A widower found a strong resemblance between his late wife and the tutor of his daughter. Because he never got over his loss he courted and married her and then proceeded to remake her in the image of his wife. Naive and very much in love she obeyed his wishes and only later realized that her husband was not really in love with her but only with a memory.
A widower found a strong resemblance between his late wife and the tutor of his daughter. Because he never got over his loss he courted and married her and then proceeded to remake her in the image of his wife. Naive and very much in love she obeyed his wishes and only later realized that her husband was not really in love with her but only with a memory.
1987-11-26
0
A Filipino drama film by Lamberto V. Avellana.
Aning is a maid in the Cuevas household. She is raped by an unknown assailant and comes home to the province pregnant. Her older sister Dinya serves the Cuevas household to search for the culprit. She catches the culprit but at the cost of her own vitrue.
Ahmad belongs to the Bangsamoro people. While many of his kind are bent on fighting, thinking that Mindanao is only for the Muslims, Ahmad prefers to live a simple and peaceful life. He works as a doctor in Manila while his wife, Fatima, and his only son, Ibrahim, stay in Mindanao with his mother, Farida. Ahmad is shocked and devastated when Fatima breaks the confounding news. Ibrahim was killed by a stray bullet when vigilantes indiscriminately fire at their village. Ahmad goes back to where he came from Mindanao. Ibrahim’s death did not cause Ahmad to stop striving to live a peaceful life, much to the consternation of his brother, Musa. His brother takes an exactly opposite stand. Musa believes in waging a war against all the Kaafir (unbelievers) who may impede the Moro’s goal of independence. He even trains his young son, Rashid to a Muslim warrior’s life.
Set during the terrifying reign of Filipino despot, Marcos, two upper caste but very different strangers team up to try and survive the physical and mental torture they undergo after they are suddenly jailed. Geny is the conservative businessman while Serge is more sensitive and outgoing. Both of the young men's parents give all of their money, but the government refuses to free them. Even a mutual hunger strike fails to move their jailers. In desperation, Geny and Serge begin plotting their escape.
A mother and her daughter—who are both victims of incest-rape perpetrated by the same man now languishing in jail—are approached by a couple of filmmakers with an offer to produce a movie based on the two women’s true story. They hesitate on the idea at first but agree eventually for the sum of money they will be paid in exchange for selling the rights to the material. When the finished film is finally shown in theaters, they proceed to the city all the way from their hometown to catch the screening. They are elated at the prospect of seeing the larger-than-life versions of themselves. But as the motion picture gradually unfolds before their very eyes, they instead go through another harrowing experience of a lifetime.
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Crime does not pay, so the adage goes. But feisty and outspoken Rosa (Rosanna Roces)--however sharp-witted--does not know any better. Doggedly out for bigger money, she is quick to rebuff even her lover Dado's (Diether Ocampo) pitch for a new life. What will they risk to succeed? What will they give to taste the sweet pleasure of living peacefully and not running away from law and the syndicate anymore? Will their love for each other endure in the end?
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