Brute Force(2025)

Maret(de)

After losing part of her memory, Maret, 44, sets out to find out who she used to be. She learns about the many different life paths she followed, in none of which anything was ever really achieved. A profoundly unhappy person in a never-ending, headlong rush. A doctor on the island of Lanzarote offers to put this restlessness to an end through brain surgery. A promise of peace and satisfaction. Will Maret proceed with the surgery that would take away part of her being - or not?

West of Greatness: The Story of the Westwego Muscle Boys(en)

In a fading Louisiana town, Jerome dreams of Hollywood while Terry seeks escape from a troubled home. United by desperation, they train for a high-stakes bodybuilding competition that becomes their shot at something more. Filmed over 18 months, WEST OF GREATNESS blazes a bold new trail in cinematic storytelling, blending raw documentary with scripted drama. It's a haunting, human story of ambition, survival, and the quiet bond that forms when there's nothing left to lose.

Une nouvelle réalité(fr)

To My Motherland(en)

To My Motherland is an experimental personal essay film that blends personal photographs and home videos to explore the complexities of immigration, language, and returning to the motherland.

Celestial Night: a film on visibility(en)

Celestial Night is a film on visibility and questions what it means to see. It is a film about what is invisible apart from the imagination: Celestial Night is a film dealing with this vital power, the ability to envision. It is a search in present day Japan for the mythical Japanese Emperor Amayonomikoto who was blind, and the story of a time when seeing was not believing.

Ozu: Passageways(en)

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

Treblinka(pt)

Present, past and future merge in the wagons of a train that crosses Eastern Europe in the XXI century: Poland, Russia, Ukraine. The slogan of the post-war "Never Again" sounds now like a fairy tale. Everything is happening again. Everywhere.

A Way(de)

"If there is a relationship between production and destruction, between the development of productive and destructive forces, then the atom bomb is the ultimate weapon of the post-industrial age. Greatest tonnage, highest mortality, maximum devastation. But what comes next, what are the weapons of the post-industrial age?" - Harun Farocki

Wes Anderson: From Above(en)

A visual essay that highlights top-down shots from Wes Anderson's filmography.

The Devil's Bath(de)

In 1750 Austria, a deeply religious woman named Agnes has just married her beloved, but her mind and heart soon grow heavy as her life becomes a long list of chores and expectations. Day after day, she is increasingly trapped in a murky and lonely path leading to evil thoughts, until the possibility of committing a shocking act of violence seems like the only way out of her inner prison.

Elemental(en)

40,000 years in the making: Kogonada's video essay created for The Connected Series.

The Last Dialogue(de)

"Austria - First Victim of National Socialism" - this is the core theme of the self-image of the country that first welcomed Hitler with waving flags and arms stretched to the sky: Nation, People and Race - Sieg Heil! Monuments, commemorative events and in between the helplessness of dull remembrance. What to do with the lie, where to put the pain, and why again? The war of narratives begins with the liberation of the concentration camps, with the piles of corpses - and it continues to this day. A final journey with those who were there. Which story do we tell ourselves, and which do we want to hear?

American Journal(fr)

A cinematic essay interweaving private archive images and a mixture of reflective, speculative and poetic intertitles that, like “an old movie from the 20th century”, invites us to meditate on what Des Pallières once liked to call “our old homeland”.

We're All Plastic People Now(en)

In an era of throw-away ease, convenience has cost us our well-being. Plastics have been found inside our bodies— in our colons, our brains, and even in mothers’ developing wombs. Scientists around the country are sounding the alarm, but without public buy-in, there is little that can be done. How much evidence do we need before we decide to take action?

Sarajin(ko)

An immigrant fishing family is forced to decide whether to stay or leave Alaska behind after the snow crabs disappear.

Covid-Impfopfer - Geschädigte, die es nicht geben darf(de)

The Whistling Man(id)

Footage of a no-longer-couple celebrating New Year's Eve 2024 in the center of Jakarta with a roar of happiness, and the chanting of a flute from an unknown man.

Jack(de)

Delving deep into the soul of one of Austria’s most infamous real-life convicts, Jack is a fascinating, unprejudiced look at the path to redemption and the obstacles that bar the way.

Histoire(s) du Cinéma 1b: A Single (Hi)story(fr)

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

Borges: A Life in Poetry(it)

A peculiar portrait of the Argentinean writer Jorge Luis Borges (1899-1986) drawn by the extravagant and original look of the Spanish writer Fernando Arrabal, who establishes a bold parallelism between Borges' work and opinions and his own creations, both literary and cinematographic.