The film tells the story of a journalist (Eloisa) whose expose’ of the truth results in life-changing consequences to a baseball team of poor boys. Inspired by a true story.
The film tells the story of a journalist (Eloisa) whose expose’ of the truth results in life-changing consequences to a baseball team of poor boys. Inspired by a true story.
2013-07-31
0
All they wanted was to play.
A teenage boy befriends a starlet who is having an affair with an ambitious mayor. As the elections are coming up, the mayor's wife wants him to get rid of his mistress. The starlet agrees to stop the affair on condition that the mayor help release her boyfriend from jail. The mayor does so, but wants the former jail-bird to kill his political rival.
The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.
Every night, Nana Lusing lies on her bed sleepless because she sees a dark figure looming in her room. Who is this shadow? Is this the devil? Her late husband? A manifestation of her anxieties? Or simply a figment of her imagination?
A woman whose whole life is her art, but when she loses it she goes into a self-exile, only to be, hopefully, reinvigorated by a young boy daring to bring it all back.
Powerful but ill-stricken business woman, Vilma Santos navigates her complicated relationship with her caregiver, Angel Locsin and her estranged son, Xian Lim in this story about acceptance, love and forgiveness.
The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.
Teresa (Rustica Carpio) has worked for the Bautista family since she was seventeen. She was the nanny of siblings Stella, Vince and Andre (Jackie Lou Blanco, Bobby Andrews and Ryan Agoncillo), and their mother. The three have all moved abroad in their adulthood, but all reunite back at home with the passing of their mother. With no one left to stay in the country, it is decided that all of their properties will be sold, including the house they grew up in. But they are faced with the problem of what to do with the elderly Teresa, who has no money saved, and little contact with her relatives.
Three stories of love starring Sharon Cuneta. The first, "I Love You, Moo-Moo" (directed by Leroy Salvador), is about a young bride who died on her honeymoon; the second, "Ang Silid" (directed by Lino Brocka) is about an interior decorator who investigates a forbidden room owned by a mysterious woman whose sister was murdered; and the third, "Katumbas ng Kahapon" (directed by Emmanuel Borlaza) follows a young woman torn between her abusive husband and her former lover who returned from the US.
Gerry and Rochelle are childhood sweethearts. Although Rochelle wants to settle down, Gerry wants his ambitions fulfilled first. The couple's relationship is threatened by the arrival of their childhood friend Tonette. Tonette seduces Gerry away from Rochelle by giving him a job, an apartment and herself. She agrees to share him with Rochelle at the same time hiring Rochelle as a maid. Things soon come to a head when Rochelle decides to leave Tonette's household after repeated attempts by Tonette's father, Don Teofilo, to defile her.
A mysterious woman, known as Madame M, kidnaps forty pre-teen girls and transports them to a remote island to train them as the most deadly assassins. CIA operative Jack Chen follows the case for 6 years with no leads, but when a series of assassinations begin to occur, Jack suspects that Madame M is back in business.
Mabuti accidentally finds a stash of money that could bring an end to her family’s financial problems: is the solution that simple or is it loaded with complications?
Orphan Carding befriends Army Captain Samuel Corazon, who’s stationed in his town to root out the remaining Huk guerrillas. At the dance hall, Corazon woos dancer Lauriana, and they soon move in together. The two become sort of surrogate parents for the orphan Carding, with Corazon teaching him the ways of men. But the soldier has a dark side, and Carding becomes witness to the violence occurring in their home, and a heinous act committed by the soldier on his common-law wife.
A macho dad learns to accept the real identity of his gay son before it gets too late.
Babae...Ngayon at Kailanman is a film adaptation of three Filipino short story masterpieces: Nick Joaquin's "May Day Eve", Amador Daguio's "Wedding Dance" and Wilfrido Nollega's "Juego de Prenda.
A tale of two unwed sisters whose lives have been imprisoned by their father.
The film tells the story of a former 1980’s film cameraman who now currently works as a movie pirate operating in present day Manila. He routinely smuggles a digital camcorder into movie theaters in order to illegally record films. One night he records something else... And the footage goes viral.
An erotic 16th Century period drama, the film examines the initial encounter between the Indios (natives) and their colonizers (Spaniards) and their conflicting views on love, passion, religion and sexuality.
A socio-realist drama-comedy film, it follows a seemingly usual day in the life of Loida Malabanan as she embarks on yet another shooting day of a soap opera as an extra. As the shoot goes on, we get a glimpse of the truth in the ruling system of the production as well as the exploitation of the marginalized laborers like her.
A priest visits a small seaside town. Miling a former nun who now teaches catechism on the island thinks that father Emman is the priest she sent for. She believes that a priest would help revive the townspeople's faith in God by putting up bars and girly joints.
The moment the doctor confirms his wife's pregnancy Carlo felt a sign of a curse coming to life. It's the curse caused by his errant grandfather, the curse that doomed his father. The same curse that's about to destroy him. Advised by his doctor to rest, Carlo returns to his family's villa in Lucban and there, he meets Carmen, the woman destined to kill her.