Four young women joined the Resistance to fight Nazi oppression and brutality in occupied France. They were arrested and deported to Ravensbruck concentration camp, where they helped each other to survive. SISTERS IN RESISTANCE captures their recollections and the intense friendship that has survived with them.
Self
Self
Four young women joined the Resistance to fight Nazi oppression and brutality in occupied France. They were arrested and deported to Ravensbruck concentration camp, where they helped each other to survive. SISTERS IN RESISTANCE captures their recollections and the intense friendship that has survived with them.
2001-06-15
0
He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?
The mavericks who pioneered the modern pit stop made it a raceday staple that takes less than two seconds.
A documentary on the dark and brutal side of the Samurai warrior clans featuring the life of peasant Masa who is pressganged into the ruthless world of the Samurai.
The world couldn't keep its eyes off two athletes at the 1994 Winter Games in Lillehammer - Nancy Kerrigan, the elegant brunette from the Northeast, and Tonya Harding, the feisty blonde engulfed in scandal. Just weeks before the Olympics on Jan. 6, 1994 at the U.S. Figure Skating Championships, Kerrigan was stunningly clubbed on the right knee by an unknown assailant and left wailing, "Why, why, why?" As the bizarre "why" mystery unraveled, it was revealed that Harding's ex-husband, Jeff Gillooly, had plotted the attack with his misfit friends to literally eliminate Kerrigan from the competition. Now two decades later, THE PRICE OF GOLD takes a fresh look through Harding's turbulent career and life at the spectacle that elevated the popularity of professional figure skating and has Harding still facing questions over what she knew and when she knew it.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Nearly 30 years-old, Hélène still looks like a teenager. She is the author of powerful texts with corrosive humor. It is part, as she says herself, of a "badly calibrated lot, not entering anywhere". Her telepathic poetry speaks of her world and of ours. She accompanies a director who adapts her work to the theater, she talks with a mathematician ... Yet Helene can not talk or hold a pen, she has never learned to read or write. It when she turns 20 that her mother discovers that she can communicate by arranging letters on a sheet of paper. One of the many mysteries of the one that calls herself Babouillec ...
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
Within hours of the Japanese attack on Pearl Harbor, bombs rained down on U.S. and Filipino forces in the Philippines. After months of vicious fighting, Allied forces surrendered on the island only to be met with a brutal march to P.O.W. camps dotted across the islands. Thousands died on the marches, before reaching the P.O.W. camps where countless more died. The surrender of the Philippines, now almost forgotten in U.S. history, is commemorated in the Philippines every year.
Chez Schwartz takes us inside a year in the life of Schwartz's Deli - the unique 75-year-old landmark on Montreal's historic Main. Filmed through changing seasons, from the quiet of early morning preparation to the frenetic bustle of packed lunch times and never ending line-ups, to the more relaxed ambiance late at night - Chez Schwartz is an evocative, cinematic portrait of a small spunky deli known worldwide equally for its atmosphere and smoked meat.
This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.
An exploration of the relationship between bodies, spaces and touch as a form of longing, Maja Classen’s latest documentary TRUTH OR DARE takes on an essayistic format inspired by the dramaturgy of a sex-positive party in Berlin and the COVID lockdowns of the past two years when the freedom of these spaces seemed possibly lost forever. The film’s protagonists – which include the Chilean queer sex worker Jorge and the genderqueer person Puck – are afforded the space to share their stories of loneliness, desires, sexuality, and identity and reveal how they have found a home and chosen family in Berlin’s queer, sex-positive community.
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
"If buildings could talk, what would they say about us?" CATHEDRALS OF CULTURE offers six startling responses. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world's most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. CATHEDRALS OF CULTURE explores how each of these landmarks reflects our culture and guards our collective memory.
A group of passionate young environmentalists spend 100 days in the jungles of Borneo in effort to save the rainforests and its endangered orangutans in this Australian documentary...
Germans colonized the land of Namibia, in southern Africa, during a brief period of time, from 1840 to the end of the World War I. The story of the so-called German South West Africa (1884-1915) is hideous; a hidden and silenced account of looting and genocide.