A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.
A detailed reconstruction of the censorship case against the landmark Weimar-era communist film, Kuhle Wampe, or Who Owns the World? (1932). Directed by Slatan Dudow, the crew and cast included left-wing luminaries, such as playwright Bertolt Brecht, composer Hanns Eisler and balladeer Ernst Busch. The film was the subject of vehement disputes and was banned twice for revolutionary and communist tendencies that were perceived to threaten the state. About 230 meters of the original film fell victim to the censor’s shears. This historic censorship case was argued over the course of three sessions. Censored: Kuhle Wampe re-enacts the censorship hearings, based on original minutes and documents, as well as personal records of the case. In addition to footage from the original film, this docudrama includes original clips of Berlin in the 1920s and '30s and short testimonies, filmed in the 1970s, with some of the actors involved in the original Kuhle Wampe film production.
1975-05-02
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A look at the forces that shaped Pre-Code Hollywood and brought about the strict enforcement of the Hays Code in 1934.
When an American filmmaker is commissioned to make a film for a Middle East Biennial on the theme of 'art as a subversive act,' his film is banned for blasphemy, he is asked to destroy every copy, and threatened with arrest.
Close-up to a man who censored films during the military dictatorship in Argentina, slightly inspired by the infamous Miguel Paulino Tato.
An essay film by filmmaker and archivist Sari Braithwaite, [Censored] offers an overview of film censorship in Australia, told through an ever-changing collage of images compiled from the footage that was cut from films released domestically between 1958 and 1971.
Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.
"Impressões" rescues the history of the Brazilian press since 1808, when the "Correio Brasiliense" clandestinely reached Rio de Janeiro after being edited in London by Hipólito José da Costa, and spans until 1986. It's the first documentary to depict the history of the Brazilian journalistic press.
Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.
The history of film and video censorship in Great Britain.
In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.
In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?
Germany is in uproar; the new government has adopted a law which enables a government-controlled censorship. Media and cultural facilities are being inspected. The theatre house of Jan Reeberger is one of the inspected institutions. During the inspection two different world views collide, on the one side, there’s Jan with his idealistic and cosmopolitan worldview, on the other side, there’s Micky who is standing up for the new political system.
The convoluted and moving story of Russian writer Vassili Grossman (1905-64) and his novel Life and Fate (1980), a literary masterpiece, a monumental and epic account of life under Stalin's regime of terror, a defiant cry that the KGB tried to suffocate.
Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.
The Spanish author Enrique Jardiel Poncela (1901-1952) was one of the best comedy writers of all time, a novelist and newspaper columnist, misunderstood, even censored, both by the Second Republic government and Francoism, an outsider ahead of his time; also a filmmaker and screenwriter in Hollywood, architect of a revolutionary theatrical building and scenographer, cartoonist and illustrator. An implausible genius.
This documentary, filmed over a 10-year period, centers on the debate over censorship as it follows Vancouver's Little Sister's Bookstore and its 20-year struggle with Canada Customs over the seizure of books. In the face of bigotry, bombings and repeated book seizures, it wages the most important legal battle in history against Canada Customs.
The unconventional life of Dr. William Marston, the Harvard psychologist and inventor who helped invent the modern lie detector test and created Wonder Woman in 1941.
Günter Walcher, 40-years-old, is a hardworking, apolitical West German businessman caught in a moral conflict. He is offered a promotion to become the head of a division—on the condition that he find a reason to fire Zacharias, a communist and the work council chairman.
The screening of a movie "Daybreak" at the "Liberty" Cinema is interrupted by an unusual event - actors come to life on the screen, start conversations among themselves, draw the audience into them. Crowds gather around the cinema, the relevant authorities and services wonder what to do in this complicated situation. Also arriving is the censor, a man reaching his fifties, a one-time literary critic and journalist. The line between fiction and reality begins to blur.
A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)
Lifting the lid on the world of cinema censorship, this programme has unique access to the files of the British Board of Film Classification. Featuring explicit and detailed exchanges between the censor and film-makers, 'Dear Censor' casts a wry eye over some of the most infamous cases in the history of the board. From the now seemingly innocuous Rebel Without a Cause, the first 'naturist' films and the infamous works of Ken Russell, and up to Rambo III, this frank and surprisingly warm documentary demonstrates how a body created by the industry to safeguard standards and reflect shifts in public opinion has also worked unexpectedly closely with the film-makers themselves to ensure that their work was able reach an audience.