
The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.


The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.
1978-01-01
5.8
7.0There are only a couple of DVD recordings of Mozart's Symphony No. 40. Fortunately, this one by Karl Bohm, recorded live in Vienna's Musikvereinssaal, is excellent, as are the other Mozart symphonies on this DVD. Since this disc offers three of the big six last symphonies of Mozart, Nos. 35 (Haffner), 40, and 41 (Jupiter), plus two more, it is an outstanding value. Despite the age of the recordings (1973-74), both the sound and the video are quite good.
4.0The film follows the daily experiences and dreams of the residents of a specific type of seclusion of freedom in which the convicts assume the maintenance of the space, the control of their own activities and their security. With a multifaceted approach, it proposes a reflection on the creative potential of incarcerated people, the documentary genre itself and its truth.
0.0Tino is going on his first date with Lola. His friends, doubting his chances, devise a plan to ensure the outing's success.
3.6From this popular series that counts 37 works, the 6th compilation of episodes carefully selected by the staff.
7.9Prior to the HISTory World Tour, Jackson performed a free concert at the Jerudong Park Amphitheatre in Bandar Seri Begawan, Brunei on 16 July 1996, attended by 60,000 throughout the park. The concert was in celebration of the fiftieth birthday of Hassanal Bolkiah, the Sultan of Brunei and was attended by the Brunei royal family. Much of the concert resembled Jackson's Dangerous World Tour, including his outfit, stage, and the setlist, keeping the details of the upcoming HIStory Tour a close secret. This concert was not part of the Dangerous World Tour nor the History World Tour. The concert also marked the debut live performance of "You Are Not Alone" and "Earth Song" as well as the last performances of "Jam", "Human Nature", "I Just Can't Stop Loving You" and "She's Out of My Life" at a Jackson concert. This concert was also among the last performances of "Billie Jean" and "Beat It" being sung fully live; most subsequent performances have been partially lip-synched.
8.3A collection of cartoons, each of which is a uniquely decorated folk tale.
3.0Pocketman, Cargoboy and all your favorite agents are back to face a dangerous new threat. When Sir Longbottom comes up with a plan for world domination it will take everything just to have a chance of stopping him.
3.7During a family reunion in 2000, guests decide to read out laud their "Where I See Myself in 10 Years" wish lists which they wrote down during their 1990 family reunion.
3.9Spooky Scary horror 5
6.2The animals on Oswald the Rabbit's farm couldn't be happier with their work. The hens, in particular, enjoy their jobs as egg producers. True, a hen gets a bit anxious when her egg is too small or when she can't lay anything. But on the whole, times are good. That changes when a specter by the name of Depression rises from the dump and travels the globe spreading fear and panic. The Great Depression has begun and has poisoned the entire country, including Oswald's farm. Now, the roosters are listless and the chickens flop around in a daze. Oswald runs to the doctor for help. But Dr. Pill points to a poster of the President, Franklin Delano Roosevelt. "There's your doctor!" he declares. Soon, Oswald is in the White House, knocking down the Vice President in his haste to see FDR. Roosevelt sings "Confidence" and gives the rabbit a generous supply.
5.8While visiting Warsaw, Hanka falls for a record-breaking bricklayer. She returns to the city to work at construction sites and prove that women can work as hard as men
6.0When considering taking a few weeks off, Dr. Rainville places an ad to find a replacement who would agree to take his place in Normétal, in Abitibi. Jeanne Dion from Montreal accepts the offer and goes to the site, where it comes into contact with old customers and the lonely doctor. The problems of the inhabitants of the small community are varied, but Jeanne adapts well to her new environment. When Dr. Rainville was struck by a heart attack, he must still be replaced some time. She could even take his place permanently...
5.3An unfortunate highschooler finds an ancient book that summons Allentown's deadliest maniacs back from the dead.
6.0It took Anna 10 years to recover from the death of her husband, Sean, but now she's on the verge of marrying her boyfriend, Joseph, and finally moving on. However, on the night of her engagement party, a young boy named Sean turns up, saying he is her dead husband reincarnated. At first she ignores the child, but his knowledge of her former husband's life is uncanny, leading her to believe that he might be telling the truth.
0.0As Aragon descends into unrest, a count jealously fights for a noble lady's heart. But she has already given it to a passionate troubadour whose mother holds a terrible secret.
6.4During an historic counter-terrorism summit in Spain, the President of the United States is struck down by an assassin's bullet. Eight strangers have a perfect view of the kill, but what did they really see? As the minutes leading up to the fatal shot are replayed through the eyes of each eyewitness, the reality of the assassination takes shape.
0.0Donald Runnicles directs the San Francisco Opera in this lavish production of Giacomo Puccini’s final masterpiece, which was left unfinished upon his death and was later completed by Franco Alfano. Declaring himself a suitor of the beautiful Princess Turandot (Eva Marton), the son of a conquered king (Michael Sylvester) must correctly answer three troublesome riddles. According to tradition, if he fails, it will mean his death.
5.0True story of Norman Bethune, a medical doctor who fought for justice in China during Mao's rise to power.
10.0Premiered in 1787, “Don Giovanni” exposes the timeless theme of a man hovering between vitality and destruction. Neither morality nor the law can stop this serial lover in his quest to conquer all women as he places his own pleasure above all other principles. Today, the rich depth of Mozart’s masterpiece still astonishes audiences with its mix of comedy and seriousness, pleasure and love, entertainment and murder. At the helm of this new Salzburg Festival production, in a near-live broadcast from the Great Festival Hall, director Romeo Castellucci promises to focus on the ambiguity and inner turmoil of this serial lover whose immoral behaviour condemns him to a deadly solitude. The exceptional cast – featuring Italian baritone Davide Luciano (Don Giovanni), Russian soprano Nadezhda Pavlova (Donna Anna) and Finnish bass Mika Kares (the Commendatore) – is accompanied by the chorus and musicians of the musicAeterna ensemble, conducted by Vitaly Polonsky and Teodor Currentzis.
7.8Marudhu, a sailor, falls in love with Nancy, a fruit vendor. However, she waits for the captain who had promised that he would return and marry her.
7.4When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
7.6Two men share an odd friendship while they care for two women who are both in deep comas.
7.4When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school.
6.5The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
0.0There are elements of Eurotrash in this outdoor Aix-en-Provence summer opera production. Nevertheless, the splendid singing and acting transform the story, normally treated as farce, into something considerably more serious. As many other critics have noted, the young lovers have not yet sorted everything out as this performance ends. Act One begins with the principal characters running around in the outdoor theater -- while the audience takes it in as if they had been advised to sit back and enjoy the novelty. Very likely they were also asked to refrain from applauding at the end of arias and ensemble pieces, in which the three-hour opera abounds.
5.3Lukas is Sugar, Clemens is Orange. Together, they are two ten-year-old boys who are inseparable. More than just playmates, they share a unique bond which seems predestined to last a lifetime. Until, that is, powerful emotions come to the fore and a misunderstanding leads to a rift which tears both them and their world apart. Twenty years later, Lukas is still terrified of being abandoned. He survives by forming loose relationships which don't threaten him. Then one day he meets Lena who turns his feelings upside down and awakens his inner child, the one still searching for unconditional friendship. While there is never a guarantee of security, there is a bond of trust, and through Lena, Lukas again makes contact with Clemens. After years of silence, they are finally able to exorcise their ghosts in an explosion of emotion.
7.0The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
5.0Greek painter Domenikos Theotokopoulos (Mel Ferrer) woos a beauty (Rosanna Schiaffino) and faces the Inquisition in 16th-century Spain.
0.0Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)
0.0Directed by Vladimir Gardin and Yakov Protazanov, this two-part epic was the most expensive Russian film at the time and smashed box office records. It is now considered lost, with only a 4 minute clip surviving.