life sentences care for their fellow inmates as they're dying. Naomi Cross, as she coaches an ovarian cancer survivor through the Caesarean delivery of her son. Sister Stephen, a nun who runs a nursing home filled with goats, sheep, llamas and chickens, where the entire nursing staff comes together to sing for a dying resident.
0.0Feral Love(en)
Crazy cat lady or world-class musician? You decide. Dorian Rence smashes our notions of what matters and who counts in "Feral Love." Dorian was the seventh woman to join the New York Philharmonic. In her 40-year career she has performed with all the greats: Leonard Bernstein, Pierre Boulez, Zubin Mehta, Yo Yo Ma to name a few. And she cares for a feral cat colony in the tunnels of New York City.
5.0Max Ernst: Journey into the Subconscious(en)
The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
0.0Club Native(en)
With moving stories from a range of characters from her Kahnawake Reserve, Mohawk filmmaker, Tracey Deer, reveals the divisive legacy of more than a hundred years of discriminatory and sexist government policy to expose the lingering "blood quantum" ideals, snobby attitudes and outright racism that threaten to destroy the fabric of her community.
7.2Dominguinhos(pt)
Through rare and precious footages and gigs with great artists such as Gilberto Gil, Gal Costa, Hermeto Pascoal, Djavan, Nara Leao, Luiz Gonzaga, among many others, "Dominguinhos" reveals this genius of Brazilian music, creator of a deeply authentic, universal and contemporary work. The film values the sensory cinematic experience, a journey driven by Dominguinhos his own.
Isabel Allende: A Thousand and One Voices(nl)
A documentary about famous writer Isabel Allende.
7.7On Native Soil(en)
The film analyzes the efforts by the families of 9/11 victims to create the 9/11 Commission and what information was revealed by it in the 9/11 Commission Report.
7.6Microcosmos(fr)
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
4.7Like a Dream that Vanishes(en)
"Like a Dream That Vanishes" continues Sternberg’s work in film both thematically and formally: the ephemerality of life echoed in the temporal nature of film, as the stuff of life echoed on the energy, life-force in rhythmic light pulses (Your life is like a candle burning). Imageless emulsion is inter-cut with brief shots of natural elements and mise-en-scene of the stages of human life: a little boy runs and falls; teens hang out together at night smoking; sun shines through tree branches; men pace, waiting; flashes of lightning; an elderly man speaks philosophically about miracles.
4.9Visions of Europe(en)
Twenty-five films from twenty-five European countries by twenty-five European directors.
0.0Grandfather Sky(en)
A young Native American man on his way to visit his uncle learns about his Navajo heritage by attending tribal gatherings, traditional ceremonies and listening to old folktales.
0.0Stunned, I Remain Alert(pt)
Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.
9.0Place of Work(en)
Margaret Tait documents her house, studio and garden in Buttquoy, Orkney as the seasons pass. She had lived there from the age of seven and often returned. At the time of filming, the house was about to be taken back by the council - this film is an effective 'goodbye'. Margaret Tait said it 'was meant to define a place, or the feeling of being in one place, with the sense this gives one, not of restriction but of the infinite variations available.'