
Eight circus performers known as the Grunato family perform their famous balancing act.
Acrobats

Eight circus performers known as the Grunato family perform their famous balancing act.
1895-11-01
4.545
4.1The two inventors of the Bioskop, a sort of magic lantern that projected images so fast as to give the illusion of movement, bow to the camera at both sides of an empty screen. The scene was shown in continuity, at the end of the session, as if the producers and directors of the session were beading the public a farewell.
Three dancers do a Russian folkloric step dance, facing the camera, in traditional clothes, fur hats and leather boots.
5.1[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start.
5.2A man is imprisoned for a crime he didn't commit. When his wife is murdered and his son kidnapped and taken to Mexico, he devises an elaborate and dangerous plan to rescue his son and avenge the murder.
3.5When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
9.3On September 16, 2015, Selena celebrated the Revival Event in Los Angeles.
6.8The story of "The Mastermind of Mirage Pokémon" centers on a Pokémon scientist who has developed a new Mirage System to resurrect extinct Pokémon. Satoshi, Haruka, Masato, and Takeshi show up at the Mirage Mansion for a demonstration of this new machine, only to witness the kidnapping of the scientist! Then a mysterious stranger appears and claims that the machine can actually create Pokémon without weaknesses. It’s up to Satoshi and company to preserve the natural balance of the Pokémon world.
7.6Promotional video celebrating 20 years of the Naruto animation project.
5.8Picking up five years after the doomed romance between Mormon missionaries RJ and Chris, though their lives have taken radically different paths, the death of a mutual friend unexpectedly reunites the two men at a time when both are attempting to establish their adult lives. As old feelings of love and regret are rekindled, RJ and Chris must once again confront their seemingly impossible love.
6.5A young man talks to his psychiatrist about strange visions he has been having in his dreams.
7.7The fourth instalment in the surreal Don’t Hug Me I’m Scared videos in which the three returning characters enter a sinister digital world through their computer.
6.6Naruto: The Cross Roads (Za Kurosurozu) is the sixth Naruto OVA. It uses the same CGI graphics as Naruto: Ultimate Ninja Storm and was released during Naruto: Shippuden. This OVA premiered at the Jump Festa Anime Tour 2009. Between the Prologue - Land of Waves and Chunin Exams arcs, Team 7 is waiting for Kakashi, who is late again, to start a new mission (B-ranked as Sasuke states). The team sets off while Kakashi explains that Genmai from the Inaho Village is missing, who has vanished in the hills.
7.7Tanjiro ventures to Asakusa for his second mission with the Demon Slayer Corps. A recap of Kimetsu no Yaiba episodes 6–10, with new footage and special end credits.
6.5The story begins when Geki Red battles Nunchaku Banki after returning from his trip around the world for Natsume's birthday, with Geki Yellow and Geki Blue arriving to provide backup. After sending the Gekirangers into another dimension, the Go-ongers arrive before the Savage Machine Beast departs after his quarry. After clearing a misunderstanding with Geki Violet and Geki Chopper, the two bring them to SCRTC to see Master Xia Fu, with Hant revealing he met Miki at one of his past jobs at the Kyoryuya Curry Shop.
9.9Ring in the holiday season the Cartoon Network way via nine original tales that run the gamut from naughty to nice. The stories feature popular animated characters such as Ed, Edd 'n Eddy, Courage the Cowardly Dog, Cow & Chicken, I A.M. Weasel, Dexter's Laboratory, The Powerpuff Girls and Johnny Bravo. This holly-jolly animated collection sure beats a piece of coal in your stocking!
3.7Streaming, scratched lines continuously appear two at a time over images of flowing water.
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
7.1This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Buster Brown creater R.F. Outcault sketches his creation. Part of the Buster Brown series for Edison film studio.
1.2This short follows a day of work for an Everglades wildlife trapper catching animals for zoos around America. In this film, his assignment is to go out into the swamp with his Indian assistant and find a bobcat, two black bear cubs and six rattlesnakes.
Iván Ávila Dueñas uses domestic found footage material. We observe a mineral engineer, a priest and a constructor filming their personal life in Zacatecas, Mexico between 1930 ad 1950.
4.7This is another short, simple dance number. It’s quite stunning and unusual though with a bat turning into a woman who proceeds to give us a skirt dance before disappearing into thin air. The dance is mesmerising with the skirt stunningly changing colour throughout the film.
6.1Made for the centenary of France’s trade union laws, Chris Marker’s 2084 imagines a future in which a computer looks back on the labor movement of the 20th century. Mixing documentary reflection with speculative fiction, the film envisions contrasting paths for the future of workers and unions.
The Washington Star of April 1st, 1900, gave the following account of the ceremony: "Over 40,000 women and children passed through the White House Gates to-day during the hours set apart for the great National show of Egg Rolling, and when the President stepped on the south front gallery at 4:15 P.M., at least 20,000 were within the grounds. The Marine Band rendered a programme of popular music. The President's children entertained at least fifty young friends during the day with a view of the egg rolling from the balcony, but none of them mingled with the great throng, preferring to view the panorama from the distance. They were much amused with the antics of the great crowd of children, who were of all colors and from every walk of life."
7.4Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.
3.9In the darkroom, 50 unexposed film strips were laid across a surface, upon which a frame of "La sortie des ouvrier de l'usine Lumière" was projected. The stringing together of the individual developed sections make up the new film, which reads the original frame like a page from a musical score: within the strips from top to bottom and sequentially from left to right.
5.7It's just a simple stretch of interviews and images capturing the people who camp out, dope up, drink up, sometimes get naked, and jump into a nearby waterfall, whilst listening to musicians like Daniel Johnston.
Intended as a publicity film for Chrysler, Rhythm uses rapid editing to speed up the assembly of a car, synchronizing it to African drum music. The sponsor was horrified by the music and suspicious of the way a worker was shown winking at the camera; although Rhythm won first prize at a New York advertising festival, it was disqualified because Chrysler had never given it a television screening. P. Adams Sitney wrote, “Although his reputation has been sustained by the invention of direct painting on film, Lye deserves equal credit as one of the great masters of montage.” And in Film Culture, Jonas Mekas said to Peter Kubelka, “Have you seen Len Lye’s 50-second automobile commercial? Nothing happens there…except that it’s filled with some kind of secret action of cinema.” - Harvard Film Archive
5.8A nude couple pose in an art studio on a square rug, while the camera does a circular traveling around them; the woman has her right knee on the floor and her right arm raised in front of her face, holding the man's thighs with her right, while the man is bent forward, as if looking in the distance.
4.2The fakir with his trick monkey is seated on the pavement in a street in Cairo. He plays a tom-tom, while the monkey dances the couchee-couchee. The movements of the monkey are very comical. (Taken on the winter cruise of the S. S. "Auguste Victoria" of the Hamburg-American Line, leaving New York on 03 Feb 1903.)
5.1The launching of the ship Varèse in Livourne.
View of the audience, following the launch of a ship.
A woman from the Ashanti tribe bathes her child in a shallow bowl.
4.8Travellers, nomads and salesmen make their way along a dam next to the Nile.
6.2In this color-tinted short, we first see a close-up of a red rose, perfectly formed. Then, we see the rose held by a young woman who is wearing a bright yellow dress. She's the second beauty. Behind her is a slow dissolve to the US flag, tinted in red, white, and blue, blowing in the wind. Behind the flag is a star-lit sky.
4.3It's common knowledge that Scotsmen are macho enough to pull off wearing a skirt - perhaps it's all that caber-tossing. This disarmingly simple film concentrates on the tartan cloths of various clans rather than the men who wore them, and is an early filmic reminder of their huge importance to both Scottish national identity and the thriving tourist industry north of the border. The film's unique selling point was that pioneering filmmaker G. A. Smith showed off the vibrant designs in Kinemacolor, among the earliest colour film processes that didn't involve meticulous hand-painting. And no dangly bits in sight.