Sister Robert Anne
Sr. Mary Wilhelm
Sr. Mary Leo
Father Virgil
Herself
Himself
Third in the Nunsense series of musicals.
1998-01-01
0
Tony a young unrecognized pop singer spends most of his free time wooing all the beautiful girls he comes across. By resorting to all sorts of expedients, he manages to navigate between six semi-official girlfriends.
A talented tap dancer who can't get an audition uses his prowess at playing craps to gain ownership of a musical show, making himself the star.
A musical biopic of the Four Seasons—the rise, the tough times and personal clashes, and the ultimate triumph of a group of friends whose music became symbolic of a generation. Far from a mere tribute concert, it gets to the heart of the relationships at the centre of the group, with a special focus on frontman Frankie Valli, the small kid with the big falsetto.
Misfit Heights is a film about an apartment building populated by puppets who have to struggle for survival when a mad scientist's plan to rule the world with an army of undead goes awry. It's up to the last few survivors to fight their way into his secret lab and put an end to his evil plan before they are eaten by the undead. Or, before the buildings superintendent returns from vacation and evicts them.
A Broadway producer discovers new talent in a small Georgia town and brings them to New York for his new show.
A gang, leaded by the unknown and mysterious Anjo, robs a jewelry and schedules a meeting in the Copacabana Palace Hotel, in Copacabana. The identification would be through a cigarette case with an angel, and the password "- Is everything all right?" Meanwhile, the director Ricardo is preparing a show for the carnival in the hotel with Marina, and they love each other. The janitor Serafim receives a letter from his unknown American brother, who will come to Rio to spend the carnival and meet him, and asks Eliana for a chance in the show, since his brother believes he is an artist. When Ricardo finds the cigarette case lost by Anjo in the entrance of the hotel, he is misidentified by the thieves, and this is the beginning of lots of confusion and fun.
By chance the main character of the picture becomes invisible. This curiosity causes a chain of eccentric events that allow the authors to ridicule in a grotesque form such enduring vices as bureaucratism, swagger, careerism and familialism. Based on satirical works by I. Ilf and E. Petrov.
The Anthony Newley/Leslie Bricusse London and Broadway musical hit Stop the World, I Want to Get Off is given literal treatment in this filmization. Newley stars as Littlechap, whose allegorical rise to success is countered by the instability of his private life. Like the play, the film is staged impressionistically, with Newley decked out in mime makeup and periodically stopping the action to address the audience, and with all the women in his life -- German, American and "Typically English" -- played by a single actress (Millicent Martin, taking over from the stage version's Anna Quayle). In Wizard of Oz fashion, the play itself is lensed in color, while the brief prologue, showing the actors preparing for their performance, is in black-and-white. The production includes such standards (and perennial audition pieces) as What Kind of Fool Am I? and Gonna Build a Mountain.
She mesmerised the crowd. The first sight would rapidly disappear and anyone who would get closer would also be surprised. It is not known if she did it for "beauty or precision", as Guimarães Rosa used to say. But the truth is that stereotypes would be destroyed as soon as she would fetch her followers. And revelations would unfold. Behind her suavely acute and toned voice, there was a deep tone that only few could reach. Behind her humble upbringing, there was an uncommon sensibility and intelligence. Her disguise was her irrepressible technique. Elis was pure emotion. And singing was not her final objective, she really wanted to make people happy. This film honours Elis and creates a singular portrait of Brazil's biggest star.
Musical biography of Irish 19th century tenor Chauncey Olcott.
Set in New York's Lower East Side during the Gay '90s, this lively low-budget musical follows the exploits of a feisty and talented saloon owner's daughter who loves nothing more than to perform in her father's tavern. Her late-night shenanigans appall her wealthy and socially conscious aunt who launches a secret campaign to shut down the bar and force her niece to reside in her palatial home.
A war journalist escorts a spirited teen band back to NYC post-WWII, turning the journey into a musical comedy filled with memorable performances.
I'll Get By is an updated remake of the 1940 20th Century-Fox musical Tin Pan Alley. William Lundigan and Dennis Day play William Spencer and Freddie Lee respectively, successful song publishers who make hits out of such numbers as "I Got a Gal in Kalamazoo", "Deep in the Heart of Texas", "You Make Me Feel So Young", "There Will Never Be Another You", and other favorites (the rights to all of these songs were conveniently held by 20th Century-Fox). The partnership has some hard times, especially during the feud between ASCAP and the radio networks, when only public-domain songs like "I Dream of Jeannie" were permitted to be broadcast.
In her attempts to make a splash on Broadway, a lively would-be-actress lands herself in hot water with the mob.
A romance musical movie that tells a story of a superstar who falls for a blind girl. Described by theatre critic Alongkorn Parivudhiphongs as captivating bubblegum entertainment, Ruk Jub Jai: The Romantic Musical was an unanticipated hit, with a total of 49 performances at Muang Thai Rachadalai Theatre. More than 60,000 theatre-goers went to the successful theatrical production, while the movie version of the play premiered on November 22. It was shown at Major Cineplex cinemas. This was the first time in Thailand that a stage production had been adapted for the silver screen. The film was made by GTH Studio, who used special equipment to capture the live performances on stage. They also filmed some scenes without an audience. The film version of the romantic comedy allows more close-ups of sentimental scenes between Sukrit Wisetkaew (Bie) and Nuengthida Sophon (Noona) in their respective roles as a singing superstar and a blind girl.
A story of an impish devil who used to be an angel but got tired of singing Hosannah and so was condemned to live on earth. From his home in a windmill, he pursues love and happiness in a hilarious and sometimes tragic turmoil that affects the whole countryside.