Live from Glyndebourne 1987.
Flora
Dottore Grenvil
Gastone
Alfredo Germont
Annina
Giuseppe
Giorgio Germont
Live from Glyndebourne 1987.
1987-08-27
7
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
The stand-alone pilot OVA which was shown as part of the "Jump Super Anime Tour" of 1998. Shortly before the TV series, a summary is presented of the story of Gon who wants to become a hunter and the friends he makes in the process.
An early Josh Becker short starting Bruce Campbell with appearances by Ted Raimi, Sam Raimi and Scott Spiegel.
Over a decade after 'gates' connecting worlds appeared, awakening 'hunters' with superpowers, weakest hunter Sung Jinwoo encounters a double dungeon and accepts a mysterious quest, becoming the only one able to level up, changing his fate. A catch-up recap of the first season coupled with an exclusive sneak peek of the first two episodes of the highly anticipated second season in one momentous theatrical fan experience.
Two recap specials that focus on Team Urameshi's matches in the Dark Tournament and four separate volumes focusing around one of the main characters; Yusuke, Kurama, Hiei, or Kuwabara.
When a series of seemingly random people are murdered, baffled police search for a iller who may have a connection to them all.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
This animated comic goes back in time to explore the events that spurred the transformation of mild-mannered John Kramer into the monstrous Jigsaw.
When the Spirit World is flooded due to an unusual rainfall which overflows the River Sanzu (aka the River Styx), Lord Koenma senses an extremely powerful enemy. He entrusts Death God Botan, to deliver to Spirit Detective Yusuke, a mysterious item which must be protected from the invading enemy. However, by the time Botan finds Yusuke, she's too weak to explain the situation. Yusuke and his friends are left in the dark about the new enemy, but not for long. Soon it is a battle for Earth between mere Spirit Detectives and the almighty king of the Netherworld.
Thai cave Rescue documents the dramatic rescue of 12 boys and their soccer coach from the Tham Luang Cave in northern Thailand. Featuring interviews with key people involved, the film explains how the boys became trapped in the cave by heavy rains on Saturday, June 23, 2018, and explains how, fearing the worst, relatives and local rescuers began searching for the boys but to no avail. Finally, the film reveals how an international team of rescuers was called upon to find the boys and ultimately bring them to safety. This remarkable story gripped the world for 18 days. A stunning example of innovation, teamwork and human endurance in one of the most hostile environments on earth - a flooded cave.
There is a blood feud between two families, and people from both families have been killed. The latest victim, Bekir, was sent to prison, and upon his release, he did not want to continue the blood feud, but the other side still harbored resentment and filled the new generation with feelings of revenge. Bekir accepted the murder of his younger brother, who had come on leave from Germany, and came to Istanbul, but despite this, his blood enemy followed him.
A true-crime comedy exploring a failed music festival turned internet meme at the nexus of social media influence, late-stage capitalism, and morality in the post-truth era.
When her son who lives in a single room is given an outrageous $1,000 water bill, a mother decides to become a detective and find out what is behind it.
A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.
María José and Alfredo are about to celebrate their 20th anniversary and their children give them a trip to the hotel where they celebrated their honeymoon, but a spell will make them repeat the same day.
Legendary director Hans Neuenfels once again proves his great skill with this interpretation of Mozart’s “Entführung aus dem Serail” (Abduction from the Seraglio). This extraordinary production conducted by Lothar Zagrosek, and with Catherine Naglestad, Kate Ladner and Matthias Klink in the main roles, won the Bavarian Theatre Prize in 1999 and offers a refreshingly new view of one of the most frequently played operas worldwide. Special highlight: Neuenfels places an actor at every singer’s side who not only takes over his role for the spoken original scripts, but also interacts with his singing double and other characters of the piece. In recent decades, directors have sought to revitalise the somewhat naive plot of the “Entführung” with fresh interpretations. Hans Neuenfels, who produced his “first Mozart” here in Stuttgart, retains the story’s naivety and absurdity. He does this in a very stimulating and intelligent way.
Michael Mayer’s acclaimed production, first seen in the 2012–13 season, sets the action of Verdi’s masterpiece in 1960 Las Vegas—a neon-lit world ruled by money and ruthless, powerful men. Piotr Beczała is the Duke, a popular entertainer and casino owner who will stop at nothing to get what he wants. Željko Lučić sings Rigoletto, his sidekick and comedian, and Diana Damrau is Rigoletto’s innocent daughter, Gilda. When she is seduced by the Duke, Rigoletto sets out on a tragic course of murderous revenge. Štefan Kocán is the assassin Sparafucile and Michele Mariotti conducts.
tt0253843. Il Trovatore (1985) Verona. Verdi / Italian. Reynald Giovaninetti conducts the Orchestra of the Arena di Verona in a performance of Verdi's 'Il Trovatore'. The international cast includes Giorgio Zancanaro and Rosalind Plowright. The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy, but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover - the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.
This recording of "Il Trovatore" was held in Parma in 2010. The production is minimalistic. The scenario reminds, vaguely, the lunar surface. In the background, in several scenes, there is a huge full moon, sometimes white, sometimes red - the effect is beautiful and suitable for the nocturnal atmosphere of this opera. Few objects in the scene, including a big horse and giant candles. The costume indicates, directly, who is who: soldiers, nuns, gypsies. Regarding the musical aspects: excellent participation of choir and orchestra. The conductor is the seasoned Yuri Temirkanov. He keeps the orchestra under control (though there is one or two moments of disagreement with the singers), with some pleasant surprises.
Daniel Barenboim conducts the Staatskapelle Berlin in this production of Verdi's opera starring Anna Netrebko and Plácido Domingo. The Count Di Luna believes that his younger brother was murdered years before by a vengeful gypsy but still hopes that he may be alive. When he attempts to court the beautiful Leonora, he is enraged to discover that she has a lover – the troubadour, Manrico. Manrico and the Count duel, and afterwards Manrico reveals to Azucena, the woman he believes to be his mother, that when he had the opportunity to kill the Count he felt something holding him back.
Live performance at Teatro Carlo Felice di Genova, June 2004. Original stage production by Operhaus Zurich. DVD: Dynamic, live recording Cat: 33465. Nabucco (short for Nabucodonosor, English Nebuchadnezzar) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the Biblical story and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornue. It is VerdiÕs third opera and the one which is considered to have permanently established his reputation as a composer. Nabucco follows the plight of the Jews as they are assaulted, conquered, and subsequently exiled from their homeland by the Babylonian King Nabucco (in English, Nebuchadnezzar). The historical events are used as background for a romantic and political plot.
Verdi's most famous opera is performed at the Arena of Verona in Italy. Egypt and Ethiopia are at war. Radames is appointed commander of the Egyptian forces by the King, whose daughter, Amneris, loves Radames. It is in fact Amneris' Ethiopian slave Aida whom Radames loves. Ramades wins the war against the Ethiopians, capturing Aida's father Amonasro in the process. On his return to Egypt he faces a choice between marrying Amneris or betraying his country through his love for Aida. This production is conducted by Anton Guadagno and features performances by Maria Chiara, Fiorenza Cossotto and Nicola Martinucci.
David McVicar's atmospheric and brooding production captures the drama of this riveting piece of British history, retold as only Donizetti could. International superstar Anna Netrebko is Queen Anne Boleyn, trapped in an unhappy marriage to King Henry VIII (Ildar Abdrazakov) whose roving eye has settled on another woman—Jane Seymour (Ekaterina Gubanova), Anna's friend, but now her unwitting rival. Add in Anna's early love, Percy (Stephen Costello), just returned to the court from exile, and the result is a haunting, explosive account of Queen Anna's tragic final days, before she goes to her execution in one of the most moving and dazzling final scenes in all of opera.
Don Carlo (1980) Metropolitan Opera. Verdi / italian. King Philip's court is plagued by rebels, family squabbles and intrigue. The Spanish Inquisition tries to exert its influence. The tension finally ignites at the King's coronation, where heretics are to be burned at the stake
C Majors Tutto Verdi project comes to one of Verdis most popular operas: Don Carlo. Based on Schiller's play of the same name, Don Carlos was written for the Paris Opéra in 1865-66 in the tradition of a French grand opera. Repeatedly revised and performed in Italian as Don Carlo, the opera is seen here in the version that Verdi prepared for Modena in 1886. In many respects, this is Verdi's most ambitious and most forward-looking work.
Verdi wrote this five act opera with a French Libretto for the Paris opera. Premiere 1867. Then there are three versions of this opera, the French 1867 version, the revised Italian four Act Don Carlo 1884, plus the Modena version 1886. This version is the 1884 version with Act One reinstated, as well as the original beginning of Act 2. To complicate matters the French opera was simply translated into Italian, and then the changes were made. There is an even newer edition completed in 1980 by Ricordi, and others floating around as well.
New production. Live from Glyndebourne 2015.
New production. UK professional premiere May 21, 2015. Live from Glyndebourne.
Glyndebourne's intimate opera house provides the perfect setting for Rossini's third French opera, a sparkling medieval comedy of lust and chastity.
Live performance 10 February 2011 at the Palais Garnier. Emmanuelle Haïm conducting Le Concert d'Astrée and les Choeurs de l'Opéra national de Paris. Directed for stage by Laurent Pelly.
Recorded live at the Vienna State Opera, Placido Domingo and Eva Marton star in a sumptuous recording of Ponchielli's famed four-act melodrama, a story of tyranny and intrigue set in semi-historical and ever-romantic Venice. The action is projected by strong characters whose fundamentally sound instincts become distorted by raw passion. The performance draws upon both human and technical resources including a large ballet and varies in mood from the happy carnival to scenes of the darkest gloom and horror.