In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.
In the film we find some scrap of slow motion they see a Monica Vitti trying to cry, a meeting between Antonioni and Grifi, a film shot in the concentration camp of Auschwitz with a survivor who recounts those awful moments, a glimpse of Palestine today, Grifi's reflections on the prison.
2007-09-04
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Film is made out of gelatin that comes from horses. They’re waiting to be slaughtered, so that pictures can be made. Many years ago we learned the language of our masters. Though we couldn’t help wondering why so few of you bothered to learn ours. Three scenes featuring horses, remembering Jacinto. The first is a daytime forest haunting that winds up at a carousel, the second a rainy street in Portugal, the finale a nighttime vigil of fire and water.
A behind-the-scenes look at the eleven-year process it took to make The Painted Bird. The narratives of director Václav Marhoul and actor Petr Kotlár weave their way through the various stages of the film's creation, offering their subjective views from the beginning to the last flap of a year-and-a-half long shoot.
Bobbing around on Mediterranean waters aboard the Ocean Viking, aid workers from the French relief service SOS Méditerranée gaze at the horizon. Is that a rubber dinghy in the distance, or is it garbage? The organization sails up and down the Libyan coast looking to pick up refugees in boats. On board is a 30-strong team ready to offer help and support refugees with their asylum applications.
A beautiful and vital film that tells the story of a young woman's fight with death.
La Garoupe, a beach in Antibes, in 1937. For one summer, the painter and photographer Man Ray films his friends Pablo Picasso, Dora Maar, Paul Eluard and his wife Nusch, as well as Lee Miller. During these few weeks, love, friendship, poetry, photography and painting are still mixed in the carefree and the creativity specific to the artistic movements of the interwar period.
An in-depth look at the highly successful TV series, including a study of the philosophical approach of the program.
Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.
In the silent film era, movies were never really silent. In the background of films that made figures like Charlie Chaplin and Buster Keaton into cultural icons, were the musical giants whose compositions defined the very films that captivated a generation of movie-goers. Arthur Kleiner converses with the still-living legends from that bygone golden age of cinema.
In this documentary about low-budget filmmaking in upstate New York, you'll learn how affordable digital-video technology has changed the lives of the artists behind action flicks, monster movies, nonfiction stories, and comedies. "Every Pixel Tells a Story" introduces viewers to a wide range of independent filmmakers, all of whom prove that with a little ingenuity, access to the right technology, and plenty of tenacity, filmmakers can still practice their craft 3,000 miles from Hollywood. In fact, "Every Pixel Tells a Story" is an example of what can be accomplished on digital video. Producer-director Peter Hanson shot and edited the movie in a matter of weeks using a camcorder, a computer editing system, and a $30 microphone from Radio Shack, all while spending a fraction of what the documentary would have cost had it been shot on film.
A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.
It’s a story that made headlines: “Festival Film Banned!” In the late 1960s, the majority of films screened in Australia were censored in some way or another. DELETE the lovemaking. CUT the ‘Open Mouth Kissing’. REMOVE the fondling of the breast sequence. Deemed too ‘inappropriate’ and ‘morally corrupting’ for Australian eyes, these scenes were hacked from feature films and locked away in government archives. When young Sydney Film Festival director David Stratton attempted to program a Swedish film that the censors believed contained ACTUAL sex, a scandal erupted. In a mash-up of never-before-seen banned clippings, SMUT HOUNDS tells the story of how seventy-seven seconds of celluloid scandalised a government and transformed Australian cinema.
A film about the career and methods of the master silent comedy filmmaker.
In 1981, iconic Turkish film director escapes jail to France, his last work re-creating with other exiles the prison lives they left behind.
A documentary about the comedy director and producer Judd Apatow.
Hawaii, May 1977. After the success of Star Wars, George Lucas and Steven Spielberg meet to find a new project to work on together, the former as producer, the latter as director. The story of how the charismatic archaeologist Indiana Jones was born and how his first adventure, released in 1981, triumphed at box offices around the world.
This documentary revisits the making of Gone with the Wind via archival footage, screen tests, insightful interviews and rare film footage.
The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.
NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.
Focussing on his early career, this profile looks at director Alfred Hitchcock’s breakthrough in silent films, acclaimed thrillers such as “The 39 Steps” (1935) and the influences which prompted his departure for a new life in America in 1939. Featuring Hugh Stewart, editor of “The Man Who Knew Too Much” (1934).
Highlighting one of the most innovative American directors, this film reveals the path traveled by the auteur from his small-town Texas roots to his warm reception on the awards circuit. Long before he directed Boyhood, Richard Linklater’s intense desire to create fueled his work outside the Hollywood system. Rather than leave Texas, he chose to collaborate with like-minded artists crafting modest, low-budget films in a DIY style. His ability to showcase realistic characters and tell honest stories was evident from his films, and others soon took notice of his raw talent.