
Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.
An officer of the law
Ambrogio
Fiorello

Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.
2007-03-24
9
6.1The mobster husbands of three 1978 Hell's Kitchen housewives are sent to prison by the FBI. Left with little but a sharp ax to grind, the ladies take the Irish mafia's matters into their own hands — proving unexpectedly adept at everything from running the rackets to taking out the competition… literally.
6.5Russell Hatch, an Interpol operative who takes on the role of father figure to Jayden, the son of an informant killed in a routine raid gone wrong. Years later, Hatch finds himself protecting Jayden and his grandfather from a group of merciless gangs in an all-out turf war, stopping at nothing to protect Jayden and fight anyone getting in his way.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
4.0After stealing a gaming console from migrants, Sébastien tries to sell it to Patrick, a good guy. So far, nothing too serious. But when a rapper straight out of jail, a TV host willing to do anything to go viral and click traffickers get involved... Sébastien and Patrick become France’s most wanted bad guys.
5.2Born into a wealthy family, Özgür is unhappy with his life. Neither he sees support from his stingy father, nor from his rich father-in-law. Özgür's love from the past, Sale, expects financial support for the album to be released.
8.6After years in the limelight, Selena Gomez achieves unimaginable stardom. But just as she reaches a new peak, an unexpected turn pulls her into darkness. This uniquely raw and intimate documentary spans her six-year journey into a new light.
6.1Marco, Guido, Leo, Luisa, Gaelle and Mattia have different mothers, they are not all biological children of the same father but they have a single true father figure of reference: Manfredi Alicante. When the latter passes away, they all find themselves together for the first time in their father's house in Bordeaux, living the illusion of being able to become a united family. But now each of them brings with them a story, an identity and going back won't be easy.
7.6Strange events unfold in a monkey-inhabited village, driving a newlywed couple and forest officials to embark on a mission to uncover the root of the unusual disturbances.
5.8Every parent's worst nightmare is just the beginning for Rachel's ordeal as in the aftermath of a tragic accident, she and her husband Anthony decide to move to the other side of the world to focus on their surviving twin son Elliot. What begins as a time of healing and isolation in the Finnish countryside turns into a desperate battle for the very soul of their son as an entity claiming to be his dead twin brother takes over Elliot — setting Rachel on a diabolical journey to unravel the horrible truth about her twin son.
7.0Mary loves John for as long as she can remember. But after years of marriage, John's priorities shift, leading to a strained relationship with Mary, which causes a tragic accident that takes away Mary's life. Until one day, John gets an extraordinary proposition - to rewind time and save the life of the woman he loves.
7.7Seo-joon, loses everything to voice phishing and infiltrates a organization in China to meet Kwak Pro, the designer behind this phishing system.
6.2Pretty Joy and her friend come to Moscow to shoot a commercial. A taxi driver, who recruits girls for an underground organization run by a distant descendant of Rasputin, suggests they visit the Rasputin Museum. During the tour, the girls are hypnotized by the evil character, who hypnotizes his victims before using their charms to seduce the rich tourists.
6.1An ex-CIA operative is thrown back into a dangerous world when a mysterious woman from his past resurfaces. Now exposed and targeted by a relentless killer and a rogue black ops program, he must rely on skills he thought he left behind in a high-stakes game of survival.
4.6"AA" is a documentary about Akira Aida (mostly known as Aquirax Aida), a japanese music critic who introduced free jazz, improvisation, and progressive rock to Japan. It's based on interviews with 12 critics and musicians who had connections with him. This is a documentary that considers the past, present and future of improvisation.
7.0The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
0.0When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is besieged by suitors.
0.0Richard Strauss's opera, from the Royal Opera House, Covent Garden.
8.0Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. This 1994 recording, directed by Riccardo Muti, stars Roberto Alagna, Renato Bruson and Andrea Rost.
0.0Robert Lepage’s dreamlike production, with its thousands of twinkling LED lights stretching across the stage to represent the sea, encapsulates the mystic feeling of L’Amour de Loin, Saariaho’s haunting opera of distant love. Eric Owens is Jaufré Rudel, a troubadour in 12th century France who has become tired of his hedonistic life and longs for an idealized love. Enter the Pilgrim (Tamara Mumford) who tells him his perfect love does, in fact, exist, far across the sea. She is Clémence, Countess of Tripoli (Susanna Phillips). The magic of the characters’ inner lives as they explore the meaning of love, longing, life, and death is heightened by Saariaho’s hypnotic and bewitching score, conducted by Susanna Mälkki.
0.0In October 1733, the audience at the Académie Royale de Musique witnessed the birth of a revolutionary work: Hippolyte et Aricie. With its inventiveness and musical richness, Rameau’s opera marks a break in the history of French music. A similarly revolutionary duo – Jeanne Candel and Raphaël Pichon – get to grips with this work for the Opéra Comique.
0.0Dvořák's "Rusalka" in a production by David Pountney at the English National Opera in 1986. Mark Elder conducts the orchestra, accompanied by the English National Opera Chorus in English.
8.0Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Emmanuel Villaume conducts the sumptuous score.
0.0The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.
0.0A Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.
0.0Adapted from the opera written by the composer Semen Hulak-Artemovsky.
0.0Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.
0.0This is a performance of Wagner's three-act opera Der fliegende Holländer ("The flying Dutchman"), performed by Bayreuther Festpiele, directed by Dmitri Tcherniakov. The staging was notable for two other milestones, as Oksana Lyniv became the first woman to conduct at Richard Wagner’s legendary Festspielhaus since its opening in 1876, and the sensational Lithuanian soprano Asmik Grigorian made her house debut with a standout performance as the opera’s heroine, Senta. The exceptional cast also included John Lundgren (The Dutchman), Georg Zeppenfeld (Daland), Eric Cutler (Erik) and Marina Prudenskaya (Mary).
6.2It's not opera; it's not a pop concert; it's not Broadway. It's all of these and none of them. Once you accept the fact that this sequel to the original blockbuster concert recording is less about music and more about entertainment and the power of musical personalities, you can appreciate what you're hearing as an event--phenomenal and bizarre, momentous and frivolous. This is an occasion to celebrate the voices and egos of three huge superstars, and to have fun listening as Luciano Pavarotti, Placido Domingo, and Jose Carreras interact, bouncing lines off each other and playing to the overwhelmingly enthusiastic audience.
7.8Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.
7.2This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.