In 1950, America was in a state of panic. Juvenile delinquency was destroying the very fabric of society. Ninety percent of all children were reading comic books. In 1954, psychiatrist Dr. Fredric Wertham wrote a scathing indictment of comics called Seduction of the Innocent. Its central premise: Comic books were the leading contributing factor to juvenile delinquency. That same year, Dr. Wertham testified at special hearings on comic books at the Senate Subcommittee to Investigate Juvenile Delinquency in the United States. Comics were on trial. Diagram for Delinquents captures the zeitgeist of late 1940s and early 1950s America and investigates how the funny books found themselves on the fire. Using expert and comic book insider interviews, never seen before historical photographs and films, and animation, DIAGRAM goes further than any previous comic book documentary to explore and understand the controversial figure at the center of this American tale: Fredric Wertham.
Himself
Himself
A long overdue documentary that tells the story of 2000AD, the unsung cult hero of the comics industry. This film will celebrate and pay respect to the comic and explore its importance and influence on contemporary pop culture.
This documentary depicts the filmmaker Alejandro Jodorowsky talking about his life, his loves, his career as a filmmaker, graphic novelist, and workshop leader, and his eccentricities including tarot reader and theatrical director during The Panic Movement. Directed by Louis Mouchet, La Constellation Jodorowsky includes a lengthy on-camera interview with Jodorowsky in Spanish with subtitles. Marcel Marceau, Fernando Arrabal, Peter Gabriel, Jean "Moebius" Giraud, and Jean Pierre Vignau make appearances discussing their various projects with the director. In addition to the interview and film clips, Mouchet features some bizarre footage from Jodorowsky’s absurdist plays in which topless women splattered with paint writhe around the stage in a theatrical production meant to represent The Panic Movement, i.e., an artistic expression in which reason cannot fully express the human experience.
For half a century Harvey Comics characters ruled newsstands, television screens, and the imaginations of children across the United States. While the names Casper the Friendly Ghost, Richie Rich, Little Audrey, Dick Tracy, and The Green Hornet live on, Harvey Comics has been largely forgotten. This film will bring together stories from family members, artists, historians, and celebrities to reveal the untold story of a company that changed comic books and pop culture forever.
Rob Liefeld and Todd McFarlane create a new character.
Stan Lee interviews Harvey Kurtzman and Jack Davis
Todd McFarlane, Rob Liefeld, Jim Lee and Whilce Portacio show Stan Lee how to create a comic book.
Stan Lee interviews Chris Claremont
Stan Lee interviews John Romita and John Romita Jr.
Short documenting the importance of comic books to children's imaginative development, in spite of adult fears that they might be a negative influence.
Stan Lee interviews Todd McFarlane
Stan Lee interviews Sergio Aragonés
It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…
Stan Lee interviews Whilce Portacio
Compendium of Greatest Moments with artists from Comic Book Greats Series
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.