Luís Ferreira Alves: Um Olhar Construído(NaN)

êxodo rural(pt)

Memories of the Sítio(pt)

In 1952, TV Tupi, Brazil's first television channel, invited psychiatrist Júlio Gouveia and his wife, Russian writer Tatiana Belinky, to develop the network’s children's programming. The couple then asked the sons and daughters of their friends to join the cast of the newly created shows, the most prominent of which was Sítio do Picapau Amarelo. And so, Antonio Silvio, Lia, Lídia, Sérgio, and David José embarked on an unexpected journey that would come to shape the future of Brazilian television. Memories of the Sítio is a trip through the personal recollections of these actors and the story of the first television adaptation of Monteiro Lobato’s work.

No Words: The Art Of Photography(pt)

Follow reporter Francesco Croquete Margharette on his comical journey through the world of photography.

Silêncio das Asas(pt)

Tangos e Tragédias Para Sempre(pt)

DO CONCRETO A ZABUMBA(pt)

Copan(pt)

A microcosm of everything Brazil stands for: the good, the bad and the ugly. This immersive and intimate portrait of the largest residential building in Latin America and its inhabitants shines a light on a country being torn apart by corruption, populism, polarized politics and a collapsing democracy.

Océano Negro(es)

Carlos Carreto, photographer, and María Fernández, painter, join forces to bring forth the exhibition “Océano Negro”. A brief journey not only through their work, but also within themselves. An excuse to talk about water in all its forms and provocations. Rain, clouds, reflections, distortion... everything is water to be shaped with the gaze.

Body-Buildings(pt)

Ceifeira(pt)

A.D.VERSE(pt)

The sacred and the profane are explored through the dialectic between sacred images and the world of BDSM when we meet Guilherme and his fetishist persona Luke.

Phantom Heritage(pt)

Every Moment of You(es)

Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.

Las formas del amor(es)

The last movie(pt)

La técnica Dubois(es)

City Of Colors(es)

High-Rise(en)

Life for the residents of a tower block begins to run out of control.

Nos banzeiros da Memória: A sociologia na Amazônia Paraense(pt)

Jesus Christ Saviour(de)

Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’