Caste Aside(2018)

The Painter's Room(ku)

Artin, a young Iranian bodybuilder, and Jahan, a Kurdish man who recently discovered his love for painting, live in Kærshovedgård, a former prison now used as a deportation center.

Aqui Favela, o Rap Representa(pt)

Architects of Denial(en)

Though both the historical and modern-day persecution of Armenians and other Christians is relatively uncovered in the mainstream media and not on the radar of many average Americans, it is a subject that has gotten far more attention in recent years.

Ouaga Girls(fr)

A group of young women from Ouagadougou study at a girl school to become auto mechanics. The classmates become their port of safety, joy and sisterhood, all while they are going through the life changing transition into becoming adults in a country boiling with political changes. In a country with youth unemployment at 52 percent, jobs are a hot issue. The young girls at a mechanics school in Burkina Faso’s capital Ouagadougou are right in the middle of a crucial point in life when their dreams, hopes and courage are confronted with opinions, fears and society’s expectations of what a woman should be. Using interesting narrative solutions, Theresa Traore Dahlberg depicts their last school years and at the same time succeeds in showing the country’s violent past and present. This is a feature-film debut and coming-of-age film with much warmth, laughs, heartbreak and depth.

Whatever Happened To Green Valley?(en)

Green Valley was a housing commission estate in western Sydney, much maligned by the media of the day. The residents were hurt by the criticism but lacked access to the media to respond. Supplied with equipment by Film Australia, they used this film to present a different image of themselves and their daily lives. In so doing, they answered the question of "Whatever happened to Green Valley?" The core of this film is the work of half a dozen residents, co-ordinated by acclaimed filmmaker Peter Weir in one of his earliest film projects. Weir also acts as the moderator at a public forum that is included in the film.

Urmila: My Memory Is My Power(en)

The film tells the story of 25-year-old Urmila Chaudary from Nepal. At the age of six she was sold by her family and was forced to work as a slave under appalling conditions for 12 years. Her dream is to end child slavery in Nepal. To this end she fights today as a freedom activist. A film about the quest for justice with a strength that gives courage and hope.

Schlaue neue Welt - Das KI-Wettrennen(de)

The race for supremacy in the age of artificial intelligence is on: between the USA, China and Europe. Between big tech companies and start-ups. Who will win the competition? Will Europe be left behind? And who will determine a technology that will shape the future of humanity?

Le Temps de cerveau disponible(en)

Cruelty, psychological and sexual violence, humiliations: reality television seems to have gone mad. His debut in the early 2000s inaugurated a new era in the history of the audio-visual. Fifty years of archives trace the evolution of entertainment: how the staging of intimacy during the 80s opened new territories, how the privatization of the biggest channels has changed the relationship with the spectator. With the contribution of specialists, including philosopher Bernard Stiegler, this documentary demonstrates how emotion has made way for the exacerbation of the most destructive impulses.

A Woman's Place(en)

A Woman's Place is the first film about the UK women's liberation movement. Crockford and her co-producers Ellen Adams and Tony Wickert document the movement's first national conference and march and examine its demands. The film records impassioned discussions and speeches, as well as the humour of the marchers. It also includes interviews with members of the public who give their perspective on women's liberation Crockford made the film as an attempt to see 'whether other people could be engaged by what I believed in'.

Yintah(en)

Wet’suwet’en leaders unite in a battle against the Canadian government, corporations, and militarized law enforcement to safeguard their territory from gas and oil pipelines.

Not Even in a Wildest Dream(pt)

The challenges of the present, expectations for the future, and the dreams of those who experience the reality of public high school in Brazil. Through the voices of students, principals, teachers and experts, "Not Even In a Wildest Dream" offers a reflection on the value of education.

Stunned, I Remain Alert(pt)

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

Chauka, Please Tell Us The Time(en)

An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.

Joan Baez: How Sweet the Sound(en)

Following folk musician Joan Baez on her extensive 2008-2009 tour, this film commemorates her career, which has spanned five decades. It includes concert and archival footage as well as interviews with such disparate colleagues, friends and admirers as Bob Dylan, Jesse Jackson and David Crosby. In addition to the music, it also touchs upon Baez's long history of global social activism.

La Corse, belle et méditerranéenne(fr)

T'Ain't Nobody's Bizness: Queer Blues Divas of the 1920s(en)

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.

Father, Son and Holy War(hi)

Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.

Ez, eskerrik asko! Gladys' Window(eu)

At the beginning of the 80s, the antinuclear movement was in full expansion internationally and also in the Basque Country. In addition to the three plants that were about to be built on the coast (Lemoiz, Ea-Ispaster and Deba), a fourth was planned to be built in Arguedas. To protest against this, mobilizations were organized in Tudela. Gladys del Estal Ferreño traveled to Tudela, but did not return. In that peaceful demonstration, she was killed by the gunshot of a Civil Guard. This documentary, following the Gladys incident, tries to make a portrait of a social movement that attracted the majority of Basque society at that time.

The Last Fistful of Land(it)

'L'ultimo pugno di terra' (The Last Fistful of Land) is a 1966 documentary film directed by Fiorenzo Serra about the anguish and instability of the lower classes in a destitute Sardinia. Originally commissioned by the Sardinian regional government as a celebratory piece on the 'miraculous' effects of the 'Piano di Rinascita della Sardegna' (Sardinia's Rebirth Plan), the film instead shows an island still 'standing still in time', barely affected by the painful oxymoron of the inevitable changes taking place.

Happy Happy Joy Joy: The Ren & Stimpy Story(en)

Exploring the rise and fall of the groundbreaking animated series ​Ren & Stimpy​ and its controversial creator, John Kricfalusi, through archival footage, show artwork and interviews with the artists, actors and executives behind the show.