A portrait of a first relationship, previous to the external world, the one of the family. In a winter in Lisbon, father, mother, son and daughter trace the path of a day by themselves. A film that develops through characters who have for their antagonist life itself, with nothing (and everything) heroic about it.
A man helps the victim of an auto accident, not realizing that the man has actually been shot. The men who shot him are now after the man who helped him, in order to eliminate him as a potential witness. Soon they are killing everyone he even comes in contact with in order to get him.
1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.
A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.
When teacher Simon arrives in a small, secluded village to take over the local school, he is surprised to discover that his predecessor has disappeared without a trace - and that nobody seems too concerned about it. As Simon probes deeper into the disappearance, the inhabitants of a forbidding estate called "Summerfield" take on more and more significance.
After being harassed and beaten, Marcos, 23, arrives in a hurry to the dressing room of his job where he has to make up and dress up to transform himself into Morgana because he has a show to give.
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
Yuzuru asked Touji out as a half-hearted joke, not expecting to be taken seriously. Touji accepted, and Yuzuru knew he was like the rest, the relationship begins on a Monday and ends on Sunday. What he did not expect was the feelings that went beyond friendship that emerged. It's now Friday, and the end is approaching. But is it? Yuzuru may be mourning the inevitable, but what about Touji? Friday begins the end, but Sunday reveals all.
Ultra Music Festival 2015. In the middle of the pouring rain. Dash Berlin wrote history surprising the crowd with one of the most emotional, powerful and energetic sets the festival has ever seen and proved to be right at home at the big main stage.
This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.
For many Americans, the journey of the Mayflower symbolizes the birth of their nation. To this day, the Pilgrim Fathers are a glorified symbol of American virtue. In search of autonomy and with the desire to preserve their cultural identity, a group of English Puritans left their Dutch refuge in 1620 to set off for the New World. That voyage is not just a tale of a religious community bravely going their own way; the events of those days would have a major impact on the course of modern history. The rules and regulations of the Mayflower Compact that the Pilgrim Fathers, religious sectarians, abided by, became the secular prototype for the constitution of the United States of America; a social contract that would serve as an example for many other national constitutions during the European age of civil society and thereafter.
The next Saturday Night’s Main Event primetime special will air live on Saturday, Jan. 25, at 8/7 C on NBC and simulcast on Peacock. The special will be held at Frost Bank Center – home of the NBA’s San Antonio Spurs – in San Antonio, Texas.
"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).
Pee-Wee is excited when Jambi the genie grants him a wish. He wishes to fly but gets upset when he sees Captain Carl and Miss Yvonne on a romantic date with each other.
Dynamite blasts echo through canyons as construction for the southern border threatens flora and fauna for centuries to come.
Determined to bring hope to their rural Pennsylvania community, a couple embark on an ambitious mission to establish a revolutionary therapy center for children with special needs.
A single mom in the 1970s raises her two daughters and becomes involved in illegal drug trade to make a better life.
This Manipuri drama opens as a happy young couple are preparing for an ear-piercing ceremony for their first child, a daughter. This is an important custom in their region of India, signifying the beginning of a responsible stage in life. Things go awry when the wife begins talking to flowers, singing odd songs, and having fits. In fact, the fits get so violent that she has to be physically restrained and tied down to prevent her from hurting herself. It eventually emerges that she has been chosen by a spirit which is special to a particular religious cult, the Meibis. Things proceed swiftly with her new, unsought, allegiance as she makes contact with the cult and its leader and prepares to leave her heartsick husband and child behind.
When their father passes away, four grown, world-weary siblings return to their childhood home and are requested -- with an admonition -- to stay there together for a week, along with their free-speaking mother and a collection of spouses, exes and might-have-beens. As the brothers and sisters re-examine their shared history and the status of each tattered relationship among those who know and love them best, they reconnect in hysterically funny and emotionally significant ways.
Margot Zeller is a short story writer with a sharp wit and an even sharper tongue. On the eve of her estranged sister Pauline's wedding to unemployed musician/artist/depressive Malcolm at the family seaside home, Margot shows up unexpectedly to rekindle the sisterly bond and offer her own brand of support. What ensues is a nakedly honest and subversively funny look at family dynamics.
The Big Picture follows two estranged brothers who, after the recent passing of their father, are forced to reconnect as they continue their family tradition of trying to find the infamous creature of the forest: Bigfoot.
A world-renowned pianist faces the devastating news that she has progressive hearing loss which will ultimately lead to deafness. This news comes at the same time a new love walks into her life. Will she let her fear of not being able to hear consume her and keep her from exploring this new love? Or will she allow Abigail in so they can deal with the hearing loss together?
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.
Though young Jane Austen's financially strapped parents expect her to marry the nephew of wealthy Lady Gresham, Jane herself knows that such a union will destroy her creativity and sense of self-worth. Instead, she becomes involved with Tom Lefroy, a charming but penniless apprentice lawyer who gives her the knowledge of the heart she needs for her future career as a novelist.
A Hispanic teen builds the confidence to tell his traditional Latin American family that he wants to shift careers and become an actor, much to their disapproval. As the conversation goes south, tensions rise, chaos ensues, and true colours are shown as the fabric of the once tight-knit family begins to tear.
Outlaw Jesse James is rumored to be the 'fastest gun in the West'. An eager recruit into James' notorious gang, Robert Ford eventually grows jealous of the famed outlaw and, when Robert and his brother sense an opportunity to kill James, their murderous action elevates their target to near mythical status.
Pappu is a barber whose son Chakrapani has been promised in marriage to Sunanda, the daughter of Gunasekharan. Gunasekharan has a change of heart after coming into a fortune, and so Chakrapani must strive to win Sunanda's heart.
A sister and brother face the realities of familial responsibility as they begin to care for their ailing father.
After the death of a septuagenarian woman, her three children deliberate over what to do with her estate.
Jerry (Jamie Draven) was an idealist when he served in the first Gulf War. But when he was later deployed to Iraq, Jerry was an older man, a father of three and embittered by broken promises and unfulfilled desires. When Jerry returns from Iraq he has been transformed by horrors that cannot be forgiven. He lives a life of poverty, his children afraid of him and his wife, Nora (Vinessa Shaw), unsympathetic and unhappy. When Jerry discovers that Nora has betrayed him, his anger and despair drive him to commit an act so heinous and irreversible that nothing he had experienced in combat could have prepared him for.
A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.
A lonely woman's prank phone call leads to an unexpected friendship with a grieving widow.
Two teenage girls make a pledge to each other to be as "man and wife" in a small Chinese fishing town. The notions of women's rights or sexual freedom are absent in their oppressive patriarchal culture, and when one becomes happily married to a stranger, the other is cruelly betrothed to the abusive son of a wealthy family. Seeking to free herself from a lifetime of abuse, Hui-hua desperately looks for a way out.
Based on the novel by the same name, We Were the Mulvaneys is a sensitive portrayal of one family's journey as they face conflict, fear, tragedy and ultimately, themselves.